Kathleen Goncharov, a curator whose work included organizing reveals for Simply Above Midtown gallery, died at her house in Boca Raton, Florida, of pure causes on December 31. She was 73 years previous.
Goncharov served as senior curator on the Boca Raton Museum of Artwork in Florida from 2012 till she retired in 2025. She had beforehand labored as a curator at establishments all through the US, curated exhibitions from Rio de Janeiro to Bologna and Rome, and served because the commissioner of the US Pavilion for the Venice Biennale in 2003, which that 12 months took the type of an exhibition of Fred Wilson, “Converse of Me as I Am,” in regards to the historic and modern position of Black individuals in Venice for the American pavilion.
“It was a terrific pleasure working with Kathleen Goncharov throughout my 11-year tenure on the Boca Raton Museum of Artwork,” mentioned Irvin Lippman, who was the chief director from 2014 till 2025. “She had a wonderful curatorial eye that underscored my favourite remark ever made about our artwork installations — that our museum had soul, and this was attributable to Kathy’s abilities as a curator. She possessed a pure aptitude for bringing exhibitions to life, in her singular fashion that was unmatched. On the museum, she curated greater than 30 exhibitions that includes many notable artists, together with: Tony Oursler, Whitfield Lovell, Phyllis Galembo, Maren Hassinger, José Alvarez (D.O.P.A.), Charles McGill, and Trine Lise Nedreaas, amongst others. She was additionally a terrific good friend who might be enormously missed.”
Born in 1952 in Monroe, Michigan, Goncharov began out her profession in New York in 1980 as curator at Linda Goode Bryant’s Simply Above Midtown (JAM) Gallery, the place she organized performances and exhibitions. She was director of exhibitions at New York public artwork presenter Artistic Time from 1983 to 1986.
She went on to be artwork curator on the New College in New York Metropolis from 1987 to 2001, constructing an in depth assortment and organizing public packages on the Vera Record Heart for Artwork and Politics. Throughout that point, she additionally organized Wilson’s 1992 presentation on the fourth Cairo Worldwide Biennale, “Re:Claiming Egypt,” and curated a presentation on the seventh Triennale in New Delhi, India, in 1991. She was public artwork curator at MIT from 2001 to 2003, overseeing the varsity’s percent-for-art program and organizing the Venice exhibition.
From 2003 to 2005 she served as adjunct curator of latest artwork on the Nasher Museum of Artwork at Duke College in Durham, North Carolina, and from 2007 to 2011 she was govt director at Brodsky Heart for Revolutionary Editions, at Rutgers College in New Brunswick, New Jersey.
Among the many many artists she supported over the course of her lengthy profession had been El Anatsui, Lynda Benglis, Petah Coyne, Grand Grasp Flash, Chitra Ganesh, David Hammons, Mona Hatoum, Barkley Hendricks, Isaac Julien, William Kentridge, Hew Locke, Thomas Nozkowski, Lorraine O’Grady, Tony Oursler, Martin Puryear, Duke Riley, Pat Steir, Mickalene Thomas, and Carrie Mae Weems.
Goncharov was additionally, behind the scenes, a working artist for some 40 years. Her debut exhibition, “Above and Beneath,” appeared at New York’s Olympia gallery in 2022. “Goncharov factors to artists resembling Giotto, Duccio, Fra Angelico, Piero della Francesco, Masaccio, and particularly the eccentric varieties and colours of the Sienese painters resembling Giovanni di Paolo, Sassetta, Grasp of the Osservanza, Sano di Pietro, and others—who approached non secular subjectivity in their very own distinctive trend—as her central inspirations,” wrote the gallery in press supplies.
Goncharov is survived by her longtime associate, poet Charles Doria, her sister Janet Sterling and her sister’s husband Joseph Sterling, and nieces Ann Goff, Amy Sterling, and Emily Sterling, and their households; and by her brother Earl Shew, his spouse Sharon Shew, and nephew Stephen Shew, and their household.
