Japanese singer-songwriter Fujii Kaze launched his extremely anticipated third studio album Prema through Republic Data – pay attention right here. “Prema” immediately interprets to “supreme love” in Sanskrit, setting the tone for Kaze’s most introspective and musically adventurous album up to now. With over 2.2 billion world streams and 7.8 million month-to-month listeners, Fujii Kaze continues to solidify his place as considered one of as we speak’s most fun genre-defying artists.
Accompanying the discharge, Kaze additionally dropped an official music video for the title monitor “Prema” — watch right here. With highly effective imagery set to a deeply emotional love music, Kaze additionally hung out with elephants at a neighborhood sanctuary in Thailand.
Of the discharge of Prema, Kaze states, “Pure, easy, uplifting. It’s extra than simply music for me, it’s a way of life. With this report, I wished to be love itself—selfless, non secular, and supreme love—Prema.”
The discharge of Premafollows a landmark summer season for Kaze. Kicking off the yr with offered out exhibits in Berlin, Paris and London’s O2 Shepherd’s Bush Empire, Kaze lately wrapped the primary leg of his debut U.S. tour, which included sold-out exhibits on the iconic Greek Theatre in Los Angeles and competition after-shows at Lollapalooza and Outdoors Lands. With an astonishing 260,000 followers queuing for tickets in Los Angeles and 70,000 in San Diego, Kaze broke unprecedented on-sale data and can proceed the second leg of his US tour in October. Most lately, Kaze joined Billie Eilish as a particular visitor on the Tokyo cease of her HIT ME HARD AND SOFT: THE TOUR.
Empara Mi returns with ‘It Was At all times You’, the sixth single from her forthcoming idea album Monsters & Masochists – an sincere and uncooked love music, exploring all of the feelings and dilemmas that may include that.
‘It Was At all times You’ is an empowering, magnetic and extremely catchy pop music about accepting a scenario for what it’s: You realize I’ve tried to disclaim it / There’s no use in making an attempt / Trigger it was all the time you. The open and direct lyrics are refreshing, and so relatable. Empara Mi’s vocal supply is solely gorgeous, carrying emotive complexities to this monitor.
‘It Was At all times You’ is a euphoric, nostalgic indie-pop anthem within the vein of Avril Lavigne, Olivia Rodrigo, and Gracie Abrams, the form of music that belongs within the last scene of your favorite coming-of-age movie, the place the digital camera pans large, the credit roll, and you’ll’t cease smiling by the tears.
Written only one week after her wedding ceremony, the music is impressed by her real-life childhood sweetheart turned husband as she appears again on the years after they have been “simply buddies”, although everybody else may see the place it was heading. “That is your signal to fret concerning the man they inform you to not fear about,” she laughs. “As a result of that’s what I did… and now I’m married to him. Sorry not sorry to my exes.”
Stockholm-via-London duo Nathalia Aránguiz and producer Ove Jerndal as we speak present a style of their upcoming EP within the type of titular single ‘All Rights Reserved’ through 40 Miles. Hearken to the one right here.
Standing because the opening monitor of the mixtape, Nathalia raps: “You’re taking an enormous chew of my life, my future and my rights / Simply wait ‘til I observe the sunshine,” instantly establishing the venture’s unapologetic tone. Backed by a dusty, ‘90s indebted hip-hop beat, the duo skillfully steadiness uncooked immediacy blurring the road between underground experimentalism and escapist pop. They are saying that the monitor is a “uncooked social criticism and a younger emotional response to the present political scenario”.
Out on the nineteenth September through 40 Miles, The EP All Rights Reserved is an alluring, agitated mixtape that’s as party-starting as it’s political, epitomising the duo’s trendy punk ethos and their want to tear up the rulebook and stick all of it again along with glitter glue.
As we speak’s launch follows earlier singles ‘Dangerous Lyfe’ – an unhinged and high-octane mission assertion which was impressed by a visit to see Nathalia’s household in Chile. A continuous blast of reggaeton from the membership throughout the highway galvanised the commercial beat, and the one arrived alongside an attention-grabbing video from Brokenint, previewing the band’s Y2K aptitude (and tongue-in-cheek humour); watch right here. Comply with-up single “No Te Metas” hybridised the salsa music Nathalia grew up on, with the grooves of Deee-Lite and the cheeky verve of Rosalía, creating an ultra-contemporary anthem. Watch the sensible video directed by the band and Mathias Söderberg right here.
Amazonica has lived a thousand musical lives, and she or he’s solely simply getting began. A cult determine on the worldwide DJ circuit, she minimize her tooth fronting bands and producing data with punk icons earlier than most children had completed faculty. Now, she’s entering into her fiercest chapter but: Amazonica the artist.
Her new single “Mirror Child” is a slow-burning, seductive dose of darkish alt-pop, equal components susceptible and empowered. Constructed on a menacing groove, it’s an ode to intimacy, duality, and discovering energy in reflection. It units the tone for her upcoming album, Victory, that can see the artist blurring the traces between post-punk, emo rap, and future-facing pop. As she places it: “Pop music for the apocalypse.”
Raised between the UK and NYC, Amazonica was signed at simply 14 years previous and launched two albums underneath her former alias, Soiled Harry. Throughout lockdown, she reclaimed her masters and commenced re-releasing her previous work underneath her new moniker, a reputation that displays the transformation she’s undergone by sobriety, Buddhism, and pure survival.
She wrote and recorded her debut solo album Victory over a decade, producing it in her London flat. The result’s a visceral, cinematic physique of labor about religion, resilience, the wonder in beginning over and profitable the warfare with your self in addition to everybody else.
Amazonica’s sound isn’t simply boxed in, and neither is she. With extra music on the horizon, she’s staking her declare as a singular artist on her personal phrases.
Rising singer-songwriter Avery Lynch reveals her new EP, Glad We Met, out now through RECORDS/Sony Music. The 9-track EP consists of beforehand launched singles like “Rain,” “the boys who don’t know what they need,” “give it some thought,” “Useless to Me,” “Lasting Results,” and “Sweetheart,” alongside a handful of recent tracks.
Glad We Met is a venture rooted in vulnerability and reflection. Constructed on lush, melancholic piano preparations and Avery’s comfortable, expressive vocals, the EP follows her journey by heartbreak, therapeutic, self-discovery, and the braveness to open her coronary heart to like once more. The EP additionally marks a significant inventive milestone for Avery. It’s the primary report she’s ever co-produced, including a brand new layer of intimacy and possession to her sound.
“The ‘Glad We Met’ EP is my favourite venture I’ve ever made,” says Avery. “Every music follows the start of the love story I’ve been dwelling for over 5 years now. Some songs are about heartbreak and shifting on, and others are about falling in love once more. All of it comes along with the title monitor ‘I’m Glad We Met,’ which tells the story of assembly my vital different, the place we’ve gone, and the place we at the moment are.”
Oklahoma-based dream-pop duo Sports activities are again with their exhilarating new single ‘Good 2 Meet Myself (Bang Bang Bang)’ – a jolty but dreamy monitor that blends glitchy psychedelia with their signature hazy soundscapes. Equal components cathartic and euphoric, the monitor explores themes of freedom, self-acceptance, and emotional launch – a sonic embodiment of flying weightless, untethered from worry or expectation.
Black Dahlia is an experimental musician and efficiency artist whose work blurs the boundaries between theatre, sound, and surreal spectacle. Her creations exist in dreamlike areas the place masks, characters, and worlds collide—flamboyant, avant-garde expressions that draw as a lot from efficiency artwork, mime, and surrealism as they do from music itself. Whether or not inhabiting unusual personas on stage or constructing huge sonic landscapes, Black Dahlia conjures universes that really feel each alien and intimately human, inviting her viewers to step into the unknown.
Her forthcoming album The Imposter (out October 7, 2025 through her personal imprint College of Dahlia) is a theatrical idea report that unfolds like a surreal stage play. Written, produced, organized and carried out by Black Dahlia, it follows a lone wanderer, the Imposter, who chases an enigmatic mild away from a distant Paradise, solely to search out himself misplaced between realms, drifting by an interstellar limbo of time and unusual encounters. His arrival on Earth reveals a fractured, expressionist world the place he struggles to adapt, wears many masks, and finally erupts into a brand new kind (the Amphibian Man) earlier than going through the cruel reality that rebirth is the one escape.
The album’s lead single, “On The Run,” affords the primary glimpse into this dreamlike odyssey. Right here, the Imposter is suspended within the liminal house between Paradise and Earth, chasing that means whereas pursued by shadows of his personal making. The monitor captures the vastness and isolation of his journey, a stressed seek for freedom haunted by masks, theatre, and the worry of by no means belonging.
Musically, The Imposter embraces a courageous fusion of science fiction, surrealism, Bauhaus, prog, mime, and German Expressionism—artwork types colliding in a universe that exists solely by itself phrases. This isn’t an album that explains itself; it’s a dream dedicated to vinyl, a piece of coronary heart and imaginative and prescient that asks to be entered and skilled in full. The outer and interior paintings mirror this duality: one world folding into one other.
Black Dahlia has beforehand been recognised for her fearless artistry. Her 2024 single “Bodyguard” earned ABC Rage’s ‘Wild One’ award and screened at SXSW Sydney Display screen Competition. She has additionally collaborated with artists together with Insurgent Yell (on the “splendidly explosive” TNT, praised by The Guardian Australia) and contributed unique compositions to movie initiatives comparable to Let The Blind Lead These Who Can not See (MUBI).
Now, with The Imposter, Black Dahlia expands her imaginative and prescient into one thing huge, theatrical, and unflinchingly courageous. This world will probably be delivered to life by efficiency: an Australian tour in December 2025, adopted by a European and UK tour in early 2026.
Worldwide DJ/producer duo Loud Luxurious, the worldwide powerhouse behind over 2 billion streams, are closing out the summer season with their brand-new single, “UH OH!” with pop singer/songwriter Natalie Jane from their partnership through Casablanca Data. Hear HERE. The monitor is a pulsing pop anthem that blends retro influences with futuristic manufacturing, made for pregame hype, late-night adventures, and the electrical feeling of a summer season that by no means ends.
“UH OH!” pairs Loud Luxurious with longtime buddy Natalie Jane, a collaboration they’ve dreamed of for years. Natalie Jane has re-written pop’s guidelines with emotionally visceral lyrics and a seismic voice to match, making her some of the intriguing breakout’s of pop’s new era.
Loud Luxurious on the discharge: “We’ve been making an attempt to do a music with Natalie for about 3 years. We like her and really believed her voice on a dance music can be particular. The result’s one thing each nostalgic however ahead pondering. “UH OH!” faucets right into a recession pop really feel imagined in 2025 and is the right solution to kick off the subsequent period of Loud Luxurious.”
Toronto/Berlin producer and Massive Bother Data founder Andre Zimmer has emerged as considered one of home and techno’s hottest commodities, recent off his scorching cloth Data launch with Carlita. Now he joins DJ Tennis’s Life and Loss of life label with the announcement of his 4-track Kwon’s Anthem EP, out September 19.
Arriving alongside the announcement is the lead single “Hypnotizing” — a piano-driven, ethereal minimize that highlights Zimmer’s means to channel rave nostalgia into shimmering, emotive home designed for peak dance ground moments.
The EP additionally options the standout monitor “That’s Proper,” which has already been making waves throughout golf equipment worldwide. With early help from Peggy Gou, Dam Swindle, Massimilliano Pagliara, Alinka, Jorkes, Luigi Di Venere, and extra — together with rotations at Panorama Bar and viral fan movies from Bella and past — it’s rapidly changing into considered one of Zimmer’s most in-demand productions.
London-based folk-pop singer-songwriter Maggie Baring returns together with her second EP, ‘Ekphrasis’ – a young but expansive six-track launch that explores vulnerability, id, and transformation. Derived from the Greek phrase that means “to talk out in full”, ‘Ekphrasis’ captures the essence of Maggie’s songwriting: emotionally vivid, lyrically wealthy, and heightened with uncooked introspection.
- E mail: neill@outloudculture.com
