Louisiana band Cashier are excited to share the title monitor of their upcoming debut EP, The Weight, obtainable March 13, 2026, through Julia’s Battle Recordings. “The Weight” captures the bittersweetness discovered within the passage of time, with hovering guitars soundtracking the heavy feeling of being alive. “I really feel the burden now / Of falling out of line / And it feels the identical now / As calling out,” bandleader Kylie Gaspard sings over driving drums and whirling riffs, grounding the monitor into direct emotional catharsis.
“Because the title monitor of the EP, I wished to tie the themes of all of the songs collectively,” Kylie explains. “On this music, we wished to create one thing that honored the influences that got here earlier than us. Whereas staying true to having the guitar as the point of interest, the lyrics make this a coming-of-age piece, looking for the place we match on this life, and the way we lengthy for connection.”
The Undercover Dream Lovers launch the fuzzed out new single “banging my head.” One other style of the upcoming album atomic home (out March 20 through SoundOn), Los Angeles-based musician and producer Matt Koenig permits for a second of uncurbed rock and roll. Backed by scorched neon guitar and distorted vocals, Koenig delivers a strong manifesto on frustration. The music could have been impressed by reminiscences of literal childhood head trauma (“baseball bats and hockey pucks, I feel I break up my head open 3 times as a child”), however the music craves out the common fact that beating your self up can really feel bodily — Stream.
“I used to be gifted this outdated purple Gibson guitar and it unlocked this intense side to my writing,” he says. “It was additionally the primary time I’d actually screamed within the vocal sales space—a lot in order that I misplaced my voice for a month. Each the music and the document as a complete are me stepping outdoors of my artistic consolation zone and discovering one thing new, whereas additionally working from concepts and emotions which are very acquainted.”
A fantastic nerve runs via Ghost of a Drawback, Kyle Morgan’s second solo document after 2022’s
Youthful at Most Every part (Crew Love Information). The album is a automotive swerving out and in of
the passing lane, driver scanning the rearview mirror for the bloody mess he’s sure he has left behind. Hit-and-run or phantom tollbooth? All within the thoughts, or actual as purple? It’s a clumsy factor about life, that you just’ve acquired to reside it in ahead whereas making an attempt to know it in reverse. Nonetheless, dodging visitors on the PA Turnpike amidst a beat-up Elliot Smith document, the glowing pick-up of the Cactus Blossoms, or the blissful, wide-open lane of an Emmylou Harris album, Ghost manages to achieve some perspective.
Fundamental tracks have been laid down in Could and June of 2023 beneath engineer/ producer Ryan Dieringer of Welterweight Sound in New Paltz, NY, carried out by the trio of Morgan on guitar and piano, Sean Cronin on bass and Rachel Housle on the drums. “We did quite a lot of the arranging collectively, the 4 of us, there within the studio, ”Morgan wrote concerning the preliminary classes.
“Some I had extra fleshed-out demos for, some we constructed collectively from the bottom up, like with the title monitor, as an example. It was a very enjoyable course of. Much less recreation of the demo and extra collaborative, extra outlined by a band taking part in collectively, which is what I all the time need it to really feel like.” The result’s a document that seems like a brand new bough grafted onto an outdated apple tree, deliberate in its preparations and manufacturing whereas staying exploratory and natural within the precise taking part in.
Dieringer is a longtime collaborator, and the three musicians have backed one another in and
round NYC’s broader indie-folk scene for a decade now. Their familiarity is obvious, you possibly can
really feel everybody pulsing in concord on the tracks. The bass and drums groove with out displaying off or feeling heady, handing a strong basis to Morgan, who’s a first-rate participant in his personal proper. His guitarwork pivots simply from nervous electrical riffs to rolling acoustic fingerpicking, and the album advantages extra broadly from his intuitive sense of concord. Morgan grew up singing in church choirs, and composed the string and horn sections himself. Ghost of a Drawback has a particular pop sensibility—the manufacturing is obvious and stuffed with hooks, harmonies, and layered sound—however is equally at residence within the sonic panorama of contemporary Americana, with a bizarre, throaty baritone guitar and drifting pedal metal gracing a number of tracks.
NY-based duo Fcukers dropped their energizing new single immediately “should you wanna social gathering come over to my home.” Get it HERE through Ninja Tune. The band first previewed the music at raging Home Celebration in Austin final weekend with Dylan Brady. One in every of their most electrical tracks thus far, the music surges with a unclean BPM-focused beat and immediately addictive hook, delivering followers one other club-ready anthem forward of their extremely anticipated debut album Ö, arriving March twenty seventh. The discharge arrives alongside the official music video, watch HERE.
Their extremely anticipated upcoming debut document produced by Kenneth Blume [FKA Kenny Beats] and recorded throughout a whirlwind two-week studio session which adopted an preliminary assembly between the trio. Ö was combined by multi-Grammy-winning engineer Tom Norris, with further manufacturing from Dylan Brady on three tracks.
This week marks one other large milestone for the band, as they gear as much as make their tv debut tomorrow evening on The Tonight Present Starring Jimmy Fallon, bringing their high-voltage efficiency type to the late evening stage for the very first time.
The discharge of “should you wanna social gathering come over to my home” arrives because the duo prime for an enormous stretch of reside reveals. This summer time they’ll be part of Harry Types on the Collectively Collectively Tour in Brazil on 7/17, 7/18, 7/21 and seven/24, and RÜFÜS DU SOL’s North American Tour on choose dates, whereas their very own headline tour kicks off in April, marking their largest run of reveals but. See full tour routing under and get tickets HERE.
After releasing a slew of riveting singles, coldwave aficionados TRAITRS are gearing as much as launch their new album on March thirteenth. An eclectic mixture of moody lyrics, 808s, and pulsating guitar strums, Possessor showcases the Toronto duo in a brand new mild.
rising R&B songbird Nali shares her new single “Possibly” that includes Coi Leray, out now through Courtesy Of Information. The relatable monitor tells the story of contemporary romance; sharing an simple reference to somebody who’s taking part in video games. Regardless of understanding a relationship will not be emotionally protected, it’s tempting to desert logic within the title of affection. Even essentially the most guarded hearts can discover themselves torn when confronted with simple chemistry. Within the accompanying visible, viewers see Nali and Coi arm in arm, certain collectively in assist beneath hues of blue. The duo ship a masterclass in vulnerability and self-awareness, pairing slick verses with honeyed melodies as they unravel combined alerts and discover the road between ardour and self-preservation.
New experimental duo The As we speak Guys unveil their debut single as a collective, ‘CRY ABOUT IT’ – a glitchy, distorted and subtly psychedelic monitor that marks the primary official collaboration between artists Beverly Hell and Britta Raci.
‘CRY ABOUT IT’ is obtainable now in your streaming service of alternative through APOLLO Distribution.
Introducing Onyx Halo: An AI Band Creation, Bringing a Songwriter’s Previous Again to Life, and Into the Future
In 2026, after almost three a long time away from songwriting, Merseyside‑born creator Stuart Hartley is stepping again into the music world with a venture not like something he might have imagined in his early twenties. His new enterprise, Onyx Halo, is a totally AI‑generated band, however the coronary heart, the tales, and the songs are fully his.
Between 1990 and 1995, Hartley lived for music. Armed with a house setup and a 4‑monitor recorder, he wrote relentlessly, capturing uncooked, unfiltered demos and sending them to A&R departments with the sort of willpower solely youth and ambition can gasoline. However skilled recording was financially out of attain, and the trade’s rejections ultimately pushed him towards a unique path. By 25, he stepped away from songwriting and constructed a profitable profession as Managing Director of a producing firm: a future constructed on grit, stability, and long-term focus. But music has a manner of ready for the precise second.
In 2025, Hartley found rising AI music know-how and realised he might lastly give his early songs the manufacturing they all the time deserved. He uploaded his authentic 4‑monitor demos — some almost 30 years outdated — and watched them evolve into absolutely produced, trendy tracks that retained the emotional core of the originals. The method didn’t simply revive outdated materials; it reignited his creativity. Hartley started writing new songs once more, mixing the urgency of his early work with the angle of a life absolutely lived.
To carry this new chapter to life visually and conceptually, he created Onyx Halo — an AI‑powered band designed to embody the sound, the story, and the evolution of a songwriter returning to his craft.
Onyx Halo are absolutely Hartley’s creation too: a 4‑piece band who met on the Liverpool Institute for Performing Arts: a fictional origin story that displays the spirit of the music slightly than the literal course of behind it. The band’s narrative is a part of the venture’s artistic id, however the music itself is fully actual: written by Hartley, produced with AI, and formed by the emotional fact of his journey.
The band members are Artwork, Lee, Stone, and Jax – who every carry their very own imagined histories, influences, and textures to the venture. Artwork, the Toronto-born bassist with songwriter instincts and calm precision. Lee, the Dublin guitarist whose taking part in carries each hearth and poetry. Stone, a Liverpool native with Jamaican roots, grounding the music in rhythm, groove, and heritage. Jax, from the Wirral, stitching every part along with rhythm guitar and harmonica, protecting the songs rooted once they threaten to float skyward.
Onyx Halo started as a people‑rock act, however their sound naturally expands into rock, indie, blues, and cinematic atmospheres. They deal with people not as a style however as a basis — a heartbeat — whereas exploring no matter sonic territory feels proper. In essence, the band are a ‘rebirth’, not a reinvention. They herald the return of a songwriter who by no means actually stopped being one, somebody who carried unfinished music for many years and eventually discovered the instruments to complete the story.
The result’s the album ‘Black Mild’, launched on twenty sixth February 2026, a physique of labor that feels each nostalgic and new, grounded within the honesty of folks however unafraid to discover wider horizons. It’s a testomony to what occurs when outdated goals meet new potentialities.
On their new monitor “FOAM,” Arizona’s Chew The Hand flip restlessness into one thing equally chaotic and cathartic. It’s a melodic flip for what’s to come back from one in every of punk’s most fun bands to look at in 2026.
Vocalist Echo Breen (she/her) wrote the music like an inner dialog between her inside “good woman,” holding every part collectively, and the “dangerous woman” pressured to claw her manner out every time issues spiral. It’s an introspective tackle the concept of constructing your individual mattress and deciding whether or not or not you’re gonna lie in it.
Experimental digital duo Deus Ego return with their blistering new single ‘VICE GRIP’, the primary launch from their forthcoming EP ‘INEXORABLE’, due in late March. This new launch is an experimental and susceptible different alt-electronic indie banger.
‘VICE GRIP’ is obtainable now in your streaming service of alternative through APOLLO Distribution.
Critically acclaimed, Nashville-based LGBTQ+ indie-rock artist Abby Nissenbaum declares her latest single “Why Does No One Need Me,” dropping March 20, 2026 and main as much as her EP due out in June. Nissenbaum writes from the center, exploring themes of melancholy, isolation, and heartbreak, however anchored by messages of hope, empowerment, and group. Complemented by her effortlessly sincere and uncooked vocal supply, Nissenbaum affords relatable, sincere and heartfelt lyricism amidst catchy melodies, fantastically contrasting the energetic indie-rock soundscape which surrounds her.
On the upcoming music , Nissenbaum reveals, “I really wrote ‘Why Does No One Need Me’ as a confidence anthem to pitch to an artist who leans extra towards the R&B finish of the music spectrum. The music’s authentic premise was extra aligned with, ‘I’m so nice, why wouldn’t anybody need me?’ Nevertheless, I ended up liking the melody a lot that I saved the music for myself (sorry!) and altered up a number of the lyrics, most notably the refrain, to replicate my typical ‘unhappy woman anthem’ vibe. Why Does No One Need Me nonetheless retains its authentic sass within the verses and a few enjoyable turns of phrase, however the refrain hints at a deeper worry that I feel many individuals my age are feeling: ‘Within the age of app swiping and fast validation over actual connection, am I destined to be alone without end?’”
Rising indie-folk artist Luke James Williams returns With ‘Full Moon’ one other style of his upcoming second album ‘Limes Resort’ – out April seventeenth.
‘Full Moon’ isa cautionary story of greed that ends with a haunting, Kate Bush‑esque outro, and launched to coincide with the total moon (March third).
“Full Moon is concerning the risks of not understanding the place to cease in our pursuit of what we wish,” says Luke. “Gluttony can lead folks to do very silly issues that put themselves and others in grave hazard. The hunter turns into the hunted on this half fable, half cautionary story.”
And don’t miss the accompanying video made by UK-based filmmaker and photographer Matthew Oaten that includes two ballet dancers in pursuit round London’s Barbican. “After I listened to Full Moon, I used to be struck by the sense of pursuit operating via it — the concept of want turning into predatory,” says Matthew. “I noticed it as a mirrored image on greed, competitors and the futility of capitalism, and wished the video to specific these concepts bodily. I’m grateful to Luke for trusting me to comply with that intuition and create one thing true to the music.”
A daring step into a brand new chapter, Luke’s upcoming album ‘Limes Resort’ is an intimate assortment rooted in modern people but unafraid to wander in different instructions, with a wealth of sudden textures, tonal shifts, and emotional threat. Guided by Luke’s unmistakably English vocal and sparse, atmospheric instrumentation, the album emerged from an intense interval of grief following the lack of two shut mates. It traces questions of mortality, perception, connection, and the quiet work of piecing your self again collectively after loss. But regardless of its origins in disappointment, the document leans in the direction of renewal with what Luke calls “new shoots reaching up in the direction of the solar; the hope and promise of latest life rising from the darkness.”
He provides: “Grief is common but it surely typically feels very isolating. I hope this album, while having been born out of a really darkish time, can provide a bit mild and a few consolation to folks going via comparable experiences.”
With ‘Limes Resort’ Williams cements himself as a songwriter of uncommon emotional readability, crafting music that feels each intimate and expansive, deeply private but fully common.
the long-lasting international instrument model, has formed sound throughout generations and genres of music, turning into probably the most related, performed, and cherished manufacturers all over the world. As a part of Gibson’s dedication to artist-first tradition and elevating new music from rising musicians all over the world, the Gibson Artist Highlight Program highlights an evolving roster of musicians who’re celebrated throughout Gibson’s international and worldwide channels.
Charlotte Sands is a boundary-pushing pop-rock power from Hopkinton, Massachusetts, whose unmistakable mix of emotional honesty, dynamic vocals, and high-voltage vitality has made her probably the most compelling rising artists of her era. Born to a musical household, she grew up immersed in creativity and commenced writing and performing her personal songs at simply 9 years outdated—a basis that formed her uniquely fearless voice. Drawn early to acoustic storytellers and the uncooked adrenaline of rock, Sands later moved to Nashville and now lives in Los Angeles the place she constructed a lot of her profession and sharpened her genre-defying sound.
Her breakthrough got here with the viral hit “Gown,” which spent greater than 15 weeks (about 3 and a half months) on the Prime 40 radio charts in 2022, incomes her a Breakthrough Artist nomination and a win at London’s Heavy Music Awards. Since then, Sands has toured relentlessly—sharing levels with My Chemical Romance, 5 Seconds of Summer season, and different globally acknowledged acts—whereas headlining sold-out reveals throughout three continents and performing over 150 live shows in 2023 alone. Her debut album, can we begin over?, captures her private and creative evolution, pairing introspective lyrics with the explosive depth of her reside efficiency. “I hope this album conveys power, confidence, and energy inside vulnerability,” she says. “It’s the truest reflection of the place I’m in my life proper now.”
Gondos return immediately with the ripping new single “Cease Calling Me”. The 2-minute-forty-second blast of fuzz-laced storage rock lampoons singer/guitarist Aidan Case’s short-lived dalliance with an workplace job life as a telemarketer. With vocals dispatching themes of anger, sarcasm, and exasperation, “Cease Calling Me” delivers a gritty reflection on what it means to be an intruder, and be intruded upon, amongst the every day hassles of contemporary life.
Additionally launched immediately is a video that captures the Portland, Oregon, four-piece in a warehouse house of their hometown’s Chinatown district. Replete with harsh fluorescent lighting and stripped-back fixtures, this visible displays the irrepressible direct vitality of a Gondos document.
Los Angeles, CA – Southern California primarily based indie rock band, Lavalove, have launched a brand new music and music video for “By no means Higher”. It’s taken from the band’s upcoming new album ‘TAN LINES’ out April 3 through Pure Noise Information. It follows the lead single and music video for “Sniffin’ Round’ which will be heard right here and seen right here.
‘“By no means Higher” is hypnotic whereas making an attempt to subconsciously persuade your associate you’ll be their favourite ex,” says singer and guitarist Tealarose Coy. “It’s a music you can scream on the prime of your lungs in your room for positive. The ending is so superb as nicely, my favourite lyrics on the album.”
Progress doesn’t all the time present up as a loud, explosive second; generally it’s extra like an extended, late evening drive with nowhere to go however ahead. Pennsylvania songwriter/lifer James Barrett returns with “Sigh,”a reflective new music that captures the ache of rising up. Following final 12 months’s “Fragile Assertion,” it’s one other glimpse into Barrett’s evolving world – one rooted in nostalgia, emotional storytelling, and the affect of life in Northeast PA.
“This music offers me the identical acquainted feeling I used to get, driving round listening to bands like Tigers Jaw, Captain We’re Sinking, Petal, and The Menzingers,” James explains, referencing a number of the space’s most influential outputs. “It’s about sharing these closing nights with somebody you’re keen on, understanding your story collectively is coming to an finish.”
