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Home»Culture»CAPC’s Favourite TV of 2025
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CAPC’s Favourite TV of 2025

Buzzin DailyBy Buzzin DailyJanuary 27, 2026No Comments13 Mins Read
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Over the previous couple of months, the CAPC staff has compiled a listing of our favourite popular culture artifacts from the earlier yr. Not like most year-end lists, we don’t declare that these are the “greatest.” Fairly, these are the issues that introduced us essentially the most pleasure and satisfaction all through the final 12 months.

For 2025, our favourite TV included a sci-fi thriller, a late night time discuss present, a rom-com, and a return to Lumon Industries.

Andor, Season Two (Disney+)

Andor‘s first season set a reasonably excessive bar, taking us to the galaxy far, distant however eschewing the anticipated Star Wars staples—there’s nary a Jedi and lightsaber in sight—to as a substitute ship a harrowing political thriller about Imperial tyranny and the rise of the Rebel. When season two begins, Cassian Andor is a hardened Rebel operative, prepared to do no matter it takes to convey down the festering Empire. Nonetheless, the nascent Rebel operates in matches and begins, with competing factions attempting to convey down the Empire with their very own agendas—after they’re not squabbling with one another.

Over the course of twelve episodes, Andor‘s remaining season reveals the ethical and moral calls for concerned in battling tyranny, increasing on Luthen Rael’s highly effective “Sacrifice” monologue from season one to indicate us characters all doing their greatest to outlive the battle. Mon Mothma lives luxuriously as a galactic senator, however her efforts to fund the Rebel will value her in methods he may by no means anticipate; Bix is wracked with PTSD from Imperial torture, escaping into medicine and schemes of revenge; and Rael and his younger protege Kleya Marki frequently function from throughout the shadows at the same time as their very own aspect suspects them. A part of Andor‘s energy is that it additionally exhibits us how the the opposite aspect fares, and nowhere extra so than Dedra Meero, the Imperial agent whose ambition and guile are each her best energy and weak point.

As Andor’s second season attracts nearer to an finish, and the occasions of 2016’s Rogue One, its narrative energy grows. Collection creator Tony Gilroy and his fellow writers ship a collection that just about feels prophetic at occasions because it makes crystal clear the sluggish, seductive nature of tyranny and the expensive sacrifices essential to fight it. Because it culminates in a haunting montage that reveals the final word fates of its numerous characters, one factor is definite: Andor will follow you lengthy after the credit end rolling, Star Wars fan or not.

—Jason Morehead

Dept. Q, Season One (Netflix)

Initially revealed in Denmark as Kvinden i buret (The Keeper of Misplaced Causes) in 2007, Jussi Adler-Olsen’s novel collection focuses on a particular chilly case unit. The unit, referred to as “Division Q” (you guessed it, Afdeling Q in Danish), facilities round demoted Detective Carl Mørck (performed on this collection by Matthew Goode).

In case you’ve seen the trailer, you’ll know that, having barely survived being murdered, Morck should concurrently cope with PTSD and examine a excessive profile lacking individuals case. By the top of the primary episode we notice not solely is that this a riveting whodunit with dark-comedy points of an underdog assemblage, however a narrative informed on a number of timelines. Which will sound like loads of work for us because the viewers and granted, you possibly can’t distractedly scroll in your telephone by way of this one, however why would you wish to?

The present is so good, that, very similar to the Dept. Q staff, I can present empirical proof: I by no means binge exhibits, however I binged this one. I imply, in the event you thought Matthew Goode was goode in The Supply, simply wait. And but, there’s something extra, one thing deeper than an ideal plot and stellar appearing, the intrigue is interpersonal.

I agree with John Energy’s evaluate that the characters are integral, however I disagree that the mysteries take a again seat. As a result of each crime is finished by people and solved by people, a human viewers pertains to the interpersonal. That’s why 43 p.c of the Bible is narrative; God is mysteriously private and made us relational. I additionally consider for this reason fictional crime has flourished within the streaming period, as a result of we love nice tales and fixing thriller. However it’s no thriller whether or not we’ll get extra Dept. Q—the collection has been renewed for a second season!

—Chris Fogle

Dropout TV

Previously generally known as CollegeHumor, Dropout is the scrappy streaming underdog that turned out to be a large success due to its eclectic and hilarious programming. Make no mistake, although: Dropout’s numerous titles—which embrace the meta recreation present Sport Changer, the D&D dwell play Dimension 20, the madcap improv of Make Some Noise, and the awkward viewers interactions of Crowd Management—can get actually crass and actually bizarre.

However I’m satisfied that Dropout is much less a streaming platform that regularly traffics in R-rated humor, and extra a group stuffed with individuals who genuinely love and respect one another. That definitely explains the fearlessness of a few of their bits; you’re not going to do the kind of zany, reckless improv that you just see on Make Some Noise until you belief everybody else on the stage with you. And the present’s all of the extra hilarious because of this.

It additionally explains the grace and generosity that Dropout CEO Sam Reich and his quite a few collaborators—Brennan Lee Mulligan, Josh Ruben, Zac Oyama, Vic Michaelis, Jacob Wysocki, Ally Beardsley, Lisa Gilroy, and lots of extra—present each other. For one episode of Sport Changer, Dropout took on a company sponsor (LinkedIn) just so they may create an elaborate ruse to provide Wysocki $100,000 as he dealt together with his mom’s dying. And within the season’s greatest twist, Mulligan, who’s regularly the butt of Reich’s therapy on Sport Changer, kidnapped Reich and compelled him to take part in his personal Sport Changer episode—which finally proved to be a pleasant celebration of Reich’s life, pursuits, and relationships. Even Gilroy’s unending antagonism of Reich comes from a spot of affection. (No less than, I hope it does.)

It’s in all probability too presumptuous to say that I want the church regarded extra like Dropout. However, once I watch an episode of Sport Changer or Make Some Noise, I see the kind of beneficiant group that I want would higher characterize how us Christians deal with one another. After I’m not rolling round on the ground laughing, that’s.

—Jason Morehead

Final Week Tonight with John Oliver, Season 12 (HBO)

One in all John Oliver’s favourite jokes to make on his long-running HBO comedy present, Final Week Tonight with John Oliver, is to pull the viewers for having to sit down by way of what they suppose goes to be a comedy present however is the truth is a really severe present about unfunny matters like politics, science, humanitarian crises, and extra. It’s true, Final Week Tonight covers weighty topics—usually so weighty that my husband and I select to look at a “enjoyable” present afterwards to decompress—and in 2025’s twelfth season, the theme of Oliver’s protection of these topics appeared to shift. 

Not like most late-night exhibits, which reply to present occasions after which host friends (often selling some upcoming film, album, and so forth.), the format of Final Week Tonight doesn’t convey on friends, however relatively, offers Oliver the complete time to reply to one thing present after which do a protracted phase on a giant subject. Season 12’s episodes coated youngster incarceration, ICE detention services, sports activities betting, medicare, gang databases… you get the concept. The primary theme that emerged in season 12, spoken many occasions by John Oliver—immediately and not directly—is that individuals’s lives matter. Life itself issues. Human life is treasured, what we do with it issues, and the way we dwell additionally issues.

Trying again on earlier seasons, Oliver has lengthy coated the identical kind of matters as he did in season 12, so perhaps that’s all the time been a theme of the present. However I’ve watched Final Week Tonight for half a decade now and by no means felt as impressed by the urgency of the message to save lots of and promote life as I did in 2025. Maybe most importantly, I couldn’t assist considering that John Oliver was saying what I want Evangelical church leaders would say about human life. Final Week Tonight‘s twelfth season jogged my memory that God isn’t absent in arduous occasions in America, however generally we’ll discover his voice being spoken in unlikely locations.

—Okay. B. Hoyle

No person Needs This, Season Two (Netflix)

In a yr when loads of tv felt both bleak, preachy, or inexplicably tense, No person Needs This‘s second season provided one thing uncommon: a romantic comedy that’s genuinely romantic, genuinely humorous, and (most shocking of all) extremely considerate about religion. Additionally, it included an American Woman doll combat, which immediately received my coronary heart. Millennial ladies like myself understand how completely diabolical it could be to chop one other lady’s Felicity doll’s hair at a sleepover, and the truth that the present treats this as a severe historic grievance (because it ought to!) is a part of what makes it so sharp. (I used to be Felicity for Halloween final yr, so naturally I took this grievance personally once I noticed it.)

The premise remains to be irresistible: Joanne (Kristen Bell), a blunt agnostic relationship podcaster, falls for Noah (Adam Brody), a rabbi who’s genuinely good, genuinely good-looking, and genuinely attempting to dwell a life with ethical seriousness. Which, because the present retains reminding us, is principally the least handy factor you possibly can attempt to do whereas relationship in 2025. Season two constructed on what the earlier season arrange so nicely: the actual battle isn’t whether or not the couple has chemistry (they do), however whether or not love can survive group expectations, spiritual strain, and the truth that everybody has opinions—particularly individuals who have by no means met you however one way or the other really feel spiritually referred to as to weigh in.

What I appreciated most is that the present takes religion severely. Not in a heavy-handed “Very Particular Episode” type of manner, however in a human one: religion as a formative lifestyle—filled with magnificence, obligation, and actual value. Noah’s spiritual vocation isn’t handled like a unusual impediment, and Joanne isn’t required to turn out to be a unique particular person in a single day with the intention to be liked. The strain is allowed to stay what it truly is: a query about belonging, sacrifice, identification, and what love asks of us when it’s not only a feeling.

In different phrases: it’s a rom-com, but it surely’s additionally sincere.

And to inform the reality? In a tradition obsessive about “doing what feels proper,” I discovered myself weirdly moved by a present that implies love may generally require self-discipline: persistence, humility, precise progress, and the willingness to study one another’s household traditions, create new ones, and adapt in methods which might be troublesome however value it. (The Purim episode—Purim being a Jewish vacation filled with costumes, storytelling, and pleasure—was one notably good instance of this.)

Anyway, Netflix, I remorse nothing. I might be bingeing this present whereas folding laundry and calling it analysis for Christ and Pop Tradition—as God meant.

—LuElla D’Amico

Pushers, Season One (Channel 4)

Extra than simply gags and giggles, comedy has lengthy been used as a gauge to measure the development of society whereas pushing its bounds additional nonetheless. And British sitcom Pushers is a superb instance that this custom really is alive and nicely. Co-written by and starring in style comic Rosie Jones, the collection follows a younger lady with cerebral palsy who’s denied public advantages and as a substitute turns to an unlikely gang of drug pushers to make ends meet.

The present makes use of fast wit and dry humor to lift an eyebrow on the assumptions made of individuals with disabilities, and wraps it up in an effortlessly bingeable format. Following on from the setups exemplified by earlier British hits like The Workplace, Stath Lets Flats, and Blackadder, Pushers is motivated by a solid of characters so distinctive and contrasting that their interactions are nothing in need of good.

Whereas nice for a comedic night time on the sofa, this present additionally feels well timed and vital to the adjustments that we’ve seen in illustration over the previous yr. Primarily, there appears to have been an elevated focus not solely on together with numerous views within the dialog, however on giving them room to write the dialog as nicely. The truth that Rosie Jones’ explicit fashion of comedy is so prevalent within the collection’ script and storyline is an encouraging instance of tales which aren’t solely genuine to the experiences and voices behind them but additionally simply rather well made.

—Sophie Pell

The Residence, Season One (Netflix)

The White Home is arguably essentially the most safe and personal residence on the face of the Earth. Thus, it’s stunning when the White Home’s Chief Usher is found useless throughout a state dinner, the apparent sufferer of foul play. Solely, there’s completely nothing apparent concerning the case, which implies you’ll want a really unorthodox detective to unravel the case. Enter Cordelia Cupp (Uzo Aduba, Orange Is the New Black), a consulting detective whose knack for navigating the inevitable twists and turns of a homicide thriller is matched solely by her love of birding.

As Cupp meanders by way of the White Home, questioning everybody from the Presidential employees to the White Home’s rival cooks to the President’s family, her unorthodox strategies appear to ruffle everybody’s feathers. (Sorry, no extra chicken jokes, I promise!) However these exact same strategies additionally expose hidden agendas and conspiracies, bringing energy struggles and rivalries to the sunshine, and making it abundantly clear that these lead the nation aren’t essentially one of the best or brightest that the nation has to supply.

Thoughts you, The Residence by no means will get preachy or heavy-handed about these things. It stays enjoyable and filled with twists proper as much as the very finish. However, it does make some legitimate, if humorous, observations concerning the perils of energy, and the way shut proximity to energy can convey out absolutely the worst in everybody.

—Jason Morehead

Severance, Season Two (Apple TV)

The second season of Apple TV’s provocative and mysterious present Severance arrived after a lot anticipation and a protracted wait in early 2025. Telling the story of a staff of company staff who’ve volunteered to bear a surgical process that divides their brains between “innies” (severed staff) and “outies” (their exterior selves), Severance raises ethical questions of self-determination, identification, reality vs falsehood, and company overreach. Severance is superb in each manner, with excellent writing and appearing, a propulsive and mind-bending thriller, immersive and gorgeous visuals (with use of colour symbolism, as nicely), and evocative music and sound enhancing. Briefly, it seems like a cinematic expertise.

When season two arrived in 2025, it dug deeper into the ethical questions that had been raised in 2022’s first season. In a singular story that comprises loads of outrageous issues, these very issues enable two characters with full company and competing wants and wishes to inhabit one physique that they need to share, presenting excessive stakes to the viewer and offering a framework to think about the identical ethical and psychological quandary that the characters discover themselves in: one which asks who offers life, what it means to be alive, and who can take it away.

—Okay. B. Hoyle



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