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Home»Culture»What’s Coming into the Public Area in 2026: Faulkner’s As I Lay Dying, All Quiet on the Western Entrance, Betty Boop & Extra
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What’s Coming into the Public Area in 2026: Faulkner’s As I Lay Dying, All Quiet on the Western Entrance, Betty Boop & Extra

Buzzin DailyBy Buzzin DailyJanuary 1, 2026No Comments3 Mins Read
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What’s Coming into the Public Area in 2026: Faulkner’s As I Lay Dying, All Quiet on the Western Entrance, Betty Boop & Extra
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Although it isn’t the sort of factor one hears dis­stubborn every single day, seri­ous Dis­ney followers do are inclined to know that Goofy’s orig­i­nal title was Dip­py Dawg. However how most of the non-obses­sive know that Mick­ey’s religion­ful pet Plu­to was first known as Rover? (We move over in dig­ni­fied silence the qua­si-philo­soph­i­cal ques­tion of why the for­mer canine is humanoid and the lat­ter isn’t.) It’s Rover, as dis­tinct from Plu­to, who move­es into the pub­lic area this new 12 months, one in all a forged of now-lib­er­at­ed char­ac­ters includ­ing Blondie and Dag­wooden in addition to Wager­ty Boop — who, upon mak­ing her debut in Fleis­ch­er Stu­dios’ Dizzy Dish­es of 1930, has a some­what canoid seem­ance her­self. You possibly can see all of them in the video above from Duke Uni­ver­si­ty’s Cen­ter for the Examine of the Pub­lic Area, with way more infor­ma­tion avail­ready in their weblog publish mark­ing this 12 months’s “Pub­lic Area Day.”

The 12 months 1930, write the Cen­ter’s Jen­nifer Jenk­ins and James Boyle, was one “of detec­tives, jazz, speakeasies, and icon­ic char­ac­ters step­ping onto the cul­tur­al stage — lots of whom have been locked behind copy­proper for close to­ly a cen­tu­ry.”

Nov­els that come avail­ready this 12 months embody William Faulkn­er’s As I Lay Dying, Dashiell Ham­met­t’s The Mal­tese Fal­con, and Agatha Christie’s The Mur­der on the Vic­arage; among the many movies are Lewis Mile­stone’s Finest Pic­ture-win­ning All Qui­et on the West­ern Entrance, Vic­tor Heer­man’s Marx Broth­ers pic­ture Ani­mal Crack­ers, and Luis Buñuel and Sal­vador Dalí’s L’Âge d’Or. In music, com­po­si­tions like “I Bought Rhythm” and “Embrace­ready You” by the Gersh­win Broth­ers in addition to file­ings like “No one Is aware of the Trou­ble I’ve Seen” by Mar­i­an Ander­son and “Candy Geor­gia Brown” by Ben Bernie and His Lodge Roo­sevelt Orches­tra have additionally, in the end, gone pub­lic.

Reflec­tion on a few of these works them­selves sug­gests some­factor in regards to the impor­tance of the pub­lic area. With the title of Truffles and Ale, anoth­er e-book on this 12 months’s crop, Som­er­set Maugh­am makes ref­er­ence to “a clas­sic pub­lic area work, on this case Shakespeare’s Twelfth Evening”; so, for that mat­ter, does Faulkn­er, giv­en that the road “as I lay dying” comes from the Odyssey. “To inform new sto­ries, we draw from previous­er ones,” write Jenk­ins and Boyle. “One murals evokes anoth­er — that’s how the pub­lic area feeds cre­ativ­i­ty.” At the moment, we’re free to take explic­it inspi­ra­tion for our personal work from Nan­cy Drew, “Only a Gigo­lo,” Blondie, Mon­dri­an’s Com­po­si­tion with Purple, Blue, and Yel­low, Hitch­cock­’s Mur­der!, and far else moreover. And by all means use Rover, however for those who additionally need to usher in Dip­py Dawg, you’re going to have to attend till 2028.

Relat­ed Con­tent:

What’s Enter­ing the Pub­lic Area in 2025: Hemingway’s A Farewell to Arms, Faulkner’s The Sound and the Fury, Ear­ly Hitch­cock Movies, Tintin and Pop­eye Automotive­toons & Extra

The Harlem Jazz Singer Who Impressed Wager­ty Boop: Meet the Orig­i­nal Boop-Oop-a-Doop, “Child Esther”

Automotive­toon­ists Draw Their Well-known Automotive­toon Char­ac­ters Whereas Blind­fold­ed (1947)

Watch Restored Ver­sions of Clas­sic Fleis­ch­er Automotive­toons on Youtube, Fea­tur­ing Wager­ty Boop, Koko the Clown & Oth­ers

Vin­tage Audio: William Faulkn­er Reads From As I Lay Dying

16 Free Hitch­cock Motion pictures On-line

Primarily based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His tasks embody the Sub­stack newslet­ter Books on Cities and the e-book The State­much less Metropolis: a Stroll by way of Twenty first-Cen­tu­ry Los Ange­les. Fol­low him on the social internet­work for­mer­ly often called Twit­ter at @colinmarshall.



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