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Home»Arts & Entertainment»Constructed with variable fonts, this emblem could be the way forward for design
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Constructed with variable fonts, this emblem could be the way forward for design

Buzzin DailyBy Buzzin DailyJanuary 14, 2026No Comments5 Mins Read
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Constructed with variable fonts, this emblem could be the way forward for design
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Variable fonts have been technically potential for years. Designers have marvelled on the management, the file dimension advantages, and the interpolation capabilities. However most functions have been sensible reasonably than conceptual: responsive kind that adapts to display sizes, environment friendly internet fonts that serve a number of weights from one file. Chantelle Pulp’s collaboration with Monotype represents one thing completely different: a variable logotype created not for technical effectivity however as a literal embodiment of name values.

It is type-as-metaphor made practical. And it surfaces a real design problem: how do you construct model recognition when your id is designed to by no means look the identical twice?

First, some context. Chantelle Pulp is the disruptive sub-brand of Chantelle, a French lingerie firm with many years of heritage in class and classical design. The place the mum or dad model speaks to timelessness, Pulp was conceived as what world chief artistic officer Renaud Cambuzat calls “the evil baby”: playful, boundary-pushing, intentionally dissimilar to conventional lingerie advertising and marketing. The model’s core proposition is radical inclusivity: sizes from A to H cups, shiny colors, diversified designs, all aimed toward celebrating, not constraining, physique range.

This introduced Monotype with a selected transient: create a logotype that visually represents fluidity and inclusivity. The answer is a customized variable typeface with two axes and three masters per axis, permitting the letterforms to morph by means of completely different weights, widths and contours. Every variation maintains legibility whereas providing completely different visible personalities. Variable font know-how permits infinite interpolation between set parameters. The pairing with Helvetica Now because the model font grounds the variable logotype in one thing acquainted.

However the extra fascinating query is not how they constructed it; it is what they do with it. As a result of Chantelle Pulp now faces an issue that the majority manufacturers do not: their id is designed for fixed reinvention, however they’re nonetheless establishing what that id really is.

Differentiation requires change

Natalia Kotkowska, Head of Design at Monotype, acknowledges this pressure immediately. At the moment, the logotype is used primarily in static kind to construct model recognition and consciousness. Regardless of having a device designed for infinite variation, they’re intentionally constraining it. “We’ve not actually performed with it but, however we all know we will, and we are going to for certain,” says Renaud. Natalia provides that the flexibleness will ultimately enable for “a mini-visual id for every season.”

Chantelle/Monotype, Chantelle Pulp, Copyright © Chantelle, 2025




This reveals one thing elementary about model constructing: recognition requires repetition, however differentiation requires change. Chantelle Pulp wants folks to recollect them earlier than they’ll respect variation. They want consistency earlier than they’ll afford fluidity.

It is the other of how most model pointers work. Sometimes, you lock every part down. Chantelle Pulp’s pointers should by some means accommodate each rigidity and adaptability—parameters that allow limitless variation whereas sustaining model integrity.

Working in a dance

The event of the brand concerned workshops and iterative refinement. The primary draft wanted adjustment, and a number of rounds of suggestions adopted. Artistic kind director Damien Collot describes working in “a dance” with the Chantelle crew to align design with the model’s essence: daring and playful, however not infantile. Renaud wished one thing that referenced each Pulp Fiction and the UK band Pulp, evoking counterculture and confidence.

What Monotype delivered is infrastructure for future creativity. The variable logotype is not a completed id: it is a system for producing identities. As Natalia places it, “The brand has actual potential to be explored and reimagined for a lot of, many, a few years.” Which means limitless artistic potentialities, but additionally limitless artistic selections.

Chantelle/Monotype, Chantelle Pulp, Copyright © Chantelle, 2025

Chantelle/Monotype, Chantelle Pulp, Copyright © Chantelle, 2025




Chantelle/Monotype, Chantelle Pulp, Copyright © Chantelle, 2025

Chantelle/Monotype, Chantelle Pulp, Copyright © Chantelle, 2025




There’s additionally the query of whether or not audiences care about logotype variation. Most model differentiation occurs by means of images and color. The logotype is usually the steady ingredient. Chantelle Pulp is inverting that, making the logotype the variable ingredient. Whether or not that registers with customers stays to be seen.

Maybe that is not the purpose, although. Variable logotypes aren’t primarily about client notion; they’re about organisational alignment. They’re bodily manifestations of name values that form inner selections. Each time Chantelle Pulp’s crew sees a emblem that may adapt to any context, it reinforces that adaptability is central to who they’re.

This makes the logotype a device for sustaining model coherence as the corporate grows. A variable id system gives clear parameters that allow reasonably than limit.

Take a look at case

For designers engaged on id programs, Chantelle Pulp gives a check case for when variable fonts make conceptual sense past technical advantages. The know-how is accessible. The query is whether or not your model’s core concept genuinely advantages from a shape-shifting mark.

Chantelle/Monotype, Chantelle Pulp, Copyright © Chantelle, 2025

Chantelle/Monotype, Chantelle Pulp, Copyright © Chantelle, 2025




Chantelle/Monotype, Chantelle Pulp, Copyright © Chantelle, 2025

Chantelle/Monotype, Chantelle Pulp, Copyright © Chantelle, 2025




Chantelle Pulp’s dedication to physique range makes variability genuine. For manufacturers with out that conceptual basis, a variable logotype may simply make consistency more durable.

The actual measure of success will likely be whether or not Chantelle Pulp really makes use of the device they’ve commissioned. In three years, will campaigns showcase dramatically completely different logotype variations? Or will the variable system sit largely dormant? As Renaud says, “Our purpose is to have enjoyable with it; in case you have enjoyable with it, then in the end clients can have enjoyable with it too.” Whether or not variable id programs can ship on that promise—not simply technically, however culturally and operationally—is what initiatives like this can assist decide.

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