Road Fever is an nameless sound and efficiency artist at present primarily based in Boise, Idaho.
Road Fever’s work is a symphony of heavy digital manufacturing and ethereal soundscapes, fueled by the artist’s profound life experiences. Road Fever will not be sure by style, producing the whole lot from experimental noise, warehouse techno, ambient, and extra.
2024’s full-length album “Absolution” represents the fruits of those experiences and a full realization of the artist’s craft developed over three EPs, quite a few singles, and a notable discography of remixes for bands resembling Crosses and Patriarchy.
Following the discharge of “Absolution”, Road Fever launched into a full US, EU, and UK tour, bringing their cinematic and infamously harmful dwell efficiency to cities the world over. A run of three dates had been added in late 2024 as direct help for Crosses in San Diego, CA and Mexico Metropolis, Mexico.
Road Fever’s new single “Burn” “is velocity, speeding blood, and unrelenting energy.” The artist additional confides “Burn” pushes me to the restrict after I carry out it dwell behind the decks at raves, which is the place I wrote it to be performed. I used to be DJing warehouse events throughout Los Angeles quite a bit which closely impressed its creation. The tempo change and buildup within the track is a play on the rising coronary heart fee I expertise when performing dwell.” The only is issued below Respiratory Information as a part of the Inhale Vol. I compilation out digitally November 14th.
Road Fever continues to carry out dwell, DJ, and carry out artwork units, fueling their inspiration for no matter is to return subsequent.
As MELANIE PAIN prepares for the discharge of her upcoming album ‘How and Why’ (out 21 November), her newest single “Dreamloop” stands out as one of many report’s most enchanting and pop-infused tracks.
WATCH VIDEO HERE || STREAM HERE
Beneath its luminous tones lies a darker theme: looping psychological states, inside spirals which can be onerous to flee. “Dreamloop” captures the helplessness of witnessing a liked one’s struggling, that sense of standing by, powerless, as they drift silently – trapped in an infinite dream, a real “dream loop.”
“Elevate the anchor and seize the rope Let it lead you out of your darkness
I’d wish to type the phrases you’ll want to hear However my love is breathless” she indicators right here.
Within the vein of Stereolab, Broadcast, or the Velvet Underground, “Dreamloop” embraces deceptively mild pop, carried by instrumentation mixing psychedelic softness with naïve vitality. All devices launch collectively: laid-back drums and bass, people guitar as an emotional thread, piano accentuating the refrain. The tambourine, paying homage to Moe Tucker, drives a hypnotic, virtually ritualistic rhythm. The observe unfolds languidly, like a recent Sunday Morning, with a easy, insistent melody.
Recorded dwell within the studio with the band – Raphaël Chassin on drums, Oliver Smith on bass, Jérôme Plasseraud on guitar and mellotron, Alexis Anérilles on piano – the track radiates uncooked, instant vitality. The spontaneity of the collective efficiency is palpable from the very first observe.
Mélanie Ache’s voice, all the time comfortable and exact, takes on an incantatory high quality. The refrain serves as a name to the floor, a glimmer of sunshine within the fog.
“Loud and loud the sirens Can’t you hear they name out for you Spherical and around the sirens Can’t you see them dancing for you”.
Fashioned in Buenos Aires by Inés Adam and Martina Nintzel, Pacifica have been on a quick, livid rise since reworking their bed room YouTube covers right into a fully-fledged international phenomenon. Mixing the gritty immediacy of early-2000s storage rock with the swagger of post-punk and the emotional punch of ‘90s alt, the duo have constructed a faithful following and a repute for blistering dwell exhibits that channel friendship, chaos, and catharsis in equal measure.
Now, Pacifica return with their extremely anticipated sophomore album In Your Face, out now through TAG / The Orchard. The report marks a brand new period for the Buenos Aires-born duo — one which captures their trademark mixture of vulnerability and rise up with extra chunk, confidence, and self-awareness than ever earlier than.
“In Your Face is an introspective journey that brushes by themes of heartbreak, betrayal, lust, spite, immaturity, and remorse — all with a pinch of humor and light-heartedness,” the band explains. “It’s about trigger and consequence. Accepting destiny and flaws, realizing some issues actually are the opposite particular person’s fault, falling in love and wanting to leap off a constructing for somebody, studying to be affected person, and simply residing by it — Tokyo streets, Maseratis, vibes.”
Rising Bristol indie rock outfit Roses share their placing new single ‘r u glad?’ – a uncooked and electrifying reflection on grief, loss, and the urgency to dwell with out remorse.
‘r u glad?’ is out there now in your streaming service of selection through APOLLO Distribution.
Hearken to ‘r u glad?’ under:
Opening with an eerie, somber tone, the observe steadily blooms into a strong, grungy crescendo – a cathartic launch of emotion that captures the band’s trademark sound, stuffed with ardour and grit.
“The observe is about studying the right way to dwell with grief and cope with the information which you can lose anybody of any age at any time and there’s nothing you are able to do about it”, explains Roses. “And the way loss of life reminds us that life is so fragile and when somebody you care about passes, it makes you actually take into account how you reside your life and whether or not or not you might be actually glad with how you reside.”
Brooklyn-based music mission Each Us returns with their newest single, “The Motions,” a soulful indie groove that dives deep into the cycle of life, love, and rediscovery. Staying true to their creative imaginative and prescient of capturing the sensation of after we’re all collectively, Each Us transforms “The Motions” right into a transcendent musical expertise. The only is now obtainable for international audiences to stream.
“The Motions” displays the push and pull between numbness and awakening — that quiet rise up towards the monotony of going by life’s motions. As frontman Ryan Jones explains, “It began with a chant, a half–melody looping like a thought you may’t kill, and from there we constructed the manufacturing round that feeling: pent-up guitars, carelessness disguised as management and dusty but optimistic nihilism.” The track captures that stressed vitality of somebody reaching their breaking level, “a gray go well with that had stopped caring way back,” as Jones describes. “By the tip of the track, that very same go well with’s driving by the desert, and singing again from the abyss. The outro is their name again to you. This observe is for those who’ve given up ready for change. For anybody who can hear the voice calling again, telling them to tug the ripcord and meet them on the market.” That sentiment resonates within the track’s very construction; the interaction between driving drums, layered vocals, and textured guitars evokes each exhaustion and renewal. Whereas the lyrics describe a way of emotional detachment, the manufacturing propels listeners towards rediscovery and motion. With traces like “Paper goals for gasoline, sing scat for prophecy, burn scripts we meant to learn,” the track urges defiance towards conformity and a reclamation of objective. “The Motions,” written and produced by Ryan Johns and combined and mastered by Ian Kimmel, options performances by Connor Sandstrom on guitar, with vocals from Olivia Reid, Ryan Jones, Connor Sandstrom, and Chynna Sherrod.
Beneath The Massive Sky returns to the center of Montana’s massive sky nation subsequent July, anchored by Chris Stapleton’s competition debut. The 2026 line-up celebrates the perfect of the fashionable West and Americana, pairing marquee names and rising voices in one of many nation’s most panoramic and picturesque settings. UTBS will host greater than 40 artists straddling outlaw nation, indie rock, bluegrass, people and the easiest of Montana’s musical scene.
This competition’s seventh version is proud to welcome 11 time GRAMMY winner, and one among nation’s most commanding and defining voices, Chris Stapleton. Throughout 5 acclaimed studio albums and numerous dwell performances, his voice and blues-soaked sound have turn out to be a defining benchmark of American roots music, cementing him as one among America’s most revered and genuine artists. Stapleton will headline alongside two of Beneath The Massive Sky’s long-time favorites, Zach Prime, whose throwback twang and sharp songwriting have set him on the heart of recent nation’s traditionalist revival, and Cody Jinks, the Texan outlaw powerhouse beloved for his gritty, truth-first storytelling.
Beneath The Massive Sky may also play host to style defining artists, together with Ryan Bingham and Texas Gents, whose roots-driven sound channels the rugged soul of the American West, Southern rock and blues star Marcus King Band, the contemplative Virginian Charles Wesley Godwin, style spanning guitarist and song-writer Stephen Wilson Jr., the theatrical cosmic cowgirl Kaitlin Butts, and the return of solely band to play each version of the competition, Hogslop String Band.
This yr’s occasion will function the competition debut of the people rock trailblazers Of Monsters and Males, Oregon’s personal Max McNown’s heartfelt storytelling, boundary pushing stars Greensky Bluegrass, the excessive vitality sounds of Americana string veterans Outdated Crow Drugs Present, panhandle rockers Rattlesnake Milk, Canadian indie-folk duo Ocie Elliott, and the rootsy Appalachia artist Cole Chaney. In addition to Sandpoint, Idaho’s retro-styled Gabriella Rose, and Pacific Northwest people newcomers The Brudi Brothers.
Northeastern masters of ancient-and-modern people and rock Hector Gannet make a compelling return with their new double A-side single, out now on 12-inch etched vinyl and digital.
Admired by music maniacs from Chris Packham to Sam Fender and acclaimed as “North Shields’ reply to Loopy Horse” (Uncut), the literate, dreadnought-passionate phrases and music of Tyneside group Hector Gannet have constructed by two earlier albums. There have been dwell dates with artists from Elbow and Sea Energy to Lindisfarne and Richard Thompson – plus huge exhibits with Sam Fender on the huge Northeastern shrine that’s Newcastle United’s St James’ Park floor. All this now culminates within the exhilarating and impressive dimensions of recent double A-side single “The Jetty’s Finish” / “Till My Bonnie Can Be Revived”. These transferring clarion calls will likely be adopted by the third Hector Gannet album, in 2026.
The jetty of “The Jetty’s Finish” is a really particular construction in North Tyneside, dilapidated however wealthy in ambiance – an age-old “hailing station” the place an official would stand and hail passing ships, recording their cargo and vacation spot. This observe sees Hector Gannet add church bells, brass and a youth choir to a track that explores Northeastern place and reminiscence. All that is remodeled into a beautiful metaphorical wash, a track that brims with a common sense of surprise. A crescendo is fired on by lyrics that soak up human historical past, human connection and our devotional rituals – prayer books, work, conflict, the ocean. And never forgetting the cormorants perched on the jetty – prehistoric creatures, their wings drying in heraldic repose, like birds on the finish of the world.
The church bells and choir had been recorded dwell on the Seventeenth-century Christ Church in North Shields, with the bells melody plotted by the church’s Ringing Grasp. The brass was organized by Jason Holcombe. Hector Gannet frontman Aaron Duff was delighted to find, over espresso with Jason, that this now North Shields-resident American brass professional has additionally labored with The O’Jays. The only was recorded in the well-equipped Polestar Studios in Newcastle and combined by Eduardo De La Paz (The Charlatans, Self Esteem, Frightened Rabbit) at Tostado Studios, and was mastered at London’s famed Abbey Rd Studios. Historic and fashionable parts – blended to stunning and transferring impact.
Hector Gannet are named after a fishing vessel of the identical identify, a ship which Aaron’s late paternal grandfather served on and which suffered deadly misadventure off Nice Yarmouth in 1968. Whereas making an attempt to help a storm-battered offshore gasoline platform, three members of the Hector Gannet crew died. A recording of Aaron’s grandfather speaking concerning the incident options on the brand new single’s second observe, “Till My Bonnie Can Be Revived”.
fast-rising singer-songwriter, producer, and artistic Claire Brooks releases her brand-new lower “Mortal Conceal” – OUT NOW, and brought from her forthcoming EP ‘E-book of the Treatment’.
Blurring the traces between sound and type, the designer-turned-multi-instrumentalist continues to showcase her inventive world by spellbinding visible artwork and disruptive, genre-bending compositions. Connecting common experiences with uncooked, aware commentary and eclecticism, Brooks’ exploration of self-discovery and human connection is deeply rooted in structure and emotion, sculpting immersive soundscapes which can be already attracting severe consideration throughout each side of the Atlantic. Now with eyes firmly set on her upcoming EU/UK tour with Carpetman in November – together with sold-out exhibits throughout London, Berlin, Paris, and extra – 2025 guarantees new ranges for the rising star whereas solidifying her creative confidence and integrity as standout.
UK singer-songwriter Lucy Kitchen publicizes her forthcoming album ‘In The Low Gentle’, set for launch on twenty seventh February 2026 through Bohemia Rose Report/Make My Day Information. With the information come contemporary tour dates and newest single ‘The Boatman’,out seventh November.
Because the celebrated artist confirms particulars of her third album, this new chapter takes flight with the stirring ‘The Boatman’. Whereas Lucy’s latest releases have explored alt-country and alt-folk territories, this new single marks a return to her extra conventional people sound. The observe repeatedly builds with cautious intent, rising from intimate verses into a strong full-band finale, raised by recordings of birdsong and the nice and cozy, classic tones of a Hammond organ.
Lucy Kitchen: “With this single I needed to jot down what felt like an previous people track. I’m unsure if I achieved that however I like the way it’s a grief track but additionally feels barely defiant within the face of loss of life. I’d launched an acoustic model of this on my Stabal Classes EP however actually needed to report a full-band model and go massive with it.”
Following her latest summer time single ‘Purple Skies’ and the solemn ‘In My Nook’, the acclaimed people artist now turns her sights in the direction of the upcoming new album Within the Low Gentle – a good looking assortment formed by private loss and quiet resilience. Mixing hypnotic people with refined threads of Americana and the timeless spirit of Seventies singer-songwriters, the album marks a deeply private chapter in Lucy’s life.
Written within the wake of her husband’s loss of life in October 2022 the report explores themes of loss, grief, reminiscence, and transformation. But inside its sorrow, there are glimpses of pleasure, gratitude, and rediscovery. For Lucy, the act of making grew to become a lifeline; a technique to course of ache, honour love, and slowly reassemble herself by music.
“Making this album re-built me greater than the rest” says Lucy. “From the second we began recording I simply felt this pure pleasure to be creating one thing new with these wonderful musicians. I believe if you’re recording you embody the music and the whole lot else falls away so for me it simply felt like magic. I felt prefer it introduced me again to myself and what I like to do.”
Toronto alt-pop artist Metropolis Builders returns with “No Sleep,” a chaotic and euphoric anthem devoted to wild nights, reckless enjoyable, and the liberating artwork of letting go. Fueled by intrusive concepts and best-friend mischief, the track celebrates the great thing about turning into a “menace” for one evening as a result of typically, freedom feels like laughter echoing down metropolis streets at 3AM.
“My finest good friend and I flip into absolute demons on an evening out,” says Grace Turner, the pressure behind Metropolis Builders. “There’s nothing like giving into your intrusive concepts with a finest good friend, and I wanted to jot down one thing that sounded as chaotic as our nights out.”
The observe got here collectively in a whirlwind week with producers Zach Zanardo and Al P, and co-writer Maia Davies – a dream staff Turner had admired for years. The chemistry within the studio was electrical; from preliminary demo to ultimate combine, “No Sleep” got here to life virtually in a single day. “Everybody was so stoked with the report that we obtained the ball rolling instantly and accomplished the observe in every week,” Turner shares. “I even obtained my associates within the studio to report adlibs and backup vocals and scheduled a shoot for the duvet artwork the identical evening.”
Toronto duo Chrome Daphne bridge clean R&B tones with the heartbeat of digital groove, discovering the house between rhythm and reflection. Comprised of childhood associates Ben (vocals/manufacturing) and Chris (manufacturing), the pair spent years creating their sound earlier than discovering their voice with debut single “There”— incomes airplay on CBC’s Afterdark and placements on Spotify’s Outliers, R&B Recent Finds, and Temper Ring playlists.
Drawing affect from genre-fluid acts like Two One other, Tentendо, Oscar Jerome, and Darius, Chrome Daphne weave collectively textured manufacturing, hypnotic rhythms, and vocals that glide between intimacy and ambiance. The result’s clean and absorbing—music that feels equally at residence in quiet moments or on the dance flooring. With three singles launched and rising momentum on school radio, Chrome Daphne are carving out their very own lane in Toronto’s increasing panorama of other R&B and digital music.
Glassio’s third album, The Imposter, is a luminous meditation on identification, doubt, and the quiet act of returning to oneself. Written after a transatlantic transfer from New York to London and within the wake of newfound sobriety, the report unfolds as a self-portrait in movement — a dream-pop opus about shedding phantasm and rediscovering objective in creation.
Throughout its 13 tracks, Glassio (Sam R.) weaves collectively parts of shoegaze, early-2000s electronica, and psychedelic people, making a sonic world the place reminiscence and melody drift in tandem. The album strikes like a lucid dream — opening in disorientation (“Be a part of the Membership,” “Give Me Again My Future”), spiraling by moments of self-doubt and longing (“I’m So Far Away,” “Downtown Hero”), and in the end arriving in grace and acceptance with the closing observe, “Take a Take a look at the Flowers” — a radiant collaboration with avant-pop artist Madge.
“That track grew to become my manner of ending the loop,” Sam explains. “After all of the looking, it’s nearly stopping for a second — seeing what’s nonetheless blooming round you. It’s the report’s exhale.”
At its core, The Imposter asks a query that has haunted artists for generations: For those who had been denied the appropriate to create, would you continue to know who you might be? This inquiry surfaces most immediately on “Hit or Bliss,” a spoken reflection that reframes the basic Rilkean take a look at of creation as survival. The album doesn’t provide simple solutions — as an alternative, it finds magnificence in uncertainty, empathy in imperfection, and objective within the impulse to maintain making.
“For a time, I misplaced my sense of self,” Sam admits. “I’d been performing roles — for folks, for the business, for an thought of who I believed I used to be speculated to be. This album was me stripping all that away and discovering the actual voice beneath.”
From the pulsing nostalgia of “Heartstrings” to the spectral shimmer of “Al Pacino” and the introspective haze of “I’m So Far Away,” every observe looks like a web page from an artist’s inner dialogue — by turns playful, melancholic, and transcendent. Even probably the most outward-facing songs hum with inside reckoning.
Single “When The Beat Carries On” is a driving, nostalgic anthem, a dream-pop journey by phantasm, identification, and rebirth.
Whereas Glassio’s earlier work drew comparisons to the escapist bliss of acts like Scorching Chip and M83, The Imposter inhabits a extra weak register — one the place self-awareness replaces spectacle, and the road between persona and particular person begins to blur.
It’s a report born from confrontation: with dependancy, with creative doubt, with the quiet concern of being forgotten. However ultimately, The Imposter affords a special type of religion — the religion that what’s actual can’t be carried out.
“A maker makes,” Sam says. “That’s what they’re. I needed to cease operating from that.”
“Rewrite the script!” exhales frontman Ben Robinson within the dying seconds of this maelstrom of a observe. And if “Gig Buddies” is something to go by, Hi there Cosmos are on a mission to just do that.
“Expertise is twisting, contorting and increasing!” he fires-up over a melee of barbwire guitars, disfigured harmonicas, and thunderous John Bonham-esque drums.
With extra key modifications than a piano tumbling down a cliff, “Gig Buddies” is what occurs when pure upset will get become vitality. Digging into the observe, Robinson says:
“[Gig Buddies is about…] Tunneling the frustrations of creating music within the fashionable period of performative social media, the by no means ending rehashes of the identical songs, beats and loops, the dumbing down of music tradition through algorithms. That mate stuffed with white traces ranting in your ear whilst you’re making an attempt to look at a gig. Simply your common days morbid ideas from most musicians and music lovers…. On the flip facet it’s expressing a love for the noise, confusion and pull of going to a dwell present along with your mates, the otherworldly nature of big audio system, that mid level at a present the place the collective conciseness of the group are in sync with the band and the spirit of the present enters the room. Plus how shedding your self is usually one of the best ways to search out your self on the opposite facet of the evening.”
One of many band’s heaviest, most disorientating, and electrifying outings to this point, “Gig Buddies” finds Hi there Cosmos in vivacious type. It follows the latest observe “Grind Into The Shrine” launched over the summer time, with each tracks confirmed to look on the band’s second official studio album…
Indie-rock songstress Bekah Bossard (she/they) returns with ‘American Dream’, a observe that blends poetic musings, gritty undercurrents, and a tongue-in-cheek sense of self-awareness. Anchored by raspy vocals, rocky drums, and daring guitar traces, the one finds Bekah leaning into their kinetic, grungy facet whereas weaving in moments of softness and restraint.
‘American Dream’ is out there now in your streaming service of selection through APOLLO Distribution.
Carrie Baxter’s signature sound is a tapestry of experiences and influences that interweave to inform the story of her distinctive journey in music. This sonic fusion blends neo-soul, R&B and jazz with deeply private confessional lyrics, heartfelt storytelling, and themes that discover probably the most profound depths of the human expertise.
With 80 million Spotify streams, Carrie has been featured on RTE’s The Important Stage, BBC Introducing, BBC Radio 1, BBC 6 Music and Jazz FM, and in media together with Notion, COLORS, Wonderland, the Irish Impartial and Report of the Day.
With wealthy manufacturing and elevated vocal efficiency, ‘Cherished You Earlier than’ unfolds as a young love track concerning the feeling of rediscovering somebody your coronary heart already is aware of. By way of comfortable, intimate imagery and a dreamy sense of déjà vu, it captures the consolation, ardour, and quiet magic of a love that feels destined. At its core, it’s about cherishing the small issues, time spent collectively, mild touches, and the deep, unstated connection between two souls.
Carrie Feedback…“My therapist advised me it was a pink flag that I felt like I already knew him…so I wrote a track about how that felt.”
“I’m a hopeless romantic at coronary heart, particularly on the subject of connections that really feel on the spot or acquainted. So I suppose this can be a love track, these early, honeymoon-phase type of emotions. Though with hindsight and years of remedy, I’ve needed to be taught to decelerate after I meet somebody new, take the rose tinted glasses off and be conscious of the filters that present up within the connection.”
Brighton’s genre-smashing queer alt-pop duo COWZ have simply dropped their newest EP ‘You’re Into This’, a daring and unfiltered physique of labor that pushes boundaries with each beat. Led by the explosive new single ‘VIDEO’, the five-track mission is a hyper-pop, glitchy, pink-tinged dive into the world of COWZ.
Australia’s breakout indie pop BFFs Betty Taylor are set to launch their extremely anticipated and infectious new single ‘Sucker Punch’ on fifth November through Hi there Gardener / Buddies. The band’s residence grown and worldwide success and acclaim within the US and UK has led to in depth touring, competition slots and over 3 million streams and counting!
‘Sucker Punch’, co-written with famend Australian producer Robby De Sa (grentperez, The Veronicas, Blusher) is a sun-soaked, heart-thumping dose of indie-dream-pop made for falling in love if you least anticipate it.
“This can be a story about swearing off courting and being content material by yourself, solely to all of the sudden meet somebody who modifications the whole lot.‘It’s like BAM you meet somebody out of nowhere and also you’re like ‘oh wow you wonderful’ but additionally ‘oh no, this wasn’t part of the plan and I and don’t wish to get my coronary heart damaged once more.” SOPHIE PATRICK – BETTY TAYLOR
Fronted by Sophie, with harmonies and dreamy guitar from Kayla Sensible (AKA Dorah Jacson), Claire Chittick on bass and Katie Ishaque on drums, this 4 piece went from performing open mic in a yard present to one among Australia’s most beloved rising acts in simply 2 and half years!
Their debut single ‘Stallin’, produced by Aidan Hogg (G Flip, Holy Holy),premiered on triple j and has clocked near 1 millionstreams. One yr later in 2023, the band joined international company WMEand hit the stage alongside woman in pink, Beddy Rays, and The Rubens in addition to an intensive tour of the UK and Europe with The Grogans.
Their second single ‘Glitter’ earned sturdy triple jsupport and tracks ‘Can’t Get Sufficient’ and ‘Younger Dumb Immature’landed in triple j’s prime ten most-playedtracks securing main Spotify, Apple, and YouTube editorial playlisting- that includes on the covers of Recent Finds, Indie Arrivals, and New Music Friday.
With some large wins at Australian radio the bands attain is rising quick with help at school and specialty radio help throughout the US, the place their debut EP ‘Younger DumbImmature’, broke into the NACC and SubModern charts. In addition they performed to packed rooms at this yr’s SXSW Competition in Austin.
They’re quick turning into one among indie-pop’s most fun creating acts, successful followers around the globe with their sincerity and sound. Betty Tayloris the good friend who holds your hand after a heartbreak and are an endearing and pure dwell pressure! 4 finest associates merely having the time of their lives!
The band have now introduced a headline UK tour with a date in Eire and says We’re so excited to return again to the UK to play to new audiences and meet new followers.’ The band has additionally simply been confirmed to help Dylan Flynn and The Lifeless Poets on two Irish dates.
The dates are as follows:
NOVEMBER
Mon tenth LONDON – The Grace
Tues eleventh MANCHESTER – The Deaf Institute: The Lodge
Fri 14th NEWCASTLE – Zerox
Sat fifteenth LEEDS – Reside at Leeds In The Metropolis
Solar sixteenth SHEFFIELD – Yellow Arch Studios
Wed nineteenth BRISTOL – The Croft
Thurs twentieth GALWAY – Roísín Dubh **
Sat twenty second LIMERICK – Dolans **
Tues twenty fifth DUBLIN – Ruby Classes
Wed twenty sixth GLASGOW – The Storage (Attic Bar)
- E mail: neill@outloudculture.com
