The Nationwide Gallery of Canada (NGC) in Ottawa has acquired a present of 24 modern artworks from Bob Rennie, one of many nation’s main artwork collectors, and his household.
The donated works embody 17 works by Christopher Williams, two works by Kerry James Marshall, 4 by Brian Jungen, and one by Jin-me Yoon. With this reward, the Rennie household has now given the museum 284 works since 2012.
“This reward follows one of many core missions of the gathering,” Bob Rennie, who has appeared on the ARTnews Prime 200 Collectors record every year since 2015, mentioned in a press release. “Any work leaving the Rennie Assortment should go to a greater residence and with a greater custodian than ours.”
NGC director and CEO Jean-François Bélisle known as the donation “a landmark and deeply inspiring reward” in a press release, including that “Bob Rennie’s readability of imaginative and prescient and long-standing dedication to artists at pivotal moments of their careers have helped form one of the important collections of latest artwork in Canada. The works entrusted to us as we speak are highly effective, bold, and outline our time.”
The works by Williams are the primary ones by the artist to enter the NGC’s assortment, they usually vary from images to large-scale installations. The Yoon work is entitled Souvenirs of the Self (1991–2001) and consists of “six postcard-style images during which Yoon poses at iconic vacationer websites in Banff, Alberta, a nationwide park and widespread vacationer resort,” per a launch.
The Jungen works embody a 2001 instance from his acclaimed “Prototypes” collection, during which the artist fashions Nike Air Jordan sneakers to resemble masks from the Indigenous cultures of the Northwest Coast of Canada, in addition to Michael (2003), an assemblage created from Air Jordan shoe packing containers.
Kerry James Marshall, Wake, 2003–25, set up view, “Kerry James Marshall: Collected Works,” 2018, Rennie Museum, Vancouver.
Picture Blaine Campbell/©Kerry James Marshall/Courtesy the artist and Jack Shainman Gallery, New York/Nationwide Gallery of Canada, Ottawa, Reward of the Rennie Basis, Vancouver, 2025
One of many Marshall works is the set up Wake (2003–25), which is at the moment on view on the artist’s touring survey on the Kunsthaus Zurich that debuted on the Royal Academy in London final fall. The work depicts a black-painted sailboat that has been adorned with medallions of descendants of the primary Africans delivered to colony of Jamestown in 1619, together with a self-portrait of Marshall.
In his assertion, Rennie added, “I want to remind us all that the 2 works by Kerry James Marshall doc an necessary interval in historical past and a story that should not be forgotten. These are voices that have to be preserved for future generations. They present us when the seeds of slavery have been planted, bearing the fruit of the racism that continues to at the present time.”
