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Tuesday, February 17
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Home»Arts & Entertainment»Is social media over for creatives? Or have we simply woken as much as what it’s?
Arts & Entertainment

Is social media over for creatives? Or have we simply woken as much as what it’s?

Buzzin DailyBy Buzzin DailyFebruary 17, 2026No Comments7 Mins Read
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Is social media over for creatives? Or have we simply woken as much as what it’s?
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There was a time when social media felt like a present to inventive professionals. A free portfolio. A worldwide studio door, flung open. A spot the place your work may discover its folks with no gatekeeper in sight.

That point, by most accounts, is over. On this article, we share what members of the Artistic Increase neighborhood actually take into consideration the state of social platforms immediately.

The dialog is uncooked, sometimes bitter, and surprisingly unanimous on one level: one thing elementary has damaged. You’ll be able to learn the total discussions on LinkedIn and our personal personal community, The Studio. (Not joined The Studio but? Do it immediately; it is free!)

The numbers do not lie

Fontwerk founder Ivo Gabrowitsch frames the issue. “A ‘profitable’ submit immediately may attain 10% of followers,” he begins. “In my opinion, which means the idea of social media is solely useless.” It is laborious to argue with the logic. In the event you’re solely experiencing a tenth of the factor you signed up for, what precisely are you collaborating in?

Kind designer Jean François Porchez agrees, and sees Instagram because the worst offender for the design neighborhood. “Designers who publish each day are like dinosaurs who see their universe collapsing, with out having the ability to do something,” he says. “They proceed hoping for one thing that will not occur. Person-created content material simply covers the gaps between adverts!”

What comes by most from these discussions is a way of fatigue, not simply with the platforms, however with the broader expectation that creatives should even be content material creators, viewers builders and algorithm whisperers. As UX guide Becky Colley places it: “It is not a lot social media because the expectation that we’re all consistently on-line and obtainable. I spend my days replying to Slack messages, Groups messages, in conferences, and on calls. Since social media stopped feeling enjoyable, the very last thing I wish to do is spend my evenings and weekends persevering with to attach with folks by a display screen.”

Artistic director Paul Leon agrees, describing a system that has turned connection into obligation. “Social media has gone from one thing that related, entertained and educated to feeling like a pressured chore, an indentured servitude policed by the algorithm of revenue,” he says. “Exhausting. Boring. Managed irrelevance. These are all phrases I would use to explain a lot of ‘social media’. When companies transition from creating nice merchandise to simply being profitable, it reveals; regardless of the enterprise.”

For strategic model designer Sophie O’Connor, it is a fixed to-and-fro of emotional whiplash. “Some days I really feel completely impressed to create a submit or reel and benefit from the course of. Different days, it appears like a chore, as I am scrabbling round for related concepts. There’s a lot strain to be a content material creator now, because the outdated methods of utilizing social media do not appear to work anymore. It is exhausting however vital—to maintain you ‘high of thoughts’ and reaching new audiences.”

Essential evil

One phrase, “vital evil”, surfaces repeatedly in our discussions. Richard Brandon Taylor, founding father of Brandon, captures the cognitive dissonance concerned. “I feel most individuals within the inventive industries are doing their greatest to maintain their heads above water as their legs are flapping like mad beneath,” he explains. “As such, social media struggles to suit into our day by day working lives.”

He provides a footnote that factors to an apparent paradox right here. “I am aware I am on LinkedIn responding to this. It is the drug that you simply typically cannot escape, when making certain you might have your finger on the heart beat of the inventive world.”

However for what, precisely? As photograph retoucher Sandrine Bascouert displays: “There was that golden age the place folks put all their religion of their social posts for attain, together with myself. However on the finish of the day, nothing ever changed exhibiting up in the fitting locations, and Instagram, LinkedIn or X had been by no means going to exchange our personal areas: web sites, newsletters, blogs.”

Sandrine provides one thing that is each stunning and relatable. Throughout years {of professional} posting, she’s gained exactly two shoppers from social media… and each got here by way of her private account, not her skilled one.

Adapting, not surrendering

Within the pursuits of steadiness, although, we should always level out that not everyone seems to be despairing of social media. Some creatives have discovered methods to make the platforms work on their very own phrases, even when these phrases are modest.

Take visible storyteller Fiifi Džansi, who returned after a year-long absence from social media with a tougher pores and skin and clearer objective. “I now use it to curate my work, alone phrases,” he explains. “I ignore the hostility and the fad, and I by no means give a hoot concerning the algorithm. I simply put my work on the market, in case somebody stumbles upon it. And, sometimes, I nonetheless meet genuinely good folks on the socials.”

Sure, social media is not what it was. However some, equivalent to inventive advertising and marketing strategist Carmela Vienna see alternative within the shift. “Immediately, social is much less about self-importance and extra about relevance and alignment,” she says. “Whereas IRL [in real life] relationships matter greater than ever, social media is a good device to remain high of thoughts, on a basis that is constructed by neighborhood and exhibiting up.”

For instance, a single storytelling-style reel from Carmela prompted three separate work enquiries, all from folks she already had a relationship with. The platform amplified an present connection; it did not create one from nothing.

The good unplugging

For others, although, the reply is solely to go away. Graphic designer Meredith Blumenfeld stop years in the past and hasn’t appeared again. “The time I used to spend on social, I now use for different issues,” she says. “Espresso retailers, hanging out with pals, studying, baking, portray. A lot of my life—bodily, emotional, non secular—has freed up, by eliminating the fixed strain to be up-to-date and the fixed comparability recreation.”

Certainly, model designer Zoe Foreman questions whether or not people had been ever designed to deal with this quantity of enter. “I do not assume we had been meant to have this a lot entry to the world and a relentless stream of knowledge,” she posits. “It takes aware effort to make use of social media the way you wish to, actively avoiding doomscrolling, ensuring you might be really searching down pals’ posts to have interaction with them, which makes it much less of an gratifying expertise.”

Key takeaways

So the place does this go away us? Whereas there is not any consensus but amongst creatives that social media is useless, it is more and more clear that the outdated contract is.
The deal was: submit your work, construct an viewers, get found. That deal has been rewritten by algorithms optimised for promoting income, and the inconvenient fact is that inventive professionals are the collateral injury.

What’s changing it seems to be lots like what got here earlier than social media. Phrase of mouth, real relationships, personal communities, newsletters, private web sites, and exhibiting up in particular person the place it counts. What which means on a day-to-day stage, after all, will range from inventive to inventive.

For instance, designer Mark Richardson has simplified his strategy fully, utilizing solely LinkedIn, the place he follows “inspiring feeds that give me hope of constructive change and new concepts that may assist us clear up the large issues we face as a species”. In the meantime, illustrator Juliana Salcedo, who’s spent years on each platform possible, has pared again to the naked necessities. “I am bored with the countless hours I’ve spent since my late twenties on-line,” she complains. “I desire a extra private connection.”

Finally, these multi-billion-dollar platforms aren’t going wherever. However the creatives who constructed them into what they had been? They’re already leaving. Or on the very least, studying to care about them an amazing deal much less.

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