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Home»Culture»Springsteen’s Misplaced Gospel Album – Christ and Pop Tradition
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Springsteen’s Misplaced Gospel Album – Christ and Pop Tradition

Buzzin DailyBy Buzzin DailySeptember 19, 2025No Comments6 Mins Read
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Springsteen’s Misplaced Gospel Album – Christ and Pop Tradition
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I’ve been following Bruce Springsteen for 50 years, since I first noticed him in live performance in Norfolk, Virginia, one August night time in 1975. I used to be sixteen, searching for one thing transcendent, one thing that might rock my soul. It was the Born to Run tour, selling the album that’s his magnum opus. Three jaw-dropping hours later, I left that venue feeling extra alive than ever.

Since then, I’ve seen the Boss twenty-five occasions. I personal each album, just a few live performance DVDs, and a bunch of bootlegs. I’ve learn a number of biographies, together with his memoir, and lots of of articles.

Till the current launch of Faithless, nobody had written about a whole Springsteen album of religious songs, as a result of it didn’t exist.

All that to say, I really feel like I do know Springsteen fairly nicely. However I didn’t know till lately that, twenty years in the past, he made a gospel album. An honest-to-God report of songs of religion and doubt, sin and redemption, prayer and confession, and a deep eager for heaven. The work is titled, sarcastically, Faithless, and it’s certainly one of seven never-before-heard information on Tracks II: The Misplaced Albums, which was launched in June. Springsteen, a prolific author, recorded the seven albums—a complete of eighty-three songs—between 1983 and 2018, however had shelved all of them for one motive or one other.

Faithless, written and recorded in 2005, was imagined to be a soundtrack for a movie by the identical title, a film Springsteen calls “a religious Western.” The movie was by no means made, and the eleven songs have been put aside… till now. (Sadly, the Faithless album isn’t accessible by itself, however solely bought as a part of the seven-album Tracks II assortment. Alternatively, there’s additionally a twenty-song sampler referred to as Misplaced and Discovered.)

Springsteen, a self-described “lapsed Catholic,” gave some again story to The New York Occasions.

“I had an hour of faith each single morning from after I was 6 years outdated till I used to be 12, 13,” he stated. “They steeped you within the Bible and concepts of damnation and redemption. Once you get that at that age, it stays with you your total life. Fortunately I used to be in a position to flip it into lyrics and ideas. There’s a whole lot of references to non secular imagery in a whole lot of my music.”

I’ve observed that imagery through the years. “Land of Hope and Goals” is certainly one of my favourite songs in regards to the hereafter, and The Rising, an album written and recorded after 9/11, is rife with songs of hope and new life. Many articles have explored Springsteen’s songs of religion, and a Rutgers prof even taught a course and wrote a guide about it. However till the current launch of Faithless, nobody had written about a whole Springsteen album of religious songs, as a result of it didn’t exist.

It’s Steinbeck meets Louis L’Amour. Or, because the Nationwide Catholic Register wryly observes, “It’s the Augustinian journey, Jersey model.”

Springsteen, now seventy-five, performs a lot of the devices himself on the undertaking, which incorporates parts of people, nation, blues, and gospel. The needle drops on instrumental opener “The Desert.” Maybe a nod to the temptation of Christ? We don’t know. There are three extra instrumentals—together with the stunning, haunting “A Prayer by the River”—all meant as “interstitials” for the film that by no means was.

The seven lyrical songs appear to explain the journey of a fictional cowboy, narrating seminal moments of his life. There’s a harkening for the holy and there are struggles with temptation, typically all of sudden. It’s Steinbeck meets Louis L’Amour. Or, because the Nationwide Catholic Register wryly observes, “It’s the Augustinian journey, Jersey model.”

“The place You Going, The place You From” describes a person “wandering on the street to kingdom come… constructing my mansion within the night solar,” whereas additionally wrestling with a whiskey bottle and the Satan. And but each verse, whether or not reward or confession, ends with “Glory hallelujah.”

On “Faithless,” our protagonist—performed by Springsteen himself in cowboy garb in the lyric video—says he was “faithless” till “I met you.” Is {that a} human or a divine “you”? Maybe this verse is the inform: “I reached for the hem of His garment / I stood within the gentle of the doorway / I noticed my face within the waters on the riverside / Faithless, then I discovered you.”

In “All God’s Youngsters,” with a raucous vibe resembling an outdated work track, the character growls, “I ain’t been to heaven however I’ve been to hell,” however then proclaims with confidence, “I’ll be prepared when the rapture comes / Glory hallelujah.”

“God Despatched You,” a young psalm of reward, is sung over piano accompaniment with a gospel choir chiming in close to the top:

God despatched you to me
A prayer of security and salvation
God despatched you to me
When religion was so exhausting to see
God despatched you to me
By means of His inside gentle, forsake temptation
God despatched you to me

Up subsequent is “Going to California,” the place our major character reveals his journey plans to an Edenic vacation spot “the place the candy fruit falls off the timber / The honeysuckle bloom and the blossom fragrance the cool of the night breeze.” And but, like Eden, it’s not with out temptation: “The place the ladies are as fairly as pearls / The place the rivers brim with whiskey and gin and the Spanish señoritas twirl.”

“My Grasp’s Hand,” the album’s greatest track, is a reverent prayer to be God’s vessel, come hell or excessive water: “And when the satan’s wheel spins ’spherical / With sword and protect I’ll lay him down… / I’ll be the hammer in my grasp’s hand.” The fade-out, with harmonica and a gospel choir, is soul-stirring.

The album’s penultimate track, “Let Me Trip,” is an attraction for grace… and admission to the ever after. Our character, joined once more by a gospel choir, pleads for mercy: 

I’ve been a stranger, I’ve been a thief
I’ve been a gambler, I’ve been a cheat
Give me my ticket, Lord, and let me journey

A becoming prayer for us all, sinners in want of a grace-filled ticket to glory.



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