Dublin-born artist and producer Altara reveals his electrifying new monitor ‘Nostalgia’, forward of his efficiency at Eire’s music week this Friday (Wigwam 8pm)
Nostalgia is the dose of anthemic vitality you didn’t know you wanted. Endlessly catchy and dancefloor prepared, Nostalgia is taken from his upcoming EP ‘Imaginative and prescient, Hindsight 2025’.
Sharing extra behind the monitor, Altara defined; Nostalgia got here so out of the blue for me, I used to be again residence in Eire enjoying FIFA with my little brother when it hit…I actually needed to embrace the drama, how onerous I discover it to maneuver on from somebody, & I really like how fluid the entire course of was. I wrote it over that weekend, and we had it blended & mastered by Friday. We actually needed to maintain as a lot as we might from the unique demo, as a result of the sensation was simply so recent.
Nostalgia is a type of songs that’s the gravity that may tie a challenge collectively, and it was precisely the monitor I wanted to complete the following EP”
French duo Parallelle return with “Looking For The Groove,” the most recent single from their upcoming LP eleventh Avenue, out October 29 on their Lisbon-based label, FOLDER. The brand new single, which captures the duo’s playful method to genre-weaving, is out now.
“Looking For The Groove” builds on syncopated percussion that nods to 2-step, with falsetto vocals and reside touches of heat keys and saxophone. It flows with a straightforward groove, inviting listeners to search out their very own rhythm inside its motion.
“This monitor is in regards to the countless seek for the groove of life. And what’s that groove? It’s yours to outline,” says Parallelle. “For some, it’s love. For others, success. Possibly pleasure, possibly freedom. No matter it’s, it’s the rhythm that retains you transferring ahead. We met Benji (Sacks) when he was renting our studio in Amsterdam and have become shut mates. This monitor began as a studio jam and has shortly turn out to be certainly one of our favorites from the album. It has a feel-good, late summer season vitality.”
Multi-faceted pop artist, Germano, returns along with his most infectious single but, “OLDER,” a dreamy breakup anthem layered with vivid synths and guitars over a classic texture, paying homage to The 1975 and Chappell Roan. With its immediately catchy hooks and nostalgia-tinged manufacturing, “OLDER” showcases Germano’s simple development as a songwriter. His breathy, emotional vocal supply shines over the atmospheric instrumentation, making the report the proper soundtrack for a late-afternoon drive down the Pacific Coast Freeway in Malibu. “OLDER” completely encapsulates the blissful feeling of getting over somebody, whereas lyrically, Germano conveys the track’s relatable message with a humorousness and ease. Unafraid to name out the failings within the failed relationship, he delivers traces which can be each biting (“Inform me why you need again what you don’t wish to maintain”) and cathartic (“God bless all of the reminiscences, however that’s all gone”).
With over 3.4 billion world streams up to now, BRIT Award-nominated alt-grunge singer/songwriter Artemas is coming into his subsequent chapter with the announcement of his new album LOVERCORE, out October 24. Pre-save the album HERE.
Alongside the announcement of LOVERCORE, Artemas simply dropped a brand-new 3-pack of singles: “celebrity,” “take it straightforward on me,” and “this one’s gonna harm me.” Stream the complete 3-pack HERE.
On the heart is “celebrity” a techno-driven, alt-pop anthem that’s equal components moody, rhythmic, and electrifying. “celebrity” is a daring preview to the sound of LOVERCORE. Pay attention HERE and watch the brand new music video HERE.
Shaped by Venezuelan artists Samantha Dagnino and Andrés Cottin, SORRYNOTSORRY started as an opportunity jam session in a Lengthy Island Metropolis studio and shortly developed into a long-lasting artistic partnership. After an eight-year break from music, Dagnino returned with a collaborator who matched her experimental instincts and dedication to authenticity, whereas Cottin introduced a producer’s ear and a love of sonic exploration. Collectively they’ve constructed a sound that nods to Portishead, Radiohead, Khruangbin, and Tame Impala whereas remaining distinctly their very own—expansive, intimate, and deeply human.
At 39 years outdated, Nick Cain’s life took an unplanned however welcome detour that modified every part he knew about ardour and willpower. It started at The Gorge in Japanese Washington, at a rustic music fest – Watershed – that strummed the strings of his coronary heart simply as a lot as these of the guitar he would choose up following the occasion in 2019. With no musical background to talk of, Nick dove headfirst into the melodies and rhythms of nation music, dedicating each potential second to self-taught classes that echoed by the basement of his residence.
His common life as an actual property developer was placed on a pause by the Covid-19 pandemic, a break that proved to be a silver lining for Nick’s budding musical aspirations. With constructing permits on maintain, his basement grew to become a sanctuary the place he nurtured his newfound love for music, strumming and learning with relentless enthusiasm.
The year-long confinement cultivated in him a want not simply to play guitar, but additionally to sing and craft his personal songs. His unyielding resolve led him all the best way to Los Angeles, the place he had the nice fortune of being mentored by movie star voice coach Roger Love. It was Love who launched Nick to the acclaimed songwriter Drew Lawrence. “Spending per week with Roger was a pivotal second. Writing with Drew has been a fantastic match,” Nick displays on the expertise that escalated his journey into the realms of music creation.
Samantha Leah is an impartial artist fusing darkish pop with theatrical, circus-inspired aptitude. Together with her musical profession starting together with her first musical theater function on the age of 6, Samantha centered her world round creativity and music. After being accepted right into a highschool performing arts program with an emphasis on performing, Samantha hinged her artistic journey on pioneering new musical kinds and performing with riotous, chaotic zeal.
Her cinematic preparations and poetic lyrics discover alchemy, transformation, and the sweetness discovered within the shadowy corners of human expertise. Her newest single, “Smile” explores the masks we put on throughout our darkest moments, hiding ache from the skin world. Written from the angle of somebody unraveling internally whereas maintaining appearances, the monitor blends an eerie, playful hook with weak lyrics, highlighting the distinction between what folks see and what’s actually occurring inside. Via the track, Samantha Leah examines how simply struggling will be hid in plain sight. Hypnotic vocals weave by moody strings, daring percussion, and haunting melodies to create soundscapes that really feel each timeless and unique.
With a loyal viewers she calls her “mystics and misfits,” Samantha Leah has constructed an enigmatic world the place darkness and vulnerability meet to create one thing really magical. Drawing on her fascination with spirituality, witchcraft and esotericism whereas crafting her various darkish pop sound, Samantha Leah has solid her personal distinctive world that displays her versatility and fervour for all issues mystical, audacious and bewitching. Comply with her socials @SamanthaLeahMusic.
GRAMMY-nominated multi-platinum promoting artist Bryson Tiller has launched Solace, half two of double album Solace & The Vices, by way of Trapsoul/RCA Data – Pay attention HERE. Tiller faucets an all-star workforce of producers together with Teddy Walton, Aaron Bow, Evergreen, J-Louis, Gravez, Charlie Warmth, Kyrou, Boi-1da, and others to form the challenge’s cohesive and refined sound.
Finishing the story that started with The Vices, Solace shifts the tone into deeper, extra soulful territory. The place The Vices delivered uncooked vitality and lyrical bravado, Solace leans into the graceful, R&B-driven sound that has outlined Tiller’s profession.
This challenge showcases each his vocal vary and emotional depth as an artist, reflecting his evolution over the previous decade whereas proving that he’s remained true to what he does greatest. It’s a physique of labor that not solely highlights how far he’s come but additionally reaffirms the core of his artistry.
Central to the challenge’s essence is the main focus monitor, “I Want Her,” a track that embodies the identification of Solace and captures the soulful, nostalgic, and deeply romantic vitality that runs all through the album. Layered with easy harmonies and a 90s-inspired groove, the monitor explores Tiller’s method to like — reflecting on constructing a future, settling down, and doing all of it with intention. It leans right into a traditional R&B sound whereas nonetheless carrying the arrogance and fringe of his rap roots, echoing the bigger narrative that defines the double album.
Collectively, Solace and The Vices mirror twin sides of Tiller’s artistry. With Solace providing introspection, vulnerability, and a timeless vibe, the 2 tasks steadiness and full each other — culminating in a full double album expertise that’s each daring and deeply private. The Vices’ half of the challenge consists of options from the likes of Rick Ross, Plies, T-Ache, BossMan Dlow, Bun B, Luh Tyler, and Child Drill throughout its 12 tracks.
To mark the twentieth anniversary of his cult traditional debut album We Have Sound, multi-instrumentalist and artistic iconoclast Tom Vek releases We Have Sound Remixed as we speak by way of StrataSonic Data — a 10-track remix album in its unique order that reimagines the influential unique for a brand new period.
Led by remix singles from Dave Glass Animals, Every little thing Every little thing, and IS TROPICAL, the challenge is full with a stacked lineup whose personal sonic identities hint again to Vek’s genre-hopping, DIY spirit — together with Gus alt-J, Baths, Porij, and extra.
We Have Sound is extensively credited as one of many seminal albums that pioneered indie digital music. Dave Bayley of Glass Animals calls the album “certainly one of a number of answerable for us happening to make our music.” Gus Unger-Hamilton of alt-J known as contributing to this challenge “a real privilege.”
Krissy opens the monitor with sultry, easy vocals that glide over lush lo-fi manufacturing. “Didn’t realise how good I’d be solo,” she declares, celebrating independence with unapologetic confidence. Stylish harmonies and a laid-back groove make the monitor shimmer with easy sophistication. The video amplifies this vitality: a cinematic, elegantly lit piece that includes dancer Christian Ocampo, whose fluid efficiency mirrors the music’s sleekness and emotional pull. Collectively, the track and visuals kind a daring assertion of power, class, and self-assurance.
Krissy, a Decrease East Facet primarily based mannequin and darkish pop dance artist, is carving out a sound all her personal. Her sophomore EP, Phrase Vomit, set for launch later this 12 months expands on the dance-pop spark of her debut Eat This Cake whereas venturing right into a extra trustworthy, private sonic panorama. Mixing the heart beat of dance home, the nostalgia of Madonna, and the groove-driven innovation of Kaytranada, she channels disco icons like Donna Summer season and Diana Ross by delicate, irresistible falsettos. With the discharge of SOLO, Krissy invitations listeners right into a world the place nostalgia meets reinvention, and darkish pop collides with soulful authenticity—setting the stage for her most defining breakthrough but.
- Electronic mail: neill@outloudculture.com
