Pop-visionary Theodora delivered a jaw-dropping efficiency for NTS Classes, showcasing three standout tracks from her deluxe mixtape “MEGA BBL,” together with “DO YOU WANNA,” “MASOKO NA MABELE,” and “I WANNA.”
A platform celebrated for spotlighting world voices, in addition to pushing the boundaries of music and visible tradition, NTS Classes offered the proper stage for Theodora’s daring artistic universe.
Her efficiency unfolded like a totally realized dwell music movie: dancers, motorbikes, truck headlights reducing by way of the darkish, and Theodora front-and-center in fierce couture and precision choreography.
This session follows the discharge of the deluxe version of “MEGA BBL,” which arrived within the wake of Theodora’s Feminine Revelation of the 12 months win at France’s prestigious Les Flammes awards. The expanded challenge takes her already boundary-breaking sound even additional — an electrical fusion of hip-hop, Caribbean bouyon, hyperpop, Afrobeat, and drum & bass — and includes a dynamic roster of collaborators, together with Brazy, Thisizlondon, bb Trikz, and Luidji.
“MEGA BBL” marks a brand new period for Theodora, signaled by her explosive efficiency of “DO YOU WANNA” at Les Flammes — a euphoric second that set social media on hearth. Within the lead-up, large teaser billboards appeared throughout Paris, Kinshasa, London, Lagos, and Barcelona, sparking world fan hypothesis and anticipation.
Now, with the NTS efficiency, that momentum turns into simple. Theodora is not only one to observe — she’s one reshaping the course of latest popular culture.
Stream “MEGA BBL”: https://open.spotify.com/album/5kULRFcbbkP6NHNBpi6T6p
Canadian punk-rock heavyweights Calling All Captains returned November 6 with “Blood For Blood,” the latest preview of their forthcoming EP “The Issues That I’ve Misplaced,” out January 9, 2026 through New Injury Data. The observe marks a daring step ahead for the Edmonton-based band — darker, heavier, and deeply introspective.
Co-written with Tom Denney (A Day to Keep in mind, Pierce the Veil, Neck Deep), “Blood For Blood” pushes the band’s signature mix of post-hardcore aggression and pop-punk melody into emotionally charged new terrain.
At its core, the track is about confronting the shadow-self — the model of us formed by concern, anger, and the components we’d reasonably ignore.
“This track is an imaginary confrontation between you and the worst model of your self,” the band defined. “It takes place on the finish of your life, as you reconcile together with your selections — each good and evil.”
Recorded at The Audio Division in Edmonton with longtime collaborator Quinn Cyrankiewicz (Royal Tusk), and completed by Tim Creviston (combine) and Stuart McKillop (mastering), “Blood For Blood” captures the band at their most pressing and weak.
The upcoming EP “The Issues That I’ve Misplaced” finds the band reflecting on years of non-public upheaval, artistic endurance, and development. Frontman Luc Gauthier, alongside Connor Dawkins (guitar/vocals), Brad Bremner (guitar/vocals), and Tim Wilson (drums), turns emotional exhaustion into cathartic launch — a trademark of the band’s id.
“That is essentially the most private launch we’ve ever put out,” Gauthier stated. “These songs got here from a spot of reflecting on every little thing we’ve been by way of, personally and as a band. It’s uncooked, nevertheless it’s actual. And I believe individuals will really feel that.”
With hovering hooks, serrated guitars, and lyrics that hit with unfiltered honesty, Calling All Captains proceed to show why they continue to be one in all fashionable punk’s most compelling voices.
Stream “Blood For Blood”: https://callingallcaptainsstream.com/bloodforblood
Rising Belgian artist IDYL stepped into the highlight with “Phantasm,” the primary single from her forthcoming EP “Naïve.” Sincere and delicately highly effective, the observe alerts the arrival of one of the compelling new voices within the up to date French-language pop panorama.
Produced by Simon Le Saint (Stromae, Aya Nakamura), “Phantasm” is a delicate but resonant confrontation with rising up — peeling again the soft-focus glow of childhood to disclose a world marked by uncertainty, isolation, and fragile hope. IDYL’s vocals transfer with easy readability, carrying each the ache of disillusionment and the need to nonetheless imagine in one thing shiny.
The track displays a technology navigating nervousness and longing in equal measure.
“I wish to journey by way of time, to exist like earlier than… however every little thing’s an phantasm, my youngster,” IDYL sings.
With a sound that sits someplace between Angèle’s shimmering pop sensibility and the emotional directness of France Gall, IDYL crafts music that feels intimate and common directly — light sufficient to assuage, but resonant sufficient to linger.
“Phantasm” gives the primary glimpse into “Naïve,” her debut EP due in early 2026, which guarantees to discover the thresholds between innocence and readability, vulnerability and energy.
“This track invitations us to face our disillusions — but additionally to imagine in gentle, empathy, and solidarity as methods to navigate the uncertainties of our time,” IDYL stated.
Stream “Phantasm”: https://open.spotify.com/observe/0gJRmvEAi1o5EX8eIB3Js6?si=a5c0d573e0f8465d&nd=1&dlsi=5e922943b2e74b5a
UK digital innovator Seb Wildblood will carry his atmospheric, genre-blurring sound throughout Asia this November, asserting a nine-date tour that spans Japan, Korea, Singapore, Thailand, and China. The tour arrives alongside the discharge of “Carry You Again” that includes ABUNAI — the ultimate single from Wildblood’s forthcoming debut album “Waterworld,” out November 19 through all my ideas.
“Carry You Again” stands as a defining second within the Waterworld journey — a heat, dream-laced observe constructed round intimate vocal efficiency and soft-focus manufacturing. Oakland artist ABUNAI, recognized for the immersive psychedelic soul of his challenge “Chrysalis,” brings a vaporous emotional tone that pairs seamlessly with Wildblood’s delicate sonic palette.
“[This] was one of many earliest tracks that formed the album’s sound, and releasing it now as the ultimate single feels full-circle,” Wildblood stated. “I’ve been a fan of ABUNAI for a very long time, particularly his ‘Chrysalis’ album, so attending to collaborate with him actually means rather a lot.”
The place a lot of Wildblood’s catalog has lived within the membership, “Waterworld” leans inward — buying and selling the practical rhythms of the dance flooring for layered textures, smooth vocals, and a songwriter’s sense of house.
Hailed by DJ Magazine as “one of the prolific figures within the UK’s underground scene,” Wildblood has steadily constructed a worldwide following by way of his productions, remixes, and collaborations — in addition to his curatorial position with all my ideas.
Past his musical releases, Wildblood’s compositional work spans Paris and London Vogue Week for designers together with JW Anderson and Burberry, in addition to movie scoring for the Neon-produced brief “She Stated So.”
Stream “Carry You Again”: https://open.spotify.com/observe/1U4m9RSNWkWRbt1YYW5ilz?si=1b63e8f9a8cb4497&nd=1&dlsi=308efad3d4a941a9
Manchester digital trio Scissorgun will return this fall with “Scream If You Wanna Go Quicker,” out November 21 through Dimple Discs. Mixing city electronica, fuzz-drenched guitar, dub textures, and experimental soundscapes, the album threads collectively songs, dances, and impressionistic sonic sketches into one thing each hypnotic and visceral.
For Manufacturing facility Data devotees, the LP is crucial territory — the vinyl version options seven tracks, whereas the digital and CD variations embrace three extra items. Forward of the album, the group shared the tracks “Gone Rogue” and “Dangerous As Bingo.”
Shaped in 2016, Scissorgun brings collectively Dave Clarkson (synths, rhythms, tapes, percussion), Alan Hempsall (vocals, handled guitar, samples, loops), and Adrian Ball (visuals, projections). Their work sits firmly within the lineage of Manchester’s boundary-pushing experimental scene — Clarkson and Hempsall having lengthy histories tied to town’s post-punk and industrial underground.
“We at all times function on intuition and improvisation is the important thing place to begin,” Clarkson stated. “Some concepts turn out to be structured songs, however others stay as first recorded, with the music discovering us and never vice versa.
On “Gone Rogue,” a tense electro bassline and pressing percussion meet a vocal pattern pulled from conspiracy social media spheres — a commentary on fractured digital realities and the erosion of shared fact, delivered with dancefloor propulsion.
“The entire thing appeared to show right into a polemic in opposition to turning your again on humanity in revulsion,” Clarkson stated. “We dwell on the affect of the battle for our consideration on the person and the harm executed. All of the whereas, the driving beat is pushing us on with heavy cowbells and pulsing bass. We’ll all really feel higher if we dance.”
“Dangerous As Bingo” arrives on go-go rhythms, glitching low-end, and surreal spoken-word fragments — equal components chunk, nostalgia, and cathartic launch.
“The phrases flowed robotically as the very best ones at all times do,” Hempsall stated. “Broad brush observations of a scenario gone unhealthy coupled with a mawkish sentimentality for what’s misplaced.”
Stream “Gone Rogue” and “Dangerous As Bingo” on: Spotify, Apple Music, and Bandcamp
Oslo-based alt-pop and digital artist Torgny Amdam makes a hanging return with “Simply Cry,” out now through Telemachus Data.
The observe — a cinematic mix of electronica, breakbeats, and emotional minimalism — options vocals from Amdam’s 15-year-old daughter, April, introducing a deeply private dimension to his introspective songwriting. The only serves as the primary glimpse into his forthcoming idea album “Air Mail,” arriving February 2026.
With textural manufacturing recalling Trent Reznor and Daniel Avery, “Simply Cry” unfolds as each intimate confession and widescreen soundscape. Iver Armand (Mall Woman / Tigerstate) contributes guitar, including to the observe’s atmospheric pull.
The collaboration started unexpectedly.
“I overheard my daughter say the next to a pal: ‘I went with Dad to the studio on Profession Day after which he made me sing a bunch of cringe stuff into the microphone.’ What can I say? ‘Simply Cry’ is the consequence,” Amdam defined.
“Air Mail” is written and produced solely by Amdam and explores household historical past, reminiscence, and the mutability of id, sung in each English and Norwegian. The album attracts from letters Amdam wrote house whereas dwelling within the U.S. as an trade scholar within the Nineteen Nineties — an archive that grew to become the emotional anchor for the report.
Amdam first got here to prominence as frontman of Amulet, earlier than evolving into one in all Scandinavia’s most genre-fluid experimental artists. His solo work — together with 2019’s “Toilet Stall Confessional” — has earned acclaim from Conflict, Nowness, and Steel Journal. He has additionally composed for movie, contributing to Thelma (2017) and The Worst Individual within the World (2021).
Stream “Simply Cry”: https://open.spotify.com/observe/7KyYXnpRK6gllXu9IRAuAm?si=87bc395020fe488c&nd=1&dlsi=9d63197bd757446e
Cardiff-based Welsh-language different rock band Breichiau Hir have launched a brand new dwell session capturing the emotional depth on the core of their sound.
The five-track efficiency, recorded at One Louder Studios in Newport and engineered, produced, and blended by Phil Smith, is accessible now throughout streaming platforms. The band has additionally shared a three-song video playlist from the session, titled “Sesiwn Byw Y Dwylo Uwchben,” out now on YouTube.
The session arrives within the wake of the band’s current Welsh Music Prize 2025 nomination for his or her acclaimed second album “Y Dwylo Uwchben” (The Palms Above), launched through Halen Data.
“We self-released this album utterly DIY with assist from only a handful of shut collaborators, so it means an enormous quantity to us to have that effort acknowledged alongside such sensible Welsh expertise and heroes,” frontman Steffan Dafydd stated.
“Y Dwylo Uwchben” has earned reward for its expansive collision of shoegaze atmospherics, post-rock dynamics, and fervent punk songwriting.
The report’s singles, together with “Cuddio Tu Ôl Y Llen” and “Paid Trio” (which premiered on S4C’s tradition present Lŵp), additional cement the band’s status for pairing vulnerability with a cathartic, widescreen sonic strategy. Their dwell exhibits stay central to their id — an area the place tightly wound emotion erupts into noise, launch, and shared momentum.
With “Y Dwylo Uwchben,” Breichiau Hir turned their focus towards themes of destiny, company, and the stress between who we’re and who we’re anticipated to turn out to be — a forward-looking evolution from a band already revered for his or her honesty.
Contemporary off their set at Sŵn Pageant, the group wrapped up their Autumn 2025 UK assist dates with fellow Welsh icons Goldie Lookin Chain this week. Tickets are on sale now.
Stream “Y Dwylo Uwchben”: https://ditto.fm/sesiwn-byw-y-dwylo-uwchben-live-session
