Fifteen years after its launch, Seahaven are hitting the highway in early 2026 to have a good time their beloved debut album “Winter Perpetually” — performing it in full for the primary time. The anniversary tour provides followers the chance to expertise the document entrance to again.
“Winter Perpetually” was a defining launch that captured a era of listeners throughout emo, indie, and post-hardcore circles. An unique Winter Perpetually LP variant will even be out there completely on the reveals.
“This document is held in a really particular place for us,” the band shared. “We’re excited to have a good time this anniversary with everybody that has come to get pleasure from it over time.”
Initially launched in November 2011 through Run For Cowl Information, “Winter Perpetually” arrived at a pivotal second within the American emo revival. With its mixture of atmospheric guitars, uncooked emotion, and poetic introspection, Seahaven carved out a sound that felt each cinematic and deeply private.
Songs like “Black & White,” “PV,” and “Save Me” turned staples for followers who discovered solace of their vulnerability and catharsis — inserting Seahaven alongside acts like Steadiness and Composure, Title Battle, and Model New as leaders of a brand new emotional underground.
Since then, the California-based band — Kyle Soto, Cody Christian, Mike DeBartolo, and Eric Findlay — have continued to evolve. Their 2014 follow-up, “Reverie Lagoon: Music for Escapism Solely,” traded distortion for restraint, incomes popularity of its lush minimalism, whereas 2020’s “Halo of Harm” marked a robust return after a six-year hiatus. Throughout their three information, Seahaven have constructed a physique of labor outlined by honesty, environment, and emotional depth.
Fifteen years on, “Winter Perpetually” stays a cornerstone of the fashionable emo canon — an album that also resonates for its sincerity and scope.
The Winter Perpetually fifteenth Anniversary Tour — that includes Commoner and Flycatcher on choose dates — kicks off January 22, 2026 in Phoenix, AZ, with stops throughout the U.S. and Canada by February 6. Following the run, the band has teased extra exercise on the horizon for later within the yr.
Get tickets: http://winterforever.com/
Visionary Dutch-British artist Tessa Rose Jackson is ready to return in January 2026 with “The Lighthouse” — a haunting but life-affirming third album that meditates on ancestry, mortality, and belonging.
Forward of its launch, Jackson provides one other glimpse into the document together with her new single “Concern Bangs The Drum,” out there for streaming in the present day. Anchored by spectral atmospherics and a playful brass hook, the tune explores the thought of acknowledging concern reasonably than repressing it.
“I’m fairly a fearful particular person myself — I fear about one thing occurring to my family members, concerning the state of the world,” Jackson stated. “Concern may be paralyzing. Lately, as an alternative of making an attempt to push it down, I’ve been permitting myself to let it bubble to the floor and simply let it’s for a bit — not appearing on it, but in addition not combating it. After which… breathe out. And let it go.”
Regardless of its heavy topic, “Concern Bangs The Drum” is likely one of the album’s most uplifting moments — a celebration of launch and renewal.
Its accompanying video, directed by David Spearing with manufacturing design by Joseph Bisat Marshall, transforms that emotion into visible poetry.
“For me, the movie is concerning the second you cease making an attempt to close concern out, and as an alternative study to stay with it — perhaps even use it,” Spearing stated.
Written throughout a secluded interval in rural France, “The Lighthouse” sees Jackson stepping out from behind her decade-long moniker “Somebody” to reclaim her personal identify. Wealthy with ghostly folklore and cinematic alt-folk textures, the document channels influences from artists like Feist and Charlotte Gainsbourg whereas remaining wholly her personal — luminous, intimate, and fearless.
“‘The Lighthouse’ felt like a beacon,” Jackson stated. “It’s an album that talks about dying, however not in a purely darkish sense. For me, it’s additionally concerning the celebration of life — embracing fears, identification, and the tales we inherit.”
Following the album’s launch, Jackson will embark on an 11-date European tour starting March 11, 2026 in Brighton.
Stream “Concern Bangs The Drum”: https://hypeddit.com/o585zv
Pre-save “The Lighthouse”: https://hypeddit.com/h0rdd5.
After a five-year hiatus, Lunar & The Deception returned with one other mesmerizing preview of their long-awaited debut album “The Somnambulist,” arriving March 6, 2026. Their new single, “No Extra Secrets and techniques” is a smoky, hypnotic observe that fuses layered singing bowls, Theremin, wiry guitar, and reversed vocals right into a haunting musical séance.
Impressed by The Doorways, Portishead, and Nico, the tune channels seduction and defiance in equal measure.
“These are highly effective occasions,” frontwoman Britt Xyra Nightfall stated. “The partitions of the previous world are crumbling, and the secrets and techniques that upheld them are being revealed. ‘No Extra Secrets and techniques’ is concerning the fall of oppressive programs and the return of stability — it’s a rallying cry for the rise of the female, the artist, and the reality.”
The tune’s video, filmed within the historic caverns of Wookey Gap and in-studio, blurs the road between ritual and resistance. With handmade costumes, elemental imagery, and mythic symbolism, the visuals echo the tune’s exploration of collapse, publicity, and renewal.
5 years within the making, “The Somnambulist” (which means “sleepwalker”) was recorded at Woodworm Studios and Outdated Road Studios, accomplished with producer Michael Rendall (The Orb, Peter Murphy, The Jesus & Mary Chain). The album spans themes of private awakening, societal collapse, and religious transformation — weaving protest and poetry into one transcendent imaginative and prescient.
Led by the Irish–South African poet, vocalist, and designer Britt Xyra Nightfall, Lunar & The Deception have constructed a fame for immersive performances and putting visible identification, formed by Britt’s background in movie, anthropology, and mythology. Having beforehand carried out at Glastonbury (2016, 2019), the band continues to blur boundaries between artwork, activism, and sound — uniting the traditional and the pressing.
Stream “No Extra Secrets and techniques”:
Following the success of his debut album “Storytelling,” Swedish-born, LA-based composer and producer Olovson returns with “UNTANGLE” — the title observe from his forthcoming album, due October 24 through his personal imprint 1136 Diamond.
The primary style of the document, “THINGS I COULD’VE LEFT BEHIND,” has already earned acclaim from NPR Music, KCRW, and KEXP 90.3 FM.
Greatest recognized for his emotive piano works and Grammy-winning manufacturing for artists together with Frank Ocean, Dua Lipa, and Mark Ronson, Olovson now turns inward — centering his personal voice for the primary time.
“UNTANGLE” is a restrained but resonant piece, carried by pulsing sub-bass, the gentle rhythm of footsteps, and Olovson’s fragile, floating falsetto. The observe performs like a meditation — the place grief meets launch, and darkness provides solution to gentle.
“This tune is about untangling the feelings and patterns you carry — and realizing you’re allowed to let go — popping out on the opposite aspect feeling extra at peace,” Olovson stated.
Following “Storytelling” — which amassed over 3 million streams and acquired reward from shops like Rolling Stone India, Wonderland, CLASH, and PopMatters — Olovson continues to develop his cinematic universe.
His observe “Books Are Flying” appeared within the SHOWTIME sequence The Man Who Fell to Earth, whereas the video for “Gyroscope”was nominated at a number of BAFTA-qualifying movie festivals, together with Encounters, London Quick Movie Pageant, and LIFA.
With “UNTANGLE”, Olovson steps into new territory — mixing delicate piano work with daring vocal textures and minimalist digital manufacturing. Followers of James Blake, Sampha, and Blood Orange will acknowledge the identical stability of intimacy and experimentation.
Stream “UNTANGLE”: https://awal.uk/untangle
Bristol rock outfit Oswald Slain made their long-awaited arrival in the present day with the discharge of their debut album “BUCKY,” out there on two variants of limited-edition vinyl.
Rising from their self-built dwelling studio, Oswald Slain’s debut marks each a private and musical rebirth. Throughout eight tracks, the band navigates the chaos of youth, the realities of getting old, and the fantastic thing about self-acceptance — all delivered with tongue-in-cheek honesty, emotional grit, and the swagger of a bygone rock period.
Following their breakout EP “Kiss Me on the Mouth” (April 2025), which earned acclaim from Asbo Journal, RTE, Fame Journal, KUTX, Sirius XM, Tough Commerce’s Counter Tradition, Ones To Watch, and Apple Music’s “New In Rock”, the band construct on that momentum with a document that’s as uncooked as it’s refined.
Recorded and produced in-house by Ryan Rogers (Mumble Tide) and the band themselves, “BUCKY” was blended by John Logan and mastered by Jason Mitchell at Loud Mastering (PJ Harvey, XTC, Large Particular). For Fitzgerald and Williams — companions in life and in music — the album represents each a reckoning and a launch: a sonic scrapbook of failure, hope, and every part in between.
“Making this document was an enormous turning level in our lives,” Fitzgerald stated. “After being a bit not sure of the place issues had been headed and what we had been doing, the times spent recording these songs in our little studio had been the moments of readability we would have liked to get the ball rolling with one thing new and creatively thrilling.”
The method was quick and instinctive — songs had been usually written within the morning and recorded by afternoon, with stay takes and minimal polish capturing the immediacy of the second.
The album’s nostalgic title observe, “Bucky,” launched October 10, ties the document’s themes collectively in a single hazy 90s anthem of escapism and launch.
With “BUCKY,” Oswald Slain captures the sound of renewal — flawed, fearless, and vigorous — the form of document that doesn’t chase nostalgia a lot as stay inside it.
Stream “BUCKY” on: Spotify, Amazon Music, and Apple Music
Oakland’s personal The Items are again with “Don’t Spoil the Enjoyable,” their first full-length album, out in the present day through Dandy Boy Information. Written and produced by frontman Rob Good (Ryli) in his Oakland studio, the document distills the band’s trademark sound — all jangling guitars, massive melodic hooks, and heartfelt storytelling — into eleven tracks that really feel timeless and alive.
Joined by bassist Cherron Arens and guitarist Gabriel Monnot, Good channels the basic shimmer of The Byrds and Large Star, the punch of Matthew Candy, and the nice and cozy emotional honesty of Teenage Fanclub.
The result’s an influence pop that wears its coronary heart — and its influences — proudly on its sleeve.
The album’s focus observe, “Sunday Morning Out of the Blue,” arrives alongside an accompanying video.
Constructed round vivid guitars and melodic basslines, it captures the quiet reconciliation that follows an argument — that uneasy calm the place every part all of the sudden is sensible once more.
Written over the previous 5 years — with some songs predating their 2023 debut “The Items” EP — the album displays a interval of persistence and rediscovery.
“We recorded a number of variations earlier than lastly touchdown on one thing that felt proper,” Good stated. “This album is us leveling up our sound and discovering our personal type.”
From the chiming immediacy of lead single “April Fools” to the wistful reflection of “Keep in mind,” “Don’t Spoil the Enjoyable” flows effortlessly between exuberance and introspection.
“{Photograph}” pays tribute to The Golden Bull, the now-closed Oakland venue the place The Items performed their first present, whereas “Aurora” celebrates staying grounded as an alternative of chasing goals elsewhere. “Me and My Ghost” turns a tune written for a buddy right into a meditation on solitude, and “Hold It Secure” closes the document with a young reminder to guard one’s psychological well being amid the noise.
Brilliant, fuzzy, and filled with coronary heart, “Don’t Spoil the Enjoyable” finds The Items doing precisely the other — savoring it.
Stream “Don’t Spoil the Enjoyable”: https://dandyboyrecords.bandcamp.com/album/dont-spoil-the-fun
Vancouver- and London-based musical enigma Plain Mister Smith is again along with his new single, “We Have been Known as The Foxx,” out in the present day through Amelia Recordings/Symphonic. Following the slyly playful “Miss Sunshine,” this observe is the second style of his upcoming album, due Spring 2026.
Previously the guitarist for Canadian darkwave pioneers Moev and a cellist with the Vancouver Philharmonic Orchestra, Plain Mister Smith has been constructing a fame for his eclectic, indie-folk soundscapes, sharp lyricism, and introspective method.
His work has earned acclaim from tastemaker shops together with Wonderland Journal, CLASH, NOTION, Beneath The Radar, Earmilk, METAL, Noctis Magazine, and Atwood Magazine.
“We Have been Known as The Foxx” immerses listeners in a haze of bittersweet nostalgia, capturing the messy pleasure of childhood musical experimentation.
With Remedy-like guitar licks, a good in-the-pocket groove, and Findlay Brown’s lilting vocals, the observe evokes the soundtrack to a coming-of-age movie, concurrently wistful and vibrant.
Followers of Tame Impala, Loss of life Cab for Cutie, and The Beatles will discover themselves drawn to this reflective but playful ode to youthful chaos and the beginnings of musical discovery.
“‘The Foxx’ was my first band in grade 6 or so,” Plain Mister Smith shared. “It was a little bit of a sonic catastrophe — I don’t even assume we knew we would have liked to tune our guitars. However it’s a must to begin someplace/someday! ‘We Have been Known as The Foxx’ is a testomony to the loopy cacophonic shenanigans we received as much as as pre-pubescent want-to-be rock gods.”
Stream “We Have been Known as The Foxx”: https://music.plainmistersmith.com/foxx
