On Thursday evening, Sotheby’s completed off per week of night gross sales with a largely energetic three-part public sale of contemporary artwork that noticed a Frida Kahlo portray promote for a document worth of $54.7 million and introduced in a mixed $304.6 million inclusive of charges, effectively above a $211.3 million–$289.3 million pre-sale estimate.
The night began off with 13 artworks from the gathering of Chicago-based Cindy and Jay Pritzker, adopted by a bunch of Surrealist works. Final got here a multiple-owner fashionable artwork public sale.
“Everybody retains asking me if I’m emotional,” stated Pritzker’s granddaughter, Abby Pucker, earlier than the sale began, “however I’m excited for everybody to see my grandmother’s persona and style and magnificence. To share that with the world is thrilling.”
She had cause to be excited: the 13 tons within the Pritzker portion of the night have been a rousing success, totaling $109.5 million, with 5 artworks promoting above estimate, 5 inside, and solely three under. The best end result within the sale was $62.7 million, a 35 % soar on its pre-sale estimate, for Vincent van Gogh’s 1887 Piles de romans parisiens et roses dans une verre (Romans parisiens), a portray of books laid out on a desk. The paintings generated a seven-minute bidding warfare between Sotheby’s specialist Simon Shaw and two bidders within the room, recognized by the Baer Faxt after the sale as vendor David Nahmad and adviser Patti Wong. The latter finally gained the prize.
The truth is, there was deep bidding all through the night, with quite a few artworks producing curiosity from a number of cellphone bidders and in-person attendees.
The 24-lot “Beautiful Corpus” sale that adopted, reported by Artnet Information to be coming from the gathering of Selma Ertegun, made a stable displaying at a complete of $98 million, with 12 tons hammering above their estimates, 3 inside, and 6 under. Among the many successes was Valentine Hugo’s otherworldy 1932 work on paper Le Crapaud de Maldoror, which soared previous its estimate of $100,000–$150,000 to make $650,000 ($825,500 with charges). The paintings has an inscription in French that interprets to “You should be highly effective as a result of you’ve a greater than human face, unhappy just like the universe, lovely like suicide.”

Frida Kahlo, El sueño (La cama), 1940.
Courtesy Sotheby’s
However the star lot of “Beautiful Corpus”—certainly of all the night—was Frida Kahlo’s self-portrait El sueño (La cama). After an almost 5-minute bidding battle between bidders Sotheby’s specialists Julian Dawes and Anna Di Stasi, each on the cellphone with purchasers, the portray bought for $55M (inclusive of charges) to Di Statsi’s bidder, an public sale document 3 times over: for Kahlo, for a piece by a Latin American artist, and for a piece by a lady. The hammer got here all the way down to a hearty spherical of applause. The earlier highest worth at public sale for a piece by a lady artist is Georgia O’Keeffe’s Jimson Weed / White Flower no.1, bought at Sotheby’s in 2014 for $44.4 million. The earlier document for a piece by Kahlo at public sale was $34.9 million bought at Sotheby’s in 2021.
Issues bought uneven, nevertheless, within the last portion of the night, with the 32 tons that constituted the fashionable night public sale, which totaled $97 million. Three have been withdrawn—the 1949 Maria Martins sculpture O Guerreiro, consigned by the Maria Martins Household Assortment in Brazil; Monet’s 1882 portray Un Parc à Pourville from the Sam & Marilyn Fox Assortment; and Cândido Portinari’s 1936 portray Mulata de vestido branco. (In a late-in-sale snafu, the Monet got here out briefly as if it have been occurring the block.) And ten tons, together with works by Rothko and Giacometti from the Geri Brawerman Assortment, hammered effectively under their estimates, a positive signal that reserves had been lowered. “We monitor response and curiosity and we labored with our sellers to regulate reserves the place crucial,” auctioneer Helena Newman confirmed to ARTnews after the sale.
The best worth work within the multiple-owner sale was René Magritte’s 1942 portray Le jockey perdu, which went for a within-estimate $12.3 million, inclusive of charges, to adviser Jussi Pylkännen, per the Baer Faxt.
“Tonight the work was good,” stated adviser Todd Levin. “The Monet and Kahlo have been distinctive. However virtually every little thing hammered on the low finish or inside estimate. The Monet doubled its low estimate. However clearly issues have been crystallizing inside the final 24 hours. It was a white glove sale as a result of it was dealt with correctly. When the auctioneer stated, ‘I can promote it,’ the bids on many tons have been tremendously under the low estimates. This was a wise, balanced market and so they had a great, stable evening.”
The recipe for the previous week’s success, to Levin, was easy: “This week we had high-quality works with smart estimates.”

