If you work as a visible artistic, visibility is every thing. You form notion by design, picture, narrative and context. However what occurs when the individuals you hope to characterize have been intentionally erased from view?
UNSEEN, conceived by Marina Willer and her workforce at Pentagram, solutions that query straight. The marketing campaign makes use of a strong visible language to attract world consideration to the struggling of North Korean ladies, and to ask audiences to confront what has been intentionally obscured.
Why ladies? Admittedly, within the secretive and repressive society of North Korea, systematic violence, poverty and compelled labour have an effect on each women and men. Nonetheless, they’ve a very marked influence on the latter.
Worse nonetheless, many ladies who achieve fleeing the nation then face trafficking, slavery and sexual abuse as soon as they cross the border into China. Exterior of South Korea, although, their tales hardly ever attain the information media. This marketing campaign aimed to alter all that.
What Pentagram made
Marina’s workforce created the identify, messaging and full design of the marketing campaign, which appeared throughout New York this autumn. At its core is a portrait collection wherein a translucent pink dot covers every lady’s face.




The dot represents violence and erasure, but additionally resilience and defiance. It partially conceals, whereas nonetheless permitting a glimpse of the face beneath. On this gentle, it serves not simply as a visible machine but additionally as a considerate image, a means of mediating threat, presence, and visibility.
UNSEEN portraits have appeared on Instances Sq. billboards and 68 Manhattan newsstands, ultimately culminating in an exhibition at Lume Studios on Broadway. The marketing campaign is supported by Amnesty Worldwide, FIDH (Worldwide Federation for Human Rights), HanVoice, ICNK (Worldwide Coalition to Cease Crimes Towards Humanity in North Korea), NKnet (Community for North Korean Democracy and Human Rights) and CSW (Christian Solidarity Worldwide).
Why it really works
The initiative is grounded in stark truths. Ladies make up greater than 80% of North Koreans who flee to South Korea. The journey is illegitimate and harmful, and those that escape usually face deportation, pressured labour or exploitation. Admirably, although, UNSEEN doesn’t fall into sensationalism. As an alternative, it insists these ladies be recognised as people with company and resilience, not simply statistics or tragic backdrops. It is a lesson in considerate illustration, and in how creativity can carry duty.



A undertaking like this asks huge questions on moral storytelling. How do you depict vulnerability with out exploiting it? How do you talk hazard whereas sustaining dignity? UNSEEN navigates this minefield by giving its topics presence, whereas mediating publicity. On this gentle, the pink dot serves as each masks and assertion; a visible metaphor that concurrently conceals and compels.
Classes for creatives
So what broader classes can creatives take away from this marketing campaign? I might argue it is the concept your work isn’t impartial. Each selection — from color and composition to medium and placement — carries that means, duty, and potential influence.
UNSEEN works as a result of images, design, exhibition and public house function in live performance. The pink dot is straightforward, however the system round it (messaging, id, curation, and placement) makes it highly effective. It is a terrific reminder that cross-disciplinary pondering can elevate work far past what a single medium can obtain.



I might say it additionally highlights how audiences are prepared to be challenged fairly than comforted. The undertaking intentionally leans into stress: it asks the viewer to pause, replicate, and confront one thing tough.
And typically that method can really feel dangerous. However in the end, that is the type of work that lingers, the work that provokes motion and dialog.
In abstract, UNSEEN succeeds by turning absence into presence. That pink dot just isn’t a barrier; it is a demand. Take a look at what’s been hidden. Take a look at who’s been hidden.
It is a reminder that good artistic work does greater than look lovely; it stops individuals of their tracks.
It adjustments perspective. It insists the world look again, even when what’s revealed is uncomfortable. UNSEEN is a masterclass in find out how to do precisely that.

