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Home»Culture»A Web page of Insanity: The Misplaced, Avant Garde Masterpiece from Early Japanese Cinema (1926)
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A Web page of Insanity: The Misplaced, Avant Garde Masterpiece from Early Japanese Cinema (1926)

Buzzin DailyBy Buzzin DailyAugust 7, 2025No Comments4 Mins Read
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A Web page of Insanity: The Misplaced, Avant Garde Masterpiece from Early Japanese Cinema (1926)
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It’s a tragic proven fact that the huge main­i­ty of silent motion pictures in Japan have been misplaced due to human care­much less­ness, earth­quakes and the grim effi­cien­cy of the Unit­ed States Air Power. The primary movies of giant­ly impor­tant fig­ures like Ken­ji Mizoguchi, Yasu­jiro Ozu, and Hiroshi Shimizu have sim­ply van­ished. So we must always con­sid­er our­selves for­tu­nate that Teinosuke Kin­u­gasa’s Kuret­ta Ippei — a 1926 movie identified within the States as A Web page of Mad­ness – has some­how man­aged to sur­vive the vagaries of destiny. Kin­u­gasa sought to make a Euro­pean-style exper­i­males­tal film in Japan and, within the course of, he made one of many nice land­marks of silent cin­e­ma. You’ll be able to watch it above.

Born in 1896, Kin­u­gasa begin­ed his grownup life work­ing as an onna­ga­ta, an actor who spe­cial­izes in play­ing feminine roles. In 1926, after work­ing for just a few years behind the cam­period beneath pio­neer­ing direc­tor Shozo Maki­no, Kin­u­gasa purchased a movie cam­period and arrange a lab in his home as a way to cre­ate his personal inde­pen­dent­ly financed motion pictures. He then approached mem­bers of the Shinkankaku (new impres­sion­ists) lit­er­ary group to assist him provide you with a sto­ry. Writer Yasunari Kawa­ba­ta wrote a deal with­ment that will even­tu­al­ly develop into the idea for A Web page of Mad­ness.

Although the syn­op­sis of the plot doesn’t actual­ly do jus­tice to the film — a retired sailor who works at an insane asy­lum to take care of his spouse who tried to kill their little one — the visu­al audac­i­ty of Web page remains to be star­tling as we speak. The open­ing sequence rhyth­mi­cal­ly cuts between photographs of a tor­ren­tial down­pour and gush­ing water earlier than dis­solv­ing right into a hal­lu­ci­na­to­ri­ly odd scene of a younger girl in a rhom­boid head­costume danc­ing in entrance of a mas­sive spin­ning ball. The lady is, in fact, an inmate on the asy­lum wearing rags. As her dance turns into increasingly fren­zied, the movie cuts sooner and sooner, utilizing tremendous­im­po­si­tions, spin­ning cam­eras and nearly each oth­er trick within the e-book.

Whereas Kin­u­gasa was clear­ly influ­enced by The Cab­i­internet of Dr. Cali­gari, which additionally visu­al­izes the inside world of the insane, the film can also be rem­i­nis­cent of the works of French avant-garde movie­mak­ers like Abel Gance, Russ­ian mon­tage mas­ters like Sergei Eisen­stein and, in par­tic­u­lar, the sub­jec­tive cam­er­a­work of F. W. Mur­nau in Der Let­zte Mann. Kin­u­gasa incor­po­rat­ed all of those influ­ences seam­much less­ly, cre­at­ing an exhil­a­rat­ing, dis­turb­ing and ulti­mate­ly unhappy tour de drive of movie­mak­ing. The good Japan­ese movie crit­ic Aki­ra Iwasa­ki known as the film “the primary film-like movie born in Japan.”

When A Web page of Mad­ness was launched, it performed at a the­ater in Tokyo that spe­cial­ized in for­eign motion pictures. Web page was certainly pret­ty for­eign com­pared to most oth­er Japan­ese movies on the time. The film was regard­ed, movie schol­ar Aaron Gerow notes, as “one of many few Japan­ese works to be deal with­ed because the ‘equal’ of for­eign movement pic­tures in a cul­ture that also appeared down on domes­tic professional­duc­tions.” But it didn’t change the course of Japan­ese cin­e­ma, and it was regarded as a curios­i­ty at a time when most movies in Japan have been kabu­ki adap­ta­tions and samu­rai sto­ries.

Web page dis­ap­peared not lengthy after its launch and, for over 50 years, was thought misplaced till Kin­u­gasa discovered it in his personal retailer­home in 1971. Dur­ing that point Kin­u­gasa acquired a Palme d’Or and an Oscar for his splashy samu­rai spec­ta­cle The Gate of Hell (1953) and Kawa­ba­ta, who wrote the deal with­ment, bought a Nobel Prize in Lit­er­a­ture for writ­ing books like Snow Coun­strive a few lovelorn geisha.

You will discover A Web page of Mad­ness on our checklist of Free Silent Movies, which is a part of our col­lec­tion,  4,000+ Free Films On-line: Nice Clas­sics, Indies, Noir, West­erns, Doc­u­males­taries & Extra.

Be aware: An ear­li­er ver­sion of this put up appeared on our web site in 2014.

Relat­ed Con­tent: 

The Gold­en Age of Japan­ese Cin­e­ma: Kuro­sawa, Ozu, Mizoguchi & Past

Essen­tial Japan­ese Cin­e­ma: A Jour­ney Via 50 of Japan’s Beau­ti­ful, Usually Weird Movies

Aki­ra Kurosawa’s Checklist of His 100 Favourite Films

The Ori­gins of Ani­me: Watch Free On-line 64 Ani­ma­tions That Launched the Japan­ese Ani­me Tra­di­tion

Jonathan Crow is a author and movie­mak­er whose work has appeared in Yahoo!, The Hol­ly­wooden Reporter, and oth­er pub­li­ca­tions. 



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