Following the information of their long-awaited reunion, multi-Platinum California alt-rock icons The Neighbourhood are celebrating a decade of their breakthrough album “Wiped Out!” with a tenth Anniversary Version, out now through Legacy Recordings and Columbia Data.
Initially launched in 2015, “Wiped Out!” cemented The Neighbourhood as some of the distinctive voices in fashionable different music — a document that blurred the traces between surf-rock melancholy, atmospheric R&B, and brooding pop.
The expanded tenth Anniversary Version reintroduces the 11-track basic with 11 extra songs, together with demos, memos, and remixes that supply a uncommon behind-the-scenes glimpse into the “Wiped Out!” classes. Highlights embrace Syd’s remix of the fan-favorite “Daddy Points,” together with uncooked early variations of “The Seaside,” “Greetings From Califournia,” and “R.I.P. 2 My Youth.”
To mark the milestone, The Neighbourhood have launched a pop-up retailer in East Hollywood, that includes unique merch and a restricted run of 1,000 hand-numbered, coloured vinyl copies of the album. Followers may pre-order the black vinyl version (world launch: January 30) at store.thenbhd.com.
With over a decade of platinum success behind them — from their double platinum debut “I Love You.” to hits like “Sweater Climate” (16x Platinum) and “Daddy Points” (5x Platinum) — The Neighbourhood’s legacy continues to evolve. Their upcoming new album, “(((((ultraSOUND))))),” arrives November 14, ushering in an thrilling new chapter for the band that helped outline the sound of 2010s alt-pop.
Stream “Wiped Out!” (tenth Anniversary Version): https://theneighbourhood.lnk.to/WO10th
Pop icon and multi-hyphenate artist Willa Ford is conserving the hearth burning with two new remixes of her newest single “Burn Burn,” reimagined by DJs Jayem and Triple XL. Each variations amplify the track’s pulse-pounding vitality and showcase Ford’s signature, larger-than-life vocals — merging her renewed creative drive with club-ready momentum.
The discharge follows the huge pleasure round Ford’s comeback single — her first new music in over 20 years.
To have fun, Ford lit up The Abbey in Los Angeles on October 17 with a one-night-only efficiency, making a show-stopping entrance dressed by Christian Siriano. The occasion marked a full-circle return for the early-2000s hitmaker, incomes protection from Individuals Journal, Leisure Tonight, and a debut spin on KIIS-FM, whereas touchdown her on Spotify’s Obsessed playlist cowl.
Constructed round Ford’s hypnotic vocals and darkly shimmering manufacturing, “Burn Burn” transforms private reflection right into a blazing anthem of empowerment and renewal.
Written after rediscovering her musical ardour throughout songwriting classes in 2023, the monitor indicators a daring new chapter for the artist who first stormed the charts together with her Prime 40 hit “I Wanna Be Dangerous.”
Past music, Ford — a classically skilled opera singer — has constructed a multifaceted profession in appearing, tv, manufacturing, and inside design. However with “Burn Burn” and its vibrant new remixes, she’s returning to her roots — reclaiming her place in pop with extra music on the horizon.
Stream the “Burn Burn,” Jayem remix: https://discovered.ee/jayemandwillaford_burnburn
Stream the “Burn Burn” Triple XL remix: https://discovered.ee/willaford_burnburn-1
Two-time GRAMMY® nominees The Miró Quartet are ushering within the vacation season — and their thirtieth anniversary 12 months — with “Fireside,” a luminous new album arriving November 28 through PENTATONE.
In the present day, the acclaimed Austin-based ensemble shares the primary single, an authentic association of the Appalachian carol “I Surprise as I Wander” by composer Reena Esmail.
“Fireside” brings collectively a stellar lineup of at present’s main composers — every contributing contemporary, private takes on beloved vacation classics.
The result’s a wealthy tapestry of sound spanning centuries and continents, from Clarice Assad’s joyful “In Dulci Jubilo” to Michi Wiancko’s playful “Jingle Bells,” Gabriel Kahane’s introspective halfspent (lo, how a rose…), and Sam Lipman’s shifting “Ma’ouncesTzur” (Rock of Ages). Each bit displays the composer’s personal heritage and recollections of the season, mixing Medieval melodies, Texas fiddle aptitude, and even West African rhythms.
“We actually assume the variety and number of voices heard and recollections shared on this album will symbolize the numerous methods all of us have fun and share the vacations collectively, and the large vary of what the vacations can imply to every one among us,” Miró violist John Largess wrote. “The Miró Quartet is so grateful to all our composer pals for these valuable musical presents, and we’re so happy to share the heat of our Fireside and our Hearts with you thru music throughout this vacation season.”
The discharge follows a banner 12 months for the Miró Quartet, whose latest albums “Dwelling” and “Ginastera String Quartets” (each on PENTATONE) earned widespread acclaim and a number of GRAMMY® nominations.
Because the quartet continues to increase the chamber repertoire via collaborations with composers like Kevin Places, Caroline Shaw, and Gabriel Kahane, Fireside captures their enduring spirit of innovation — wrapped within the glow of vacation custom.
Stream “I Surprise as I Wander”: https://lnk.to/MiroHearth
Rising pop-singer Laura Pieri brings her month of Halloween storytelling to a fiery shut with the discharge of her seductive new single, “Only a Little,” out at present on all streaming platforms.
Born in São Paulo and based mostly in New York Metropolis, Pieri continues to carve out an area that’s wholly her personal in fashionable pop — melding music, efficiency, and artwork into one cohesive imaginative and prescient.
All through October, Pieri has leaned into her aptitude for cinematic storytelling, reimagining iconic tracks via a darkly feminist lens — Woman Gaga’s “Marry the Night time” (The Vampire), Charli XCX’s “celebration 4 u” (The Siren), and Rihanna’s “Disturbia” (The Werewolf).
Every launch explored a unique archetype of female energy, unfolding throughout haunting visuals, Substack essays, and her immersive annual Halloween bash at The Field in New York.
Now, “Only a Little” brings that artistic universe to its climactic peak. Hypnotic and intoxicating, the monitor dives into the stress between temptation and management — an anthem for individuals who dance with hazard however by no means lose their footing.
“I’ve at all times struggled with feeling like I’m an excessive amount of, like I don’t belong, like being this manner made me damaged,” Pieri shared. “‘Only a Little’ turned a sort of reclamation, not simply of want, however of self-permission. It’s the second I ended making an attempt to edit my instincts to suit another person’s ethical structure. As a result of aren’t all of us, just a bit sinful?”
The one marks a brand new chapter for Pieri, following “Frankie (ON THE DANCEFLOOR)” — the club-ready companion to her acclaimed 2024 EP “Frankie” — which reframed her story of survival as one among empowerment and launch.
Stream “Only a Little”: unitedmasters.com/m/just-a-little-4
French indie-pop artist Mélanie Ache — the unmistakable voice of Nouvelle Imprecise — unveiled her luminous new single “Dreamloop,” out now through Kwaidan Data. The monitor gives the primary glimpse of her upcoming solo album “How and Why,” due November 2025, and captures Ache’s reward for weaving mild and shadow into elegant, emotional pop.
Constructed round hypnotic percussion, heat people textures, and touches of psychedelia, “Dreamloop” evokes the retro-futurist great thing about Stereolab, Broadcast, and The Velvet Underground.
Beneath its shimmering floor lies an intimate reflection on cyclical ideas and the quiet ache of watching somebody you’re keen on lose themselves to darkness.
“Dreamloop is a refuge-song,” Mélanie shares. “It’s a spell to navigate the night time — a fragile exploration of despair and the psychological states that confine us.”
Recorded reside together with her band — Raphaël Chassin (drums), Oliver Smith (bass), Jérôme Plasseraud (guitar, mellotron), and Alexis Anérilles (piano) — the monitor captures the intimacy and spontaneity of musicians creating in actual time.
Ache’s signature voice floats via the combination with gentle precision, equal elements tender and transcendent.
With “How and Why,” which is deemed as her most private album but, Mélanie Ache continues to outline fashionable French pop on her personal phrases — fusing acoustic heat, poetic introspection, and easy sophistication into one thing timeless.
Stream “Dreamloop”: https://open.spotify.com/monitor/7jqhUhGz32m5io2vkulHQx?si=EeLzLzg3T0C5Ci1A7b0OiA
The Sydney-based indie trio Valley Onda launched their debut album “Center Method,” out at present through Valley Onda Data, with the ethereal new single “Seraph” main the cost.
The band — Jordan Wilson (vocals, guitar), Michiya Nagai (keys), and Galen Sultmann (drums) — have steadily constructed a status for crafting introspective, immersive soundscapes that blur the traces between different rock and indie electronica.
Early singles “Minacious” and “Reebok Fantasy” provided a glimpse into “Center Method” and its sonic universe, incomes premieres from CLASH Journal and EARMILK, plus radio assist from NPR Music.
Born from post-tour limbo and an sudden restaurant encounter between Wilson and Sultmann, Valley Onda’s chemistry deepened with the addition of Nagai — a classically skilled pianist and digital producer. The trio’s sound fuses natural instrumentation and digital textures, echoing influences from Radiohead, Alt-J, Bon Iver, Mansionair, and Gorillaz.
The album’s focus monitor, “Seraph,” trades in rock riffs for drum machines, ambient atmospherics, and hypnotic vocal loops, constructing right into a celestial swell of reverb and rhythm. Followers of Feathered Solar and The Acid can anticipate finding lots to like in its dreamy, transcendental sound.
“‘Center Method’ is the boisterous mixture of three distinctive artistic minds,” the band shared. “We knew we needed to harmonise natural devices with expertise and the electrical world; a feat as grand as Robert M. Pirsig’s basic novel ‘Zen & The Artwork Of Motorbike Upkeep.’ ‘Fishin’’ screams out like one large om from the universe, while tracks like ‘Seraph’ strikes with cyclical rhythm and heat synths. There’s actually an depth to the album, however one we hope we match with joyous celebration.”
With “Center Method,” Valley Onda channeled years of collaboration, experimentation, and reside vitality right into a debut that feels each intimate and expansive — a testomony to discovering steadiness between the natural and the digital, the grounded and the transcendent.
Stream “Center Method”: https://ditto.fm/middle-way-valley-onda
London-based singer-songwriter Shao Hao returned with “The place Is My Dwelling,” the lead single from his forthcoming debut UK EP. The monitor is a stirring, unflinchingly sincere reflection on identification, belonging, and the seek for self in a world that usually calls for you select sides.
Written as a deeply private confession, “The place Is My Dwelling” captures Shao’s lifelong wrestle to slot in. Transferring from China to the UK at simply 17 to check music, Shao has now spent over a decade in London — lengthy sufficient to change into a British citizen, but nonetheless caught between two worlds.
“Even now, typically I really feel caught between two worlds – too British to be absolutely Chinese language, but typically not seen as British sufficient by others,” he mentioned. “This track displays that journey, how I chased my desires, left all the pieces behind, and but discovered myself asking: ‘The place do I actually belong?’”
Musically, “The place Is My Dwelling” bridges cultures as deftly because it does genres — mixing the gritty storytelling of Britpop with the anthemic vitality of Okay-pop. Layers of punchy bass, heat piano, and hovering synths mirror Shao’s emotional duality, whereas his silky, craving vocals sit entrance and middle.
However finally, “The place Is My Dwelling” is a track about empowerment — about realizing that distinction itself will be residence.
A decade in the past, Shao first made waves after profitable a nationwide songwriting competitors with a demo recorded at London’s legendary Roundhouse, the place he spent two years as a resident artist. The win led to a publishing deal in Taiwan — and a whirlwind profession writing for a few of Asia’s greatest names. His credit embrace Stefanie Solar (whose tour theme track he penned for her 2025 Asia run, now carried out for over half one million followers), Energy Station (Prime 10 Mandarin Tune on the Hito Music Awards), Angela Zhang, and Japan’s digital pop collective V.W.P.
In 2024, Shao was nominated for Finest Authentic Tune on the Golden Bell Awards (Taiwan’s equal to the Emmys). Now, in 2025, he’s stepping absolutely into his function as an artist in his personal proper.
This 12 months, Shao launched a faculty tour throughout the UK, performing for younger audiences and previewing his new materials. The response has been overwhelming.
“It’s so necessary for younger folks to understand it’s OK to be a boy who’s interested in different boys, it’s OK to really feel as if you’ve gotten a unique gender inside you, it’s OK to be autistic, it’s OK to have a incapacity,” he mentioned. “I hope that when Gen Z followers hear my music, they realise we’re the individuals who can work collectively to construct a greater, kinder neighborhood for everybody.”
With “The place Is My Dwelling,” Shao Hao delivers a shifting assertion of function — one which celebrates distinction, resilience, and the great thing about residing between worlds.
Stream “The place Is My Dwelling”: https://lnk.to/whereismyhome_shaohao
