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Home»Culture»George Lucas Is Confused (And That’s a Good Factor)
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George Lucas Is Confused (And That’s a Good Factor)

Buzzin DailyBy Buzzin DailySeptember 8, 2025No Comments19 Mins Read
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George Lucas Is Confused (And That’s a Good Factor)
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“The concern of loss is a path to the darkish facet.”
–Yoda

Galactic Fantasy

Star Wars is like many issues, however nothing is sort of like Star Wars. With its huge and diversified influences and supply supplies, and with its lived-in and gritty texture, Star Wars is now a worldwide cultural phenomenon—and for good purpose. It is likely one of the few modern makes an attempt at mythopoeia, or mythmaking. Greater than a easy blockbuster popcorn flick, it’s an try at actually grand storytelling in a transportative means. Star Wars’ success was not a fluke—it labored for very particular causes. It resonated with the world at giant (and nonetheless does to an extent) as a result of what George Lucas created was significant. Lucas crafted a world the place good and evil are goal, and the place the nice wins. He crafted a narrative about household, about freedom, and about human dominion. 

I typically inform individuals, tongue solely barely in cheek, that Star Wars is my favourite western.

Firstly, Star Wars (that means primarily the unique movie and its two sequels, though the prequels are included to a lesser extent) is an efficient story. It’s a correct faery story, or fairy story within the sense that Lewis and Tolkien meant the time period. It’s escapist in the best way Tolkien meant, and it produces a eager for one thing past our world within the sense that Lewis meant. It’s straightforward to see why many (together with myself) regard Star Wars not as true sci-fi, however as fantasy that occurs to be set in outer house. In any case, there’s nearly no focus in any respect on the scientific in Star Wars. The story shouldn’t be coping with human progress or the character of know-how in the identical means a tough science fiction story from H.G. Wells or Gene Roddenberry does. Star Wars has magic, wizards, princesses and dragons—and with its intentional story construction constructed round Joseph Campbell’s understanding of the hero’s journey, it’s a basic fantasy story via and thru. One factor that I consider units Star Wars aside from some other basic fairy story although, is that Star Wars is a uniquely American faery story. Star Wars is an American fantasy. Star Wars is even perhaps a retelling of the foundational American fantasy, warts and all. 

You would possibly discover that assertion odd, contemplating that stylistically and foundationally, Star Wars is an amalgamation of many issues that aren’t native to America: the Samurai movies of Akira Kurosawa, European fairy story story construction, and a skinny veneer of Japanese mysticism and philosophy, to call a number of. However in numerous different methods, Star Wars serves as an ideal American fairy story. It’s inherently anti-authoritarian, and the “righteous rise up” angle is unattainable to overlook. It’s pro-farmer and pro-blue collar, and promotes the destruction of overreaching leviathans. It’s pro-democracy, pro-republicanism, and extremely individualistic. Star Wars in a technique or one other displays the foundational American myths of the melting pot of cultures, the good western frontier ready to be conquered, and the promise of discovery. A few of these concepts are baked into the setting and lore, and others are literally very current within the story and aesthetic of the movies themselves.

Maybe one of the crucial outstanding features of Star Wars’ American taste is its deeply western character. I typically inform individuals, tongue solely barely in cheek, that Star Wars is my favourite western. In Star Wars, rugged lone gunslingers are romanticized. The Outer Rim is the frontier, removed from the reaches of the oppressive authorities, ready to be tamed and explored. The galaxy is populated with seedy saloons and corruption. The world is soiled, lived in, and a person’s ship is his steed: the dearest good friend and fixed companion, permitting him the liberty to go the place he needs. Area is a frontier, very similar to the American West, an empty dreamscape of harmful natives and unknown treasure to find, the place one can go to make their fortune. Han Solo is the prototypical cowboy antihero who rolls into city—the scoundrel with the center of gold. 

Even visually, Star Wars typically resembles the imaginative and prescient of the frontier solid by John Ford, or the imaginative and prescient of Samurai Japan solid by Akira Kurosawa. The shut relationship between Samurai movies, particularly Kurosawa, and the western style is a posh one to be explored one other time, however the element is related. George Lucas drew inspiration for the aesthetic and story of Star Wars from the identical movies that Sergio Leone primarily based his Italian-made “Spaghetti Westerns” on. The American West has turn into a near-ubiquitous fantasy in numerous world cultures. It holds the identical place within the coronary heart of man that the New World did for sixteenth-century Europeans, and for every explorer who got here earlier than. Manifest Future, no matter its uneven and infrequently disastrous utility in historical past, appears to be one thing deep within the coronary heart of man. We’re created to train dominion and subdue the Earth, in any case. And although this mythological West has transcended American tradition, it is likely one of the defining traits that provides America its character. That there’s a looming frontier simply over the horizon, one which guarantees each hazard and fortune, a brand new life or a fast demise. That solely probably the most rugged and lonely males can conquer and thrive—or turn into corrupted. The frontier taste of Star Wars is American to the core.

The Americanness of Star Wars issues as a result of it permits for the story of the movie to be at its coronary heart Western—and due to this fact, culturally Christian—fairly than Japanese, like the flavour of the exterior trappings and setting. It additionally issues as a result of it signifies that Star Wars is constructed much more like a style western or a fantasy story than a sci-fi story. A sci-fi story facilities on man’s progress, on know-how and the hubris that comes with it, on human achievement and failure. Star Wars is about journey, about rising up, about good triumphing over evil, in regards to the underdog, about human feelings and the way they are often tamed. A sci-fi story may be Japanese or Western, Christian or pagan, theistic or materialistic. However an American fantasy like Star Wars can’t be something however Christian. And since it’s Christian, it reaches far past America and resonates with each earthly tradition—as a result of the Christian story, which is ingrained within the coronary heart of the American story, is the true fantasy, for all peoples. 

A Nice Galactic Melting Pot

“By no means inform me the percentages!”
-Han Solo

If Star Wars had been merely an easy shoot-em-up journey flick set in house, it might be no completely different from the pulp tales or the Flash Gordon serials that got here earlier than it. The factor that units Star Wars aside is the best way that Lucas is ready to mix disparate worldviews, cultures, beliefs, and metaphysical techniques right into a cohesive story with true that means. He brings collectively many vastly completely different influences and makes one thing new out of them—he builds a meta-myth that resonates with cultures and peoples throughout the globe. And he does so by throwing all kinds of philosophies right into a galactic blender and seeing what comes out.

The attention-grabbing factor about how Lucas makes use of these Japanese or pagan ideas is how he adopts them right into a Western and Christian body.

The thought of the Power, for instance, is at its core an Japanese assemble, with roots in Taoism and Buddhism. It sees an inherent “oneness” within the created order, a circulate of the universe, and conceptualizes actuality as concurrently being impersonal, but having a will that strives to maintain all in steadiness. However remember the fact that the attention-grabbing factor about how Lucas makes use of these Japanese or pagan ideas is how he adopts them right into a Western and Christian body. For instance, within the Lucas-led Star Wars movies, the Power wishes “steadiness.” And but, this doesn’t imply an equally potent evil to counteract the sunshine, as a standard Taoist would possibly assume. As a substitute, the Power finds steadiness on the finish of Return of the Jedi, when the Chosen One, Anakin Skywalker, lastly repents of his evil, destroys the Darkish Sith Lord Sidious, and light-weight triumphs over the darkness. Lucas takes one thing Taoist in taste and Japanese on the floor, and repurposes it right into a Western, Christian fairy story. Extra on this later.

The Jedi themselves are basically warrior-monks, a wierd combination of Japanese and Western beliefs. The pacifistic Buddhist monks who want steadiness, peace, and understanding, who search to faucet into the important pure energy that binds all issues collectively, and to dwell in concord with nature, are mixed equally with the Western conception of the warrior knight, the noble protector who makes use of bodily energy, intense coaching, and chivalric beliefs to guard the weak and weak, to serve the lords of their homeland, and to advertise justice and peace via the disciplined and righteous use of energy.

Lucas takes Japanese mysticism of Buddhist and Taoist (and extra) varieties, he takes European folklore and fairy story, a little bit of American individualism, and Joseph Campbell Jungianism, and blends all of it collectively right into a Western fantasy body like solely he might have executed. Within the course of, he mixes in some distinctly Christian concepts: for one, the idea that good is inherently completely different from evil, and that these two can’t combine. They’re goal and unchanging, and to make use of evil means (even for a superb finish) will inevitably result in damnation. Additional, Star Wars assumes an invisible sovereign hand at work, guiding all issues for the nice of the nice and the demise of the evil. It isn’t God, however it’s one thing not fairly “not God” both. The concept that historical past shouldn’t be random, however echoes, repeats itself, and is guided by a storytelling hand—nicely, that’s as Christian because it will get. Historical past echoes and rhymes as a result of it’s a story informed by the good storyteller. Typically, George Lucas bought issues very, very proper.

Jedi Hypocrisy

“Worry results in anger, anger results in hate, and hate results in struggling.”
-Yoda

The unique trilogy is probably one of the simplest ways to see what I’m getting at. The prequels, although they do have their strengths (sure, even Assault of the Clones) are very poor representations of what George Lucas initially got down to do with Star Wars. He might declare he supposed the six-part saga all alongside, however some evaluation of his inconsistent phrases over the a long time reveals that to not be the case.

Let’s unpack a few of these themes by evaluating Luke Skywalker to Grasp Yoda—once more, within the unique trilogy. Yoda is basically a Buddhist monk, prioritizing interior peace, concord with the universe, persistence, and quiet humility over uncooked energy. He believes in emptying oneself of sturdy feelings, even optimistic ones, as they ultimately result in the Darkish Facet. He appears to wish to rid himself of all wishes, or at the very least those that matter. He lives ascetically, and there’s nearly a gnostic taste about him. He refers back to the bodily physique as “this crude matter,” and to our interior, Power-sensitive spirits as “luminous beings” that are our true selves. He has no persistence for hasty, hotheaded Luke (maybe some hypocrisy there) and discourages him from being too wanting to confront evil. In fact, this is available in half from Yoda’s data of Luke’s heritage, but it surely additionally appears to be his philosophy on a deeper degree. The Power, to Yoda, is one thing bigger than us that we may be part of, not one thing for use to realize our personal ends. It will appear Yoda, considerably inconsistently, believes some type of the quote attributed to Lord Acton: “Energy tends to deprave, and absolute energy corrupts completely.” 

However the Jedi are flawed. And that is the place George Lucas is superbly and splendidly inconsistent.

This brings us to among the best scenes in Star Wars historical past: the assembly of Luke and Yoda for the primary time. Luke is anticipating to fulfill the best, strongest Jedi within the galaxy, the good Grasp who skilled Obi-Wan. He’s anticipating a warrior who acts like a warrior ought to act. What he meets when he arrives on Dagobah shouldn’t be what he anticipated. As a substitute, Luke is greeted by a small, aged, and bodily weak determine, who appears to be not more than a senile, solitary ascetic. Yoda is a prankster, a tester of persistence, and a sage. He pokes and prods at Luke, and rapidly determines that due to his deeply ingrained and long-learned emotional attachments, he can’t be skilled. He’s too previous. To Yoda (and a a lot lesser extent, Obi-Wan), emotional attachments like these are harmful. They result in struggling and loss, and to not indifferent interior peace. To the sage Jedi, Luke is weak, though he has pure and innate uncooked energy. He’s weak as a result of he feels sturdy feelings. They’re an echo of Vader in him, the evil and seductive Darkish Facet luring him in. 

However the Jedi are flawed. And that is the place George Lucas is superbly and splendidly inconsistent. The Jedi could also be Japanese mystics and Buddhists, and the universe they inhabit could also be a Taoist, cosmic balancing act, however the story being informed is wholly and utterly Christian. The story itself demonstrates that in the long run, Luke was proper. Not Yoda, not even Obi-Wan, however Luke. As a result of whereas Yoda hid in a swamp, afraid of his personal energy and of the Sith, Luke selected to behave. In his best second of “failure” (from Yoda’s perspective) Luke provides into his feelings, and he leaves earlier than his coaching is full. Out of affection for his associates, his ardour takes him straight into the fray, and into the lure. However Luke was proper—and in the long run, the Power had the ultimate say. Anakin might have given in to the Darkish Facet and turn into Vader, however in the long run it was Vader’s place as a Sith Lord that gave him the chance to kill Palpatine and destroy the Sith. His repentance got here at simply the appropriate second, and the occasions resulting in the prophecies’ success had been fraught with actions the stodgy and indifferent Jedi disapproved of.

A Balanced Power

“I’m a Jedi, like my father earlier than me.”
-Luke Skywalker

On the finish of the unique trilogy, we see how Lucas contradicts himself, or at the very least seems to, in a lovely means. All through the movies, we’re informed repeatedly that the Power have to be dropped at steadiness, and within the prequels, we’re informed again and again that Anakin is the prophesied chosen one who will deliver steadiness to the Power. Due to the Taoist taste of the Jedi order, and the general cosmic construction of the character of the Power (to not point out the ways in which the Jedi converse of it, particularly within the prequel trilogy) one would possibly assume that “steadiness” means equal elements darkness and light-weight, two opposing forces holding each other in test. We would keep in mind a Yin/Yang picture, a imaginative and prescient of actuality by which good and evil are at all times in stress, holding each other again. However the finish of Return of the Jedi reveals us that this isn’t the case.

Anakin lastly fulfils his future, and brings steadiness to the Power. And what does that steadiness appear like? A full, whole, decisive victory of excellent over evil. Stability shouldn’t be darkness and light-weight holding one another in test—it’s an utter defeat of the Darkish Facet, the destruction of the Sith Lord Sidious, and the repentance of one of the crucial wretched acolytes of the Darkish Facet. The Power “in steadiness” is definitely good defeating evil, from high to backside. It’s a image of sunshine let unfastened throughout the oppressed techniques of the galaxy, and the Jedi residing on whereas the Sith are destroyed. A balanced Power is a Power overwhelmingly mild, the place the darkness has been crushed. This can be a Christian imaginative and prescient of actuality—an eschatological victory and stamping out of evil. When it issues most, the center of the Star Wars story is a Christian one. One by which good triumphs and evil retreats. That’s true steadiness.

Stability shouldn’t be darkness and light-weight holding one another in test—it’s an utter defeat of the Darkish Facet.

Additional, we see that the best way this steadiness and victory was gained was not because the Jedi envisioned. It was not via detachment, a rejection of emotion and human bonds that led Vader to repent. It was love for his son. It was sturdy, emotional ties to his personal flesh and blood that induced Vader to see the evil of his (and Palpatine’s) methods, and to take motion and intervene. It was the other of Buddhist, indifferent beliefs that led to steadiness—it was uncooked emotion. It was the love of a father for a son. 

And that is the picture that the Christian religion provides us of humanity. As human beings, we’re not to rid ourselves of all want, forsake all bonds of fellowship, and abandon emotion. Within the Christian worldview, human feelings matter. They don’t seem to be to be stamped out, however fairly oriented towards the true best good that exists. Our feelings are to be rightly ordered, tamed, and directed to God-honoring ends. We’re to like and want the God who created us, to like and take care of our households and fellow man, to like and take care of our communities. And we’re to direct our hatred—sure, hatred—towards evil, towards sin (firstly our personal sin), towards those that would do hurt to the harmless and destroy what is nice.

That could be a Christian imaginative and prescient of human feelings, and of human ardour. It’s this Christian imaginative and prescient that George Lucas adopts when writing the general arc of the story. Sure, he’s pulling from diversified and syncretic sources, from Japanese mysticism and Samurai films and pulp comics and sci-fi serials. However he additionally pulls from European faery, from the American western frontier, and from the Christian story. And Star Wars is at its finest when these influences shine via not simply in taste, however in theme. The unique trilogy struck a magical steadiness that has helped it to face the check of time as a narrative that speaks to people on a fundamental degree. It does this as a result of, opposite to the Jedi’s official stance, it reveals that love is extra highly effective than hate, and that these feelings are a factor to cling to, not destroy.

Star Wars is exclusive. It’s a distinctive mix of influences, however in my opinion, it’s uniquely American in spirit, and uniquely Christian in its ethical claims. It’s a western, one by which the rugged outlaw returns to avoid wasting his associates, not out of obligation, however out of affection. It’s a narrative by which the white-hatted hero faces off towards the black-hatted killer at excessive midday, and destroys the menace to guard those he loves. The American western frontier is a product of the Christian impulse to train dominion over the darkish and harmful wilds, to tame the furthest reaches of the Earth that God positioned us in. America has at all times been a Christian nation, regardless of its flaws. Star Wars is a product of Christianity, whether or not it likes it or not.

George Lucas is confused. He wished it each methods—he wished a sage order of warrior monks who preach that we should always rid ourselves of wishes, however he additionally wished like to win. He wished a Taoist universe the place darkish and light-weight steadiness to maintain one another in test, however he additionally wished goal good and goal evil in his story, and wished the nice to win. He needs to explode the evil Empire that builds world-killing stars. Luke Skywalker is an efficient protagonist, as a result of he appears to know this central stress. Even when it goes towards his coaching, towards every part he’s attempting to dedicate himself to, he follows his human intuition to avoid wasting those he loves. And the Power, or Divine Windfall, guides him to assist his father deliver steadiness to the Power by destroying the Sith. Possibly the Jedi had been flawed, or deliberately obscuring the reality for their very own functions, and their hubris led to their downfall as an order. Possibly this was the plan of the Power all alongside. Possibly George Lucas wasn’t pondering of any of this in any respect when he wrote the movies. 

Lucas might have been confused when he pulled from numerous sources, however Tolkien was not. Tolkien knew the parable on the coronary heart of his story, and masterfully constructed a narrative by which the true, good, and delightful shine via—one thing George Lucas did too, however perhaps extra by chance. Tolkien captures very nicely this concept that our relational and emotional bonds and ties are a part of what it means to be human. Because the King Aragorn says to the Males of the West as they lay down their lives for the nice:

A day might come when the braveness of males fails, after we forsake our associates and break all bonds of fellowship, however it’s not at the present time.

An hour of wolves and shattered shields, when the age of males comes crashing down, however it’s not at the present time!

This present day we battle!! By all that you simply maintain pricey on this good Earth, I bid you stand, Males of the West!

The Power rewards Luke’s emotional bonds. It rewards Anakin’s as nicely in the long run, after the Jedi’s forbidding of affection created the monster Vader. But it surely’s when he listens to the appropriate impulse and denies the flawed one which goodness triumphs. Our feelings must be the identical. They’re messy, they’re imperfect, they usually take numerous self-discipline and apply to reign in. Our errors can typically result in good and simply occasions later that we by no means might have foreseen. Solely a sovereign Lord can weave the threads of historical past on this means. And even the pagan coronary heart, like the center of George Lucas, yearns for a universe by which a superb and highly effective God is working all issues collectively for His glory, and our good.



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