With the discharge of “Monsters & Masochists,” visionary artist Empara Mi closes the ebook on her most bold and private mission but — an idea album tracing the messy, non-linear path of heartbreak, self-destruction, and transformation. Greater than a set of songs, the report unfolds like a cinematic journey by way of ache and energy, instructed by way of her uniquely cinematic and genre-bending sound.
Throughout the mission, Empara Mi strikes between uncooked vulnerability and explosive confidence — from the haunting ballad “Cocaine Cassonova” to the darkish, pulsing vitality of “I Lied.” Tracks like “Shotgun” and “Sucker For Love” discover rediscovered self-worth and want, whereas finale “Dragged Me Again To Hell” brings the story full circle — a smoky, Bond-worthy nearer that captures the calm after emotional chaos.
The album’s visible world has been equally hanging. The singles “I Can’t” and “Masochist” have amassed thousands and thousands of views throughout YouTube and TikTok, with “I Can’t” taking dwelling Greatest Music Video on the Cannes World Movie Competition and incomes recognition from BBC Introducing.
“‘Monsters & Masochists’ is essentially the most trustworthy factor I’ve ever made,” she stated. “It’s an album about transformation, the sort that solely occurs if you’ve lived by way of each heaven and hell. I wrote it by way of one of the best and worst moments of my life, making an attempt to make sense of all of the chaos, and someplace alongside the best way it changed into this unusual mixture of autobiography and experimentation.And truthfully, my favorite songs aren’t even the singles. After 5 years within the making, it lastly seems like the start”.
Born in Guernsey and now primarily based in London, Empara Mi has constructed a popularity as certainly one of pop’s most cinematic voices. Her debut “Suitcase Filled with Sins” turned an underground favourite in the course of the pandemic, with songs featured in Ginny & Georgia, Behind Her Eyes, and world campaigns for Apple and Fairly Little Factor.
With “Monsters & Masochists” — full with orchestral preparations recorded with the Prague Philharmonic Orchestra — she cements herself as a fearless storyteller unafraid to confront the monsters inside.
Stream “Monsters & Masochists”: https://ffm.to/monstersandmasochists
AJ Vitanza, a Los Angeles-based pop artist, is again along with his newest single, “2 MUCH 2 SAY,” out now through Handmade Data. The observe follows a string of buzzworthy releases — together with “ONLY MY HANDS,” “BREAK MY RULES,”and “DON’T WANNA KNOW” — and offers listeners a extra private glimpse into the fast-rising artist’s world.
Constructed round crisp manufacturing and Vitanza’s magnetic vocal supply, “2 MUCH 2 SAY” balances emotional candor with easy pop attraction.
“‘2 MUCH 2 SAY’ is a little bit of an experiment,” Vitanza stated. “Many of the music I make is made with the intention of being universally gratifying. I made ‘2M2S’ for myself, speaking about actual feelings and experiences with the intention of protecting it lighthearted and self conscious.”
Initially from Buffalo, New York, Vitanza has been steadily carving his house in trendy pop with viral-ready tracks like “IDGAF,” “INNOCENT,” “STAY THE NIGHT,” and “be anyone.” His knack for pairing uncooked lyricism with modern, radio-ready hooks has earned comparisons to Tate McRae, Justin Bieber, and The Child LAROI — all whereas sustaining a voice that feels totally his personal.
With “2 MUCH 2 SAY,” AJ Vitanza continues to show he’s certainly one of pop’s most promising new storytellers — mixing introspection and elegance into one thing undeniably contemporary.
Stream “2 MUCH 2 SAY”: https://ajvitanza.lnk.to/2MUCH2SAY
Beloved punk-rock energy trio The Dollyrots are gearing up for a jam-packed fall, hitting the highway this November with Bowling For Soup and Don’t Panic, earlier than wrapping the run with a set at Vans Warped Tour in Orlando, FL. Tickets are on sale now.
Coinciding with the tour, the band has unleashed a fiery new cowl of Lesley Gore’s 1963 feminist anthem “You Don’t Personal Me.” The observe, co-produced by Brian Ray (Etta James, Paul McCartney), transforms the basic right into a punchy, candy-coated declaration of defiance — all roaring guitars and Kelly Ogden’s unmistakable mixture of sweetness and snarl.
“The track is an anthem for feminine empowerment, about keen to be defiant within the face of one thing that’s simply plain incorrect,” singer/bassist Kelly Ogden stated. “Sadly, it’s nonetheless simply as well timed as when Lesley sang it over 60 years in the past.”
Alongside the brand new single, The Dollyrots have launched a limited-edition evergreen vinyl 7-inch, pairing “You Don’t Personal Me” with the high-energy authentic “Get On This Trip.” Unique bundles — together with the vinyl, a T-shirt, and a sticker — can be found now by way of The Dollyrots Retailer and on tour.
Fronted by Kelly Ogden and Luis Cabezas, with Simon Hancock on drums, The Dollyrots proceed to fuse punk grit with bubblegum melodies — proving that rebel has by no means sounded this enjoyable.
Stream The Dollyrots “You Don’t Personal Me” cowl: https://orcd.co/dollyrotsyoudontownme
Psychedelic indie-rock outfit Messiness are closing in on the discharge of their extremely anticipated debut album “Messiness” — arriving November 21 through Tarla Data and StoneFree Data — with the searing new single “Eternity Unbound.”
The observe is a whirlwind of shifting rhythms and unconventional time signatures, mixing art-pop, psychedelia, and house rock right into a hypnotic, feverish journey. Lyrically, “Eternity Unbound” explores themes of id and alienation — the sense of self dissolving as time relentlessly strikes ahead.
“The result’s a pocket-sized journey: feverish, disorienting, and unimaginable to pin down,” frontman Max Raffa stated.
A Sicilian polymath — singer, composer, sociologist, and multi-instrumentalist — Raffa leads Messiness alongside Rosario Lo Monaco (guitars), Filippo La Marca (keyboards), Giovanni Calella (bass), and Luca Anello (drums). Collectively, they channel the jazz-infused complexity of the Canterbury scene, the mystique of West Coast psychedelia, and Mediterranean tonal coloration into one thing totally their very own.
Following standout singles “Fatally,” “Function With a Rapper,” and “Earlier Life,” “Eternity Unbound” cements Messiness as probably the most compelling new voices in experimental rock.
Stream “Eternity Unbound”: https://orcd.co/eternityunbound
Derry indie-punk trio CHERYM are again with new music, asserting “The Afterparty” — a cut up AA single with Glasgow pop-punk quartet Uninvited, set for launch October 24, 2025. To rejoice, CHERYM dropped their A-side observe “Sofabed” in the present day throughout all main streaming platforms.
Described by the band as “a track about coming to grasp romantic emotions it’s possible you’ll be having about somebody you’d think about an in depth pal,” “Sofabed” explores the blurred strains of sapphic reference to CHERYM’s signature punchy pop-punk edge.
“It’s McBusted however extra homoerotic and method higher wanting,” the band quips of their collaboration with Uninvited.
Uninvited — fashioned in 2020 by Taylor-Ray Dillon, Jay Dhlakama, Alex Younger, and Fiorenza Cocozza — rose to prominence after profitable the BBC Radio 1 Dwell Lounge competitors in 2022. Their trustworthy, queer-forward songwriting and infectious hooks have shortly earned them acclaim throughout the UK indie scene.
“Engaged on this launch with Cherym has been one of the best expertise,” the band shared. “Their vitality, creativity, and authenticity introduced a lot to the observe, and the method was inspiring and thrilling from begin to end”
“Sofabed” marks CHERYM’s first new launch since their fiery 2024 Worldwide Girls’s Day cowl of Doja Cat’s “Boss Bitch.” It follows their acclaimed debut album “Take It Or Go away It” (through Alcopop! Data), which earned reward from NME, The Line of Greatest Match, Kerrang!, and Scorching Press, who named them amongst their Scorching for 2024 acts.
Following a headline UK tour and slots with Enter Shikari, Snow Patrol, and The Undertones, CHERYM have solidified their place among the many brightest voices in trendy punk — and so they’re already exhausting at work on their second album.
Stream “Sofabed”: https://bfan.hyperlink/sofa-bed
Pre-save “The Afterparty”: https://bfan.hyperlink/the-after-party-x
Nashville-based singer and songwriter Sam Varga peels again the layers of heartbreak, development, and self-reflection on his new EP, “The Fallout,” out now on all streaming platforms. The seven-track assortment gathers his latest singles alongside two new songs — “What If I’m Okay?” and “Sticking With It” — revealing an artist discovering magnificence in mess and catharsis in chaos.
Mixing his emo roots with alt-country grit, Varga crafts a sound that defies simple categorization — Americana with jagged edges, punk with a storyteller’s coronary heart, and pop hooks that carry emotional weight. The end result feels each uncooked and anthemic, with metal guitars assembly distortion and confession colliding with catharsis.
“‘The Fallout’ represents the complete previous 12 months of my life,” Varga stated. “For me, it’s my emotional and social diary of 2025, and it’s allowed me to course of the world round me — whether or not it’s breakups, development, or the political and social hellscapes of this 12 months. It’s additionally the buildup of my sonic improvement since transferring to Nashville, with punk, nation, singer-songwriter, and folks components all dancing in rhythm.”
Initially from Louisville’s DIY emo scene, Varga brings a stressed, heart-on-sleeve depth to his Nashville sound. His songs — equal elements grit and style — channel the spirit of lengthy drives, 2 a.m. realizations, and moments of fleeting readability. With “The Fallout,” Sam Varga isn’t simply documenting survival; he’s celebrating transformation.
Stream “The Fallout”: https://onerpm.hyperlink/137194339341
Canadian pop-punk mainstays Chief State returned in the present day with “No Brakes,” a high-octane anthem cast from one of many band’s most harrowing tour experiences.
Frontman Fraser Simpson recollects the story behind the track.
“Summer time 2022 we had been crusing down the interstate heading from Houston, Texas, to Austin when hastily the worst factor occurred — no brakes. I used to be driving on the time and so, to not create panic, I didn’t point out our predicament to the remainder of the fellows till I managed to grind the van to a halt with what brake fluid we had left. What occurred subsequent was per week of being stranded in Austin (s/o Uncommon Bloom for letting us crash) whereas we waited for an out of inventory half to reach to repair our van. The mechanic then stated our car was so rusted he wouldn’t advise driving 50 yards down the road, we cancelled exhibits, we ran out of cash, we thought-about flying dwelling. The poignant lyric “Nothing ever goes our method” repeats all through the track as a result of truthfully, nothing has ever gone our method. However right here we’re, again once more, doing the factor we love as a result of we’re younger and dumb and would love one other excuse to get in a van and tour the continent.”
Produced, engineered, and blended by Tim Creviston (Spiritbox, Youth Fountain) and mastered by Stu McKillop (Midnight Peg, By A Thread) at Rain Metropolis Recorders, the observe captures Chief State’s signature mix of urgency, grit, and bittersweet honesty.
With a historical past of acclaimed releases and relentless touring, “No Brakes” proves Chief State stays on the forefront of recent pop-punk — louder, sharper, and hungrier than ever.
Stream “No Breaks”: https://orcd.co/dl57xrd
