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Home»Culture»Uncover the First Horror & Fantasy Journal, Der Orchideengarten, and Its Weird Art work (1919-1921)
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Uncover the First Horror & Fantasy Journal, Der Orchideengarten, and Its Weird Art work (1919-1921)

Buzzin DailyBy Buzzin DailyApril 4, 2026No Comments4 Mins Read
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Uncover the First Horror & Fantasy Journal, Der Orchideengarten, and Its Weird Art work (1919-1921)
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Der_Orchideengarten,_1920_cover_(Leidlein)

From the 18th cen­tu­ry onward, the gen­res of Goth­ic hor­ror and fan­ta­sy have flour­ished, and with them the sen­su­al­ly vis­cer­al photos now com­mon­place in movie, TV, and com­ic books. These gen­res per­haps reached their aes­thet­ic peak within the nineteenth cen­tu­ry with writ­ers like Edgar Allan Poe and illus­tra­tors like Gus­tave Dore. Nevertheless it was within the ear­ly twen­ti­eth cen­tu­ry {that a} extra pop­ulist sub­style tru­ly got here into its personal: “bizarre fic­tion,” a time period H.P. Love­craft used to explain the pulpy model of tremendous­nat­ur­al hor­ror cod­i­fied within the pages of Amer­i­can fan­ta­sy and hor­ror magazine­a­zine Bizarre Tales—first pub­lished in 1923. (And nonetheless going sturdy!)

Orchid_2Orchid_2

A pre­cur­sor to EC Comics’ many lurid titles, Bizarre Tales is usually con­sid­ered the defin­i­tive ear­ly twen­ti­eth cen­tu­ry venue for bizarre fic­tion and illus­tra­tion.

However we want solely look again just a few years and to anoth­er con­ti­nent to search out an ear­li­er pub­li­ca­tion, serv­ing Ger­man-speak­ing followers—Der Orchideen­garten (“The Gar­den of Orchids”), the very first hor­ror and fan­ta­sy magazine­a­zine, which ran 51 points from Jan­u­ary 1919 to Novem­ber 1921.

Orchid_3Orchid_3

The magazine­a­zine fea­tured work from its edi­tors Karl Hans Strobl and Alfons von Czibul­ka, from guess­ter-known con­tem­po­raries like H.G. Wells and Karel Capek, and from fore­fa­thers like Dick­ens, Pushkin, Man de Mau­pas­sant, Poe, Voltaire, Wash­ing­ton Irv­ing, Nathaniel Hawthorne, and oth­ers. “Though two problems with Der Orchideen­garten have been devot­ed to detec­tive sto­ries,” writes 50 Watts, “and one to erot­ic sto­ries about cuck­olds, it was a gen­uine fan­ta­sy magazine­a­zine.” And it was additionally a gallery of weird and unusu­al artwork­work.

04-Der-Orchideengarten--1919--German-magazine-cover_90004-Der-Orchideengarten--1919--German-magazine-cover_900

50 Watts quotes from Franz Rottensteiner’s descrip­tion of the journal’s artwork, which ranged “from rep­re­sen­ta­tions of medieval wooden­cuts to the work of mas­ters of the macabre corresponding to Gus­tave Dore or Tony Johan­not, to con­tem­po­rary Ger­man artists like Rolf von Hoer­schel­mann, Otto Lenneko­gel, Karl Rit­ter, Hein­wealthy Kley, or Alfred Kubin.” These artists cre­at­ed the cov­ers and illus­tra­tions you see right here, and lots of extra you possibly can see at 50 Watts, the black solar, and John Coulthart’s {feuil­leton}.

Orchid_5Orchid_5

“What strikes me about these black-and-white draw­ings,” just like the dense, fren­zied pen-and-ink scene above, Coulthart com­ments, “is how dif­fer­ent they’re in tone to the pulp magazine­a­zines which fol­lowed brief­ly after in Amer­i­ca and else­the place. They’re without delay much more grownup and fre­quent­ly extra orig­i­nal than the Goth­ic clichés which padded out Bizarre Tales and fewer­er titles for a few years.” Certainly, although the for­mat could also be sim­i­lar to its suc­ces­sors, Der Orchideen­garten’s cov­ers present the influ­ence of Sur­re­al­ism, “some are virtually Expres­sion­ist in fashion,” and lots of the illus­tra­tions present “a dis­tinct Goya influ­ence.”

Orchid_1Orchid_1

Pop­u­lar fan­ta­sy and hor­ror illus­tra­tion has typically leaned extra towards the soft-porn of sev­en­ties air­brushed vans, pulp-nov­el cov­ers, or the gris­ly kitsch of the comics. Rot­ten­stein­er writes in his 1978 Fan­ta­sy Ebook that this “large-for­mat magazine­a­zine… should certain­ly rank as some of the beau­ti­ful fan­ta­sy magazine­a­zines ever pub­lished.” It’s exhausting to argue with that assess­ment. View, learn (in Ger­man), and down­load orig­i­nal scans of the journal’s first sev­er­al points over on this Prince­ton web site.

Be aware: An ear­li­er ver­sion of this publish appeared on our web site in 2016.

If you need to enroll in Open Tradition’s free e-mail newslet­ter, please discover it right here. It’s an effective way to see our new posts, all bun­dled in a single e-mail, every day.

If you need to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our web site. It’s exhausting to rely 100% on advertisements, and your con­tri­bu­tions will assist us con­tin­ue professional­vid­ing the very best free cul­tur­al and edu­ca­tion­al mate­ri­als to study­ers each­the place. You’ll be able to con­tribute by Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

How Georges Méliès A Journey to the Moon Grew to become the First Sci-Fi Movie & Modified Cin­e­ma For­ev­er (1902)

Learn Mar­garet Cavendish’s The Blaz­ing World: The First Sci-Fi Nov­el Writ­ten By a Lady (1666)

The First Work of Sci­ence Fic­tion: Learn Lucian’s 2nd-Cen­tu­ry Area Trav­el­ogue A True Sto­ry

Free: 356 Problems with Galaxy, the Floor­break­ing Nineteen Fifties Sci­ence Fic­tion Magazine­a­zine

Josh Jones is a author and musi­cian based mostly in Durham, NC. Fol­low him at @jdmagness



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