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Home»Celebrity»Designing Girls’s Narratives: Kaiqi Zhang on Stage
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Designing Girls’s Narratives: Kaiqi Zhang on Stage

Buzzin DailyBy Buzzin DailyDecember 29, 2025No Comments5 Mins Read
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Designing Girls’s Narratives: Kaiqi Zhang on Stage
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Volver

Not too long ago, the multi-generational female-perspective manufacturing Volver premiered in Los Angeles, drawing consideration from each the artistic group and dwell audiences for its visible language and character building centered on girls and household reminiscence. On this manufacturing, Chinese language  costume designer Kaiqi Zhang led the total costume design because the undertaking’s Costume Designer, translating themes equivalent to “matrilineal inheritance” and “embodied reminiscence” into seen, traceable visible cues by way of materials selections and structural composition. The work continues the transnational stage follow she has developed throughout the UK and North America.

Positioned by the artistic group as a narrative about household ties, dispersion, and reunion, Volver builds its narrative round imagery of kitchens, cornfields, meals preparation, and home labor, weaving collectively the life trajectories of girls throughout totally different generations. To provide these themes tangible type, costume design was handled as a central narrative system. Zhang chosen textiles drawn from on a regular basis home life—cotton, linen, previous bedsheets, kitchen towels, fragments of embroidery—and processed them by way of smoking, overdyeing, acid washing, and mending to create clothes that appeared “long-used,” as if handed down by way of a number of generations inside a family. In keeping with the manufacturing group, this strategy clarified the intergenerational relationships and emotional ties amongst characters, permitting audiences to understand household histories by way of the layers and put on of the clothes.

Costume design for Dolly Rocket

In distinction to the family-centered narrative of Volver, Zhang’s earlier UK undertaking Costume Design for Dolly Rocket emerged from a distinct efficiency context. Impressed by Brighton-based cabaret artist Dolly Rocket, the undertaking explored how feminine performers navigate the stability between being watched and sustaining private company in each stage and on a regular basis identities. Brighton, a coastal UK metropolis, is understood for its open and various cabaret tradition, with venues equivalent to Proud Cabaret and Stanmer Home serving as consultant websites inside this ecosystem. Zhang’s costume sequence for Dolly Rocket has been utilized in performances at these venues and has obtained constructive responses from each artistic collaborators and audiences.

For the Dolly Rocket designs, Zhang deliberately departed from the traditional reliance on “sexualized imagery” in cabaret costuming. As a substitute, she rethought the connection between ornamentation and power by way of the lens of bodily weight, stage presence, and materials ethics. She changed actual feathers with hand-woven cloth fibers that replicated feather-like textures, giving the costumes motion beneath stage lighting whereas guaranteeing structural readability and sturdiness. This materials technique supported each performers’ bodily wants and broader sustainability issues, whereas additionally symbolizing “reconstruction” and “restore”—a symbolism that the artistic group considered as deeply aligned with the ethos of the work.

Throughout each cabaret efficiency and multi-generational narrative works like Volver, Zhang’s design methodology demonstrates a constant focus: costumes perform not merely as visible styling, however as integral elements of narrative structure. In Dolly Rocket’s performances, costume design helped the performer keep company beneath intense lighting and shut viewers scrutiny. In Volver, costumes recorded the passage of time and shifts in id by way of reuse, repurposing, and materials migration. Although distinct in type and style, each works revolve across the central inquiry of how girls are seen and remembered inside particular social and structural situations.

Designer Kaiqi Zhang

Business observers observe that Zhang’s follow spans the European and North America, overlaying cabaret, theatre, and cross-context collaborations. Within the productions accomplished thus far, she has persistently participated as Costume Designer or Lead Designer within the core artistic course of—fairly than offering remoted items or partial styling. In keeping with collaborators, she sometimes begins with thematic evaluation and character relationships, establishing an inner logic of supplies and constructions earlier than working collaboratively with administrators, lighting designers, and scenic groups to align costume methods with the broader stage language. This strategy positions her not merely as a visible executor however as a contributor to the general narrative technique.

In recent times, rising worldwide consideration to sustainable supplies, various narratives, and bodily illustration has reshaped the function of costume designers within the artistic chain. Inside this context, Zhang’s follow—anchored in materials analysis and girls’s narratives—has established a definite skilled orientation. She examines textile origins, utilization, and social meanings, integrating these elements systematically into the conceptual construction of every work fairly than relying solely on stylistic floor aesthetics. Collaborators observe that this research-driven methodology enhances the quotation worth of her tasks in educational discourse, business alternate, and future exhibitions.

The Volver manufacturing marks a brand new milestone in Zhang’s transnational artistic trajectory. On this undertaking, she prolonged the fabric vocabulary developed for Dolly Rocket right into a theatrical textual content centered on household, land, and matrilineal reminiscence. As documentation and archival supplies proceed to be consolidated, these works are anticipated to function in future screenings, exhibitions, and analysis, providing concrete case research for inspecting how modern costume design engages with themes equivalent to girls’s narratives and cross-cultural stage follow. By these tasks, Zhang is establishing a traceable skilled portfolio that helps her long-term improvement in modern stage costume design.

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