Multidisciplinary artist Promiseland (aka Johann Rashid) returns with “The Lady Who Light Away,” a brand new single that includes Emma Acs through Home of Emotions Information. Dreamy but eerie, the observe swells with hushed vocals and a storm-like depth — slowly gathering earlier than crashing all of sudden.
“As summer time ends, a sure vacancy units in,” Rashid mentioned. “The world feels heavy, a collective comedown. ‘The Lady Who Light Away’ is a tune for that feeling.”
The one follows “Solely Damaged,” blended and mastered by Dave Harrington of DARKSIDE. Throughout his catalog, Promiseland crafts a fiery collision of punk vocals, pounding beats, ritualistic chants, and lyrics that really feel each pressing and poetic.
His 2023 debut album “Unhappy however Completely satisfied” arrived through Cult Information (helmed by Julian Casablancas), and included “Take Down the Home” — a menacing spotlight featured on Casablancas’ Grand Theft Auto V radio station, Kult 99.1 FM.
This yr’s singles showcase Promiseland’s knack for cinematic movies and lyrics that seize the desperation and frenzy of contemporary life. With a fast-growing world fanbase — significantly in Mexico — Rashid continues constructing an ever-expanding universe the place every launch stands as its personal distinct world.
Stream “The Lady Who Light Away”: https://orcd.co/girlwhofadedaway
Simple Star Information artist and producer Double Tiger (aka Jay Spaker) returns along with his first new music since 2020’s “The Journey.” His newest single, “Craving,” is constructed on unreleased riddims from reggae icons Sly & Robbie, recorded in Kingston, JA and blended in Boston, MA. With horn preparations by Lee Hamilton (John Brown’s Physique, Double Tiger) and a heavy dub model from Craig Welsch aka Dub Fader (10 Ft. Ganja Plant), the observe bridges roots custom with up to date hearth.
For Spaker, the chance carried deep weight.
“Being that it’s such an honor to sing on Sly & Robbie riddims, I used to be initially a bit intimidated, truthfully,” Spaker mentioned. “However as I stepped into the sales space that first night time, a sense got here via that was easy and filled with vibes. After I felt the power coming from Sly & Robbie’s enjoying, I simply composed the lyrics and melody in a single tough take. What an honor to have the ability to create alongside my musical heroes. Relaxation in Energy to the mighty Robbie Shakespeare.”
Greatest identified for his decade-long tenure with progressive reggae powerhouse John Brown’s Physique, Double Tiger has toured internationally with Rebelution, Chronixx, Barely Stoopid, Stick Determine, Morgan Heritage, Soiled Heads, Thievery Company, and lots of others. He additionally co-founded Dub-Stuy Information and has collaborated with reggae greats together with Luciano, Johnny Osbourne, Lutan Fyah, Omar Perry, Eek-A-Mouse, Scientist, Rankin Joe, Brother Tradition, and naturally, Sly & Robbie.
His solo profession has already made waves: debut album “Sharp & Prepared” landed at #3 on the iTunes Reggae Chart and #5 on Billboard’s Reggae Albums Chart, and “The Journey” climbed even greater (#2 iTunes, #4 Billboard), incomes Grammy consideration and placement on Hulu’s Excessive Constancy soundtrack.
On stage, Double Tiger balances trendy soul-roots reggae, early dancehall, and UK-style dub — sliding seamlessly between singjay hearth and soulful melodies. Whether or not fronting a full band or going solo, his performances pulse with love songs, anthems, and sharp social commentary, all the time pushed by rhythm, horns, and neighborhood power.
Stream “Craving”: https://doubletiger.bandcamp.com/album/craving
Pontypridd alt-rock trio CHROMA return with their new single “Riverhouse,” through Alcopop! Information. Two years on from their Welsh Music Prize-nominated debut “Ask For Angela,” the bilingual band step ahead with a sharper, extra private tackle their fuzzed-out melancholic rock.
“It’s been a whirlwind few years since we launched our lengthy awaited debut album and the response was way over we may have ever imagined,” drummer Zac Mather mentioned. “We’ve been extremely lucky to have been in a position to take these songs to levels all around the world and get the possibility to get again into the studio and report what we consider is the absolute best comply with up.”
For vocalist KT Corridor, the brand new observe carries particularly deep which means.
“It’s about grieving the lack of my shut pal Sara,” Corridor mentioned. “I bear in mind on the time it occurred, a pal launched me to the 5/7 levels of grief. […] Riverhouse explores the anger stage, the stage accepting the knowledge that your beloved has gone. I used to be actually raging on the world on the time. The tune can be about how a lot I really like my shut group of associates. It’s about reaching out for assist while you’re fighting the powerful stuff life throws at you. Making these songs has been a beautiful expertise and we’re so excited to share them with the world.”
The tune marks CHROMA’s first new materials since “Ask For Angela,” and arrives on the heels of its early look on 116: Ten Years Later, an enormous 76-track charity compilation elevating funds for Anthony Nolan.
With its steadiness of anger and tenderness, “Riverhouse” indicators the start of a brand new chapter for CHROMA. The band will help PINS this September and bilk. on grassroots venue tour dates in October. Tickets are on sale now.
Stream “Riverhouse”: https://bfan.hyperlink/riverhouse
Toronto shoegaze outfit One Hundred Moons have shared “Ear to Ear,” the most recent single from their forthcoming album “Black Avalanche.” The observe drifts like a whisper down a dim hall — vocals threading via murky guitars as minor chords twist into one thing each unsettling and alluring. By its shut, the tune leaves a spectral resonance behind, the sort that calls for one other hear.
The five-piece — Collin Younger, Jen Vella, Justin Hunt, Matt Laplante, and NJ Borreta — have a particular sound, weaving cascading guitars, hypnotic rhythms, and ethereal vocals into immersive songs. Drawing from My Bloody Valentine, Radiohead, and the grit of ’90s alt-rock, they carve out a sound that’s nostalgic but strikingly trendy, exploring themes of longing, transformation, and inside reflection.
“Ear to Ear” arrives mid-tour, with the band at the moment winding via Ontario after kicking issues off September 19 in Waterloo. Famend for his or her stay exhibits, One Hundred Moons stretch their layered studio textures into sprawling, hypnotic journeys on stage — remodeling haze into one thing tactile and instant.
With “Black Avalanche,” the group guarantees to push these atmospheres additional nonetheless, channeling their spectral edge into one thing each expansive and unforgettable.
Stream on Spotify: “Ear to Ear”
Award-winning Mi’gmaq rapper and activist Q052 (Quentin Condominium) returned right this moment with “Loud Sunday,” the third single from his forthcoming album “Thunder Little one” (out October 10 through Musique Nomade). Premiered on Spill Journal, the observe follows “Area Invaders,” which earned reward from CLASH Journal.
Constructed on growth bap foundations with sub-heavy bass and brooding synths, “Loud Sunday” is each a call-to-action and a confrontation. Interspersed with piercing air horns that double as rallying cries, the tune channels Q052’s revolutionary spirit as he takes intention on the futility of struggle and the complacency of societies that tolerate tyranny.
“This tune is in regards to the mindless wars which are happening on the planet and the way society has develop into so tolerant of the tyrants destroying humanity,” he mentioned.
Recognized for fusing hip-hop, grunge, alt-rock, and spoken phrase, Q052 attracts from influences as wide-ranging as Immortal Method, Rage Towards the Machine, Ty Segall, and Cypress Hill. His sharp, uncompromising lyricism has already earned him Greatest Male Hip-Hop Artist on the 2023 Worldwide Indigenous Hip-Hop Awards and nominations at ADISQ, Teweikan, and GAMIQ.
Raised in Gesgapegiag, Gaspésie and now primarily based in Sherbrooke, Q052 is as a lot an advocate as he’s an artist, talking out for Indigenous youth and the safety of Indigenous ladies and women. His fiery performances have taken him to levels with Cypress Hill and festivals like FEQ, FME, La Noce, Innu Nikamu, and Competition Kwe!
With “Loud Sunday,” Q052 captures the urgency of the second, harnessing his empathy and fury right into a observe that lands like a warning siren. It’s hip-hop with tooth — resolute, unflinching, and inconceivable to disregard.
Stream “Loud Sunday”: https://soundcloud.com/musiquenomade/loud-sunday-q052-6
German punk rock powerhouse MELONBALL return with “129,” their blistering new single out through Thousand Islands Information (CAN) and Rookie Information (GER). It’s the second preview of their anticipated sophomore album, due in early 2026.
As political as it’s punchy, the observe takes direct intention at §129 of the German Felony Code — a regulation usually criticized for being weaponized towards antifascist teams and grassroots resistance. With rapid-fire rhythms, razor-edged guitars, and hovering melodic urgency, MELONBALL delivers each a rallying cry and a fierce critique of state energy.
“With ‘129’ we wished to name out the way in which this regulation has been used to intimidate and dismantle antifascist actions,” the band defined. “It’s extra vital than ever to face in solidarity. Antifa unite!”
Musically, “129” finds MELONBALL at their sharpest: quick, technical, and relentless. The one embodies the band’s signature mixture of high-octane hooks and uncompromising political firepower, carrying the torch of a practice the place punk is inseparable from resistance.
Since their debut, MELONBALL have hit levels throughout Europe and past, from Ruhrpott Rodeo and Manchester Punk Competition to Punk Rock Vacation and Music 4 Most cancers, sharing lineups with A Wilhelm Scream, Lagwagon, Belvedere, Authority Zero, ZSK, Punk Rock Manufacturing unit, and The Iron Roses. Their acclaimed debut “BREATHE” (2023) and follow-up acoustic EP “eup•nea” (2024) set the stage for what’s subsequent: a second full-length that guarantees to be their strongest assertion but.
Stream “129”: https://bfan.hyperlink/129
Digital producer sean + ur not (Sean and also you’re not) confronts the load of local weather nervousness on his new single “Dusty dolphin.” Pairing tongue-in-cheek lyricism with glittering synthpop and drum & bass rhythms, the observe makes use of Charlie Brown’s melancholy as a lens for contemporary malaise — asking how anybody can pull themselves out of a downward spiral when even primary wants go unmet, not to mention systemic motion on the local weather disaster.
Mastered by Nik Kozub (CFCF, Teen Daze, Khotin), “Dusty dolphin” follows solarpunk-inspired singles “350 beats per million” and “Usufruct,” and affords one other glimpse of his forthcoming debut album “ECOLOGY 2090” — a 9-track exploration of local weather change, neighborhood, and anxieties about each the current and the long run.
Now primarily based in Nelson, BC, sean + ur not emerged from a hiatus sparked by local weather nervousness and despair to craft his most pop-forward materials but. His earlier releases — synthwave EPs “Walkabout” (2018) and “crumbs in movement” (2017) — earned him performances in Toronto alongside Mr. Mitch and members of the Bedroomer Collective. With “ECOLOGY 2090,” he shifts towards vocal-driven electronica influenced by Porter Robinson and PC Music, layering hovering hooks over dancefloor-ready manufacturing with out abandoning the reflective nature on the coronary heart of his work.
Without delay playful and devastating, “Dusty dolphin” is sean + ur not’s clearest assertion but: a shimmering pop observe that refuses to look away from the unraveling world round us.
Stream on SoundCloud: “Dusty dolphin”
