French producer and cult visible artist Mcbaise (aka Matthieu Bessudo) returned with “Moon,” a hypnotic new single from his upcoming album “Wrongderful,” due November 7 through Soiled Melody Information.
Identified for mixing lush yacht rock, funk, and psychedelic pop along with his distinctive illustrated world, Mcbaise describes “Moon” as “the musical equal of a type of black T-shirt(s) airbrushed with a wolf howling on the moon and an eighteen wheeler.”
Anchored by crooner-like guitar, slap bass, and trembling synths, the observe dives into the stressed overthinking of late nights — someplace between Tame Impala’s dreamy haze and The Flaming Lips’ cosmic swirl.
The brand new file follows 2021’s “Tubes” and builds on the momentum of viral hits “Alice” and “Chilly Cuts.”
Past music, Mcbaise’s animated movies and visible type have earned him a cult following that spans from indie music circles to streetwear tradition.
With “Wrongderful,” Mcbaise expands his lo-fi beginnings into a completely immersive audio-visual expertise — one which blurs the road between sound and artwork.
Stream “Moon”: https://alterk.lnk.to/Moon
Bilingual emcee Missy D launched her newest single “J’avance,” a vibrant showcase of the Vancouver-based artist’s signature “Rap & Soul” sound — a fusion of hip-hop, R&B, soul, jazz, and rock.
Born in Rwanda with roots in Côte d’Ivoire and Zimbabwe, Missy D embodies a cultural mosaic that runs via each verse, whether or not in French or English. Impressed by trailblazers like Missy Elliott, Lauryn Hill, and MC Solaar, she’s carved out an genuine lane that connects throughout borders and languages, carrying a message that’s as soulful as it’s highly effective.
Her resume is simply as dynamic: SXSW, NXNE, and the Vancouver Jazz Competition levels; payments alongside Anderson .Paak, Jully Black, and Maestro Contemporary Wes; and accolades from the Western Canadian Music Awards, the place she earned Francophone Artist of the Yr in 2024 and twin nominations in 2025.
Following her undertaking “La Poursuite” — a celebration of perseverance and unity — “J’avance” doubles down on that spirit. The accompanying music video captures Missy D’s unstoppable drive and fearless artistry, providing each a private assertion and a common anthem: preserve transferring ahead.
Stream “J’avance”: https://lnk.to/javancemissyd
Toronto songwriter Oliver James Brooks returns at this time with “Strains On My Eyes,” a haunting new single that marries his folk-rooted storytelling with sudden synth textures. Written within the wake of seismic private upheaval, the observe turns inward — tracing grief, self-reflection, and the delicate work of rebuilding when every thing feels unsteady.
The tune is the newest preview of Brooks’ forthcoming album “Between Me & Me,” a file that navigates loss and resilience with unflinching honesty. Critics have lengthy praised his work as hypnotic and boundary-pushing, drawing comparisons to Neil Younger, Kurt Vile, and Gordon Lightfoot whereas retailers like Indie88, Americana UK, and Exclaim! have spotlighted his singular voice in Canada’s alt-folk panorama.
With “Strains On My Eyes,” Brooks embraces a extra expansive sonic palette with out shedding the uncooked intimacy that defines his music — providing a cathartic reminder of the sweetness present in vulnerability.
Pre-Save “Between Me & Me”: https://ffm.to/betweenmeandme
Stream “Strains On My Eyes”: Spotify hyperlink
Different pop artist Celeste Corsano is again with the only “XS,” a pointy, susceptible observe out now through Magic Door Report Label. The tune unpacks the pressures of physique picture, perfectionism, and comparability, enjoying on the double which means of “additional small” and “extra” success.
Recorded at Magic Door Recording Studio in Montclair, NJ with producer Ray Ketchem (Guided by Voices, Elk Metropolis), the only options James Mastro on guitar and David Nagler on bass. Starting with a shiny pop sensibility earlier than shifting into darker, extra ominous tones, “XS” mirrors the unsettling cycle Corsano describes — the place fleeting validation provides strategy to doubt and self-questioning.
“These mindsets come from my very own insecurities based mostly on my private experiences, examples of ladies I’ve seen rising up and by exterior sources such because the media and the leisure trade,” Corsano mentioned.
With poetic lyricism, adventurous preparations, and a hanging emotional honesty, Corsano continues to carve out a singular voice in different pop.
“XS” follows her singles “Caught,” “Nightbird,” and “Daylight Gazing,” additional cementing her popularity for fearless, deeply relatable storytelling.
Stream “XS”: Spotify hyperlink
Newcastle indie-pop trio BEAR PARK have dropped their daring new four-track covers EP “GROWL,” out now through 25 Hour Comfort Retailer. Identified for jangly guitars, surf-soaked hooks, and razor-sharp attraction, the band reimagines punk, dance, storage rock, and steel via their very own indie-pop lens — with thrillingly offbeat outcomes.
The main target observe, a daring rework of Motörhead’s “Ace of Spades,” strips the traditional all the way down to its bones and rebuilds it with storage grit and Velvet Underground minimalism.
“Lemmy wrote two variations — one heavy, one bluesy,” frontman Shay mentioned. “It exhibits how nice a songwriter he was. We tried to honour that with our personal spin.”
Elsewhere, the EP roars to life with “Teenage Bomb” (The Needles), an eight-minute punk exercise that includes a blistering visitor coda from Brian Robertson of The Damned. Their model of HiFi Sean & Crystal Waters’ “Testify” brings a rock’n’roll cost to its dance-floor origins, whereas the Flamin’ Groovies’ “Shake Some Motion” will get fuzzed up right into a stormy, anthemic nearer.
Following their self-titled debut album in 2024 and excursions with The Libertines and The Lightning Seeds, “GROWL” finds BEAR PARK hitting reset whereas showcasing their adventurous spirit.
“After the album and touring, we hadn’t had time to write down new materials,” the band defined. “So we jammed out songs by different folks, ones that took us out of our consolation zone. Finally, we thought — let’s file them. These tracks deserved to be heard. It’s a BEAR PARK tackle some sensible songs, and we’re calling it ‘GROWL’ — as a result of that’s what bears do to greet each other.”
Stream “GROWL”: Spotify hyperlink
San Francisco post-punk outfit Octavian Winters return with “Saints of Absolution,” a brooding and visceral new single that teases their upcoming debut album, due in early 2026 through Stratis Capta Information. The observe follows lead single “Hermine,” with each songs accompanied by hanging quick movies directed by Bay Space producer David Kruschke.
Produced and combined by post-punk luminary William Religion (The Bellwether Syndicate, Christian Loss of life, Religion & the Muse) at Chicago’s 13 Studio, the tune blends hypnotic guitar strains from Stephan Salit with tribal bass-and-drum textures from Jay Denton and Randy Gzebb, whereas vocalist Ria Aursjoen delivers a efficiency that strikes from incense-like delicacy to cathartic depth. The result’s darkish, primal, and unflinchingly human.
“This tune ‘Saints of Absolution’ is about false idols, on two ranges,” Aursjoen mentioned. “The broader stage, and the one we most frequently consider once we consider the thought of false idols, is about folks attaching to destructive ideologies that subvert our higher natures, and the poisonous swamp that lies down that path. The opposite stage is the person, and the poison of envy, hatred and spreading gossip behind others’ backs — typically severe lies that may be very damaging to folks’s lives.”
Shaped in 2022, Octavian Winters have rapidly earned popularity of weaving post-punk, ethereal wave, and loss of life rock right into a sound that’s unmistakably their very own. With their 2023 debut EP “The Line or Curve” and their 2024 collaboration “Nebula / Velveteen” with Mark Pistel (Consolidated, Meat Beat Manifesto), the band established themselves as one of many Bay Space’s most compelling new exports. Their latest set at A Homicide of Crows Competition in New York turned heads, and subsequent up they’ll play Bar Sinister’s Ghostly Halloween Ball in Los Angeles on October 31.
Stream “Saints of Absolution”: Spotify hyperlink
Get tickets for the L.A. present: octavianwinters.com/exhibits.
France-based Italian artist Alessio Peck has launched “Angel Machine,” the electroclash-fueled title observe from his EP, out now through Kwaidan Information. The one follows his jungle-infused debut “MAMA” and finds Peck diving deeper into digital territory whereas holding onto his post-punk edge and rave-era nostalgia.
Produced in Sheffield by Ross Orton (Arctic Monkeys, M.I.A., Working Males’s Membership), “Angel Machine” channels the spirit of electroclash pioneers like Miss Kittin & The Hacker, Fischerspooner, and DJ Hell, balancing icy synths and distorted drum machines with uncooked hooks and punk grit.
“[It’s] a sonic paradox of euphoria and disappointment, singalong dance music with a punk really feel to it,” Peck mentioned. “That is music to be listened to whereas cry dancing in your room alone.”
Born in Italy and now based mostly in Paris, Peck has advanced from psych-rock guitarist to digital provocateur, pulling affect from Nick Cave, Depeche Mode, Pleasure Division, and 9 Inch Nails whereas filtering it via club-ready vitality. His sound has carried him from Italian-language cult hits like “Amore Bipolare” to worldwide excursions with The Stags and Acid Tongue, and now into his most bold work but.
The “Angel Machine” EP marks Peck’s boldest assertion to this point — music that blurs the road between singer-songwriter and DJ, between the stage and the dancefloor. A full-length debut is predicted in 2026.
Stream “Angel Machine”: Spotify hyperlink
