Los Angeles rapper Lil Mosey steps right into a extra reflective lane with “Fall Metropolis,” his brand-new 8-track EP out in the present day by way of Cinq Music. Recognized for his melodic bounce and platinum-certified hits, Mosey makes use of this mission to increase his sound — layering in atmospheric textures that nod to each his Pacific Northwest roots and his progress as an artist.
Main the cost is “Margiela Pink,” the EP’s centerpiece single that’s been gaining traction on-line for its hypnotic hook and slick, luxury-soaked visuals. Mosey says the tune was born in a burst of inspiration after a reside present.
“After my final live performance, I walked off stage feeling impressed to make a tune my followers might go loopy to reside,” he mentioned. “Inside 24 hours, I made ‘Margiela Pink,’ and that tune sparked a whole mission devoted to them.”
Throughout “Fall Metropolis,” Mosey balances late-night introspection with high-energy cuts constructed for the stage, leaning on longtime collaborators to sharpen his versatility. It’s a mission that feels each private and crowd-ready — proof that Mosey is again and evolving, with out dropping contact with the fashion that made him a breakout star.
Since first breaking out with “Pull Up” and the platinum smash “Blueberry Faygo,” Mosey has constructed a repute as a boundary-pushing voice in fashionable hip-hop. “Fall Metropolis” exhibits him not solely chasing one other wave but in addition carving out house for longevity, bridging the youthful power that shot him into the highlight with a extra grounded, forward-looking imaginative and prescient of what’s subsequent.
Stream “Fall Metropolis”: https://lilmosey.ffm.to/fallcity
Alt-pop powerhouse Charlotte Sands is again together with her brand-new single, “Afterlife,” a euphoric but haunting anthem that explores love as one thing infinite — stretching throughout timelines, universes, and lifetimes. Constructing on the momentum of current favorites “HUSH” and “neckdeep,” the monitor blends hovering hooks and electrified manufacturing with emotional depth, cementing Sands’ repute as some of the fearless voices in fashionable pop.
“It’s a couple of connection so deep it feels everlasting, like your souls have met a thousand instances earlier than, in each universe and throughout each timeline,” Charlotte mentioned. “It’s in regards to the uncommon and exquisite certainty that it doesn’t matter what this lifetime holds, you’ll all the time discover your manner again to one another once more — within the subsequent life, and in each one after that.”
Since her 2018 debut, Sands has turn out to be a cult favourite for her genre-blurring sound and radical honesty, amassing over 300 million international streams, charting within the U.S. Prime 40 for greater than 15 weeks, and selecting up Finest Breakthrough Album on the Heavy Music Awards. Alongside her headline excursions, she’s supported main acts like My Chemical Romance, 5 Seconds of Summer time, and YUNGBLUD, whereas this previous summer time noticed her entrance and middle on idobi Radio’s Summer time Faculty Tour.
Referred to as a lot for her daring Y2K-inspired aesthetic and signature blue hair as for her electrical reside exhibits, the LA-based artist stays totally impartial and fiercely hands-on — designing her personal merch and visuals, even directing her inventive initiatives. With “Afterlife,” Sands provides one other anthem to her catalog, one which turns vulnerability into empowerment and proves she’s solely getting greater, brighter, and bolder.
Stream “Afterlife”: https://sndo.ffm.to/667k9eq
Nigerian Afrobeats star Spyro (Oludipe Oluwasanmi David) has launched his long-awaited studio album, “The Males, The Boys & Your Man,” out now by way of Cinq Music. The 19-track mission marks the largest milestone but in his fast-rising profession, arriving on all streaming platforms in the present day.
Since breaking by way of with 2022’s “Billing” and the worldwide smash “Who Is Your Man? ”— later remixed with Tiwa Savage — Spyro has emerged as one in every of Afrobeats’ most magnetic new voices. Recognized for his melodic sincerity and cultural resonance, he’s steadily carved out a repute as each a hitmaker and a storyteller.
With “The Males, The Boys & Your Man,” Spyro makes use of the album format to make an announcement. The title itself displays a journey by way of id and progress — balancing the burden of accountability (the lads), the openness of youth (the boys), and the charisma of “Your Man.” Sonically, it spans Afrobeats, Afro-pop, dancehall, and heartfelt ballads, weaving a soundscape that’s celebratory, weak, and stuffed with vary.
Daring, jubilant, and forward-looking, the album positions Spyro as greater than a rising star — it cements him as a defining voice of Afrobeats’ subsequent chapter.
Stream “The Males, The Boys & Your Man”: https://cinqmusic.to/thementheboysandyourguy
Alt-pop pressure Maggie Andrew has launched her brand-new EP “HOW TO SING FOR MONEY,” a hanging assortment that features the buzzy singles “Fall Like A Feather,” “How To Sing For Cash,” and “Emotional Landing,” which simply made its debut on U.S. pop radio with a Prime 60 entry.
The EP finds Andrew totally answerable for her imaginative and prescient, weaving ’80s synth textures, distortion-soaked anthems, and stripped-back moments of intimacy. Her songs stability sharp wit with uncooked vulnerability, tackling every part from the burden of the music {industry} to the messiness of affection and private progress.
“I feel ‘HOW TO SING FOR MONEY’ affords a transparent view into one other dimension or chapter of myself,” Andrew mentioned. “It reveals who I’m and what I can do if I’ve the instruments and the alternatives.”
A lot of the file was born out of Andrew’s 2024 CBC Music Searchlight win, which secured her a recording residency at Calgary’s Nationwide Music Centre. Earlier than heading west, she spent a month writing in Toronto with longtime collaborators Carleton Stone and Kyle Mischiek — a trio whose tangled private historical past solely deepened the inventive spark. Other than one monitor, the whole EP emerged from these periods.
Standouts vary from the grinding, industry-weary title monitor to the aching melancholy of “Unfinished Enterprise” and the buoyant, folk-leaning “If God Was Actual.” The main focus single “Did You Cry” erupts into catharsis, accompanied by a cinematic video directed by MOOSECANFLY, the place Andrew performs a runaway bride escaping a poisonous relationship.
Unconcerned with style labels, Andrew defines her music on her personal phrases.
“I embrace my aptitude and angle; I don’t give a fuck about exterior strain once I’m making music,” she mentioned. “My voice is the factor that makes my sound my very own, and the weather round it should all the time shift and alter.”
Stream “HOW TO SING FOR MONEY”: https://ffm.to/htsfm
NYC cult favorites Laptop computer are again with “I Don’t Know,” the third single from their forthcoming album “On This Planet” (due spring 2026). Following the viral success of TikTok-fueled tracks “Weirder” and “Further Animals,” the band delivers a pointy, back-to-school anthem that’s equal components playful revolt and Orwellian unease.
Shaped within the early 2000s and as soon as signed to Island Data, Laptop computer earned crucial acclaim for his or her witty mix of synth-pop and heartbreak on albums like “Opening Credit,” “The Outdated Me vs The New You,” and “Don’t Strive This at Dwelling.” Now, the mission has been reimagined as a father-son duo, with founder Jesse Hartman joined by his 19-year-old son Charlie Hartman, bringing a cross-generational edge to their indie-pop satire.
“I Don’t Know” was initially written when Charlie was simply 4 years previous, after he gleefully sabotaged a standardized take a look at by answering each query unsuitable — or shrugging it off with “I don’t know.” These recordings of younger Charlie bookend the brand new monitor, remodeling a childhood joke right into a protest anthem for authoritarian instances.
“It’s revolt by chance, which seems to be the proper sort,” Jesse mentioned.
Tracked throughout Spain, the Caribbean, and New York, the tune options Nevis vocalist Anna Hadeed, Jesse’s daughter Lulu, and a harmonica efficiency from actor and Hartman muse Santo Fazio. The surreal video, directed by Jesse, locations Laptop computer in a dreamlike classroom the place deadpan humor, green-screen chaos, and toy harmonicas collide.
With hundreds of thousands of streams already behind them, Laptop computer’s reboot has struck a chord with a brand new technology of listeners. Their theatrical 14-piece comeback present at Sony Corridor marked their first New York efficiency in 20 years, and so they’re set to headline London’s The Ready Room on October 20.
Stream “I Don’t Know”: https://laptoptheband.bandcamp.com/monitor/i-dont-know-2
After a two-year hiatus, LA-based composer and producer Olovson (AKA Jacob Olofsson) makes his return with the stirring single “Issues I Might’ve Left Behind,” out September 26, 2025 by way of his personal imprint, 1136 Diamond.
A Grammy-winning, multi-platinum producer with credit alongside Frank Ocean, Dua Lipa, Mark Ronson, Diplo, Silk Metropolis, and Camila Cabello, Olovson has carved out a parallel id as a solo artist, crafting cinematic piano-driven works which have earned over 3 million streams and assist from shops like Wonderland Journal, CLASH, Rolling Stone India, and PopMatters. His music has additionally appeared on BBC Radio, NTS, Worldwide FM, and in SHOWTIME’s The Man Who Fell to Earth.
“Issues I Might’ve Left Behind” alerts a brand new chapter, mixing Olovson’s neoclassical roots with a contemporary, genre-blurring palette harking back to James Blake and Blood Orange. Written, produced, and combined by Olovson himself, the monitor marries delicate keys with hazy jazz inflections and ethereal, wordless vocals — his first time singing on file. The result’s each soulful and atmospheric, a meditative piece that lingers lengthy after its closing notes.
“‘Issues I Might’ve Left Behind’ began as a melody that had caught with me for fairly a while, and once I lastly recorded it, I knew it was the beginning block of the brand new mission,” he mentioned. “I sing on this tune, though solely in wordless melodies, which felt like a bridge from the earlier file into this new chapter. The tune is about letting go of resentment carried for too lengthy and making house for forgiveness and peace.”
With this launch, Olovson reintroduces himself not solely as a composer however as a boundary-pushing songwriter, opening a contemporary period of intimacy and experimentation in his catalog.
Stream “Issues I Might’ve Left Behind”: https://awal.uk/thingswecouldveleftbehind
One in every of Eire’s most fun digital voices, Elaine Mai, returns this fall together with her extremely anticipated second album, “For Us.” The Selection Music Prize-nominated artist will comply with the discharge with a headline present at Dublin’s Button Manufacturing unit on October 25.
Throughout her profession, Mai has constructed a repute for weaving intricate manufacturing with emotional resonance, collaborating with artists like Pillow Queens, Daithí, Loah, and MuRli whereas incomes greater than 5.6 million Spotify streams. Her 2021 debut “Dwelling” drew broad acclaim, with singles like “No Perpetually (feat. MayKay)” making a serious affect on Irish radio and incomes Selection Music Prize nominations for each Album and Music of the Yr.
With “For Us,” Mai deepens her collaborative ethos. The file attracts collectively voices like Faye O’Rourke (Soda Blonde), MayKay (Battle Like Apes), MuRli, and Sinéad White to discover themes of belonging, intergenerational trauma, and launch — heavy topics channeled into dance-floor catharsis. Highlights embrace the highly effective single “Intention” with O’Rourke, and the closing monitor “We Are”, a charity collaboration that includes younger folks from the Aida Refugee Camp in Palestine.
Past the album, Mai can be turning her focus towards accessibility in music-making. Supported by the Arts Council, she is launching a collection of one-day manufacturing workshops aimed toward girls and under-represented teams. Impressed by her personal mentorships with UK producers Shadow Little one and David Phelan, the initiative will present sensible expertise in manufacturing and mixing, giving individuals instruments to independently create and launch music.
Written over three years, “For Us” displays a journey by way of hope, problem, and resilience. With its mixture of expansive manufacturing, communal power, and private reflection, “For Us” is each a testomony to Mai’s evolution and a daring step ahead in her already influential profession.
Stream: “For Us”
