It could have crossed your thoughts, whereas beholding paintings of Vincent van Gogh, that you simply’d prefer to personal one yourself someday. If that’s the case, you’ll need to get in keeping with various billionaires, and even they could never see one go up on the auction block. This may probably come as a surprise to van Gogh himself, who died destitute — and practically unknown — after an artistic profession of simply ten years. In that point, he managed to promote precisely one painting, at the very least according to certain definitions of “promote.” Van Gogh did barter paintings for meals and artwork supplies, and he did settle for commissions, startning with one from his art-dealer uncle Cor. However as for gross sales made to non-relatives via an official present, we solely know of 1: La vigne rouge.
Identified in English as The Pink Vineyards close to Arles, or simply The Pink Vineyard, the painting depicts a landscape van Gogh got here throughout “on a late aftermidday stroll with Paul Gauguin on 28 October 1888, 5 days after his buddy’s arrival in Arles.” So writes Martin Bailey at The Artwork Informationpaper, who provides that “chooseing the grapes normally takes place in September in Provence, however the harvest appears to have been late that 12 months.”
To his brother Theo, Vincent described the scene thus: “A purple vineyard, completely purple like purple wine. Within the distance it turned yellow, after which a inexperienced sky with a solar, fields violet and glowing yellow right here and there after the rain wherein the setting solar was replicateed.” The artist was not, however, moved to arrange his canvas then and there; relatively, he painted the vineyard the subsequent month, from memory.
Vincent let Theo cling the consequenceing canvas in his Paris asidement till he requested for it again with the intention to exhibit it within the annual Brussels present placed on by a bunch referred to as Les Vingt in early 1890. The Pink Vineyards’ purchaseer was one among their number, a certain Anna Boch, the sister of van Gogh’s colleague in impressionism (and onetime portrait subject) Eugène Boch. Although she was no relation, Anna did pay full sticker value for the painting, and van Gogh later expressed some remorse about not giving her a “buddy’s value.” However whatever it price her, it was positively a steal compared to its value at the moment, after its purchase by a Russian collector, its revolutionary expropriation, and its lengthy Soviet suppression followed by proud exhibition at Moscow’s Pushkin State Museum of High quality Arts — which, owing to the painting’s fragility, received’t even lend it out.
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Based mostly in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His tasks embrace the Substack newsletter Books on Cities and the e book The Statemuch less Metropolis: a Stroll via Twenty first-Century Los Angeles. Follow him on the social webwork formerly often known as Twitter at @colinmarshall.