To have fun the two-year anniversary of her acclaimed album “Inuktitut,” Elisapie has teamed up with Montreal producer Hologramme for a brand-new EP, “Inuktitut (Remixes),” out now by way of Bonsound. The undertaking reimagines highlights from the JUNO-winning report by lush, atmospheric soundscapes whereas preserving Elisapie’s shifting voice on the middle.
The thought for the collaboration got here when Elisapie, Hologramme, and visible artist Caroline Monnet have been commissioned to create a singular work for the Montreal Museum of Modern Artwork’s sixtieth anniversary. The end result was a hanging mix of sound and visuals, later carried out at Montreal’s Society for Arts and Know-how (SAT). The remixes of “Sinnatuumait (Goals),” “Uummati Attanarsimat (Coronary heart of Glass),” and “Qimatsilunga (I Wish to Break Free)” weave collectively introspection and vitality — mirroring the geometric patterns that outline Monnet’s artwork.
With “Inuktitut (Remixes),” Elisapie extends the attain of her celebrated 2023 album. That report not solely landed her a Polaris Prize shortlist nomination and a number of Félix awards, but in addition a JUNO for Grownup Various Album of the 12 months. The undertaking reimagined 10 iconic tracks — from Leonard Cohen to Blondie — by translating them into Inuktitut, her mom tongue, every track tied to a private reminiscence or story. The uncooked fantastic thing about the Inuit language gave the classics new energy and earned her worldwide acclaim from shops like Rolling Stone, Vogue, CBC, and Le Monde.
Not too long ago featured on the duvet of ELLE Quebec, Elisapie stays a singular voice in Canadian music. Born and raised in Salluit, Nunavik, she has at all times woven her deep connection to her territory and language into her artistry. Her collaborations with main musicians from Montreal’s indie and folks scenes, and now with rising digital pressure Hologramme, showcase her potential to bridge custom and modernity with finesse.
Stream “Inuktitut (Remixes)”: https://bonsound.co/inuktitutremixesRP
Minneapolis punk veteran Cindy Lawson is again — and he or she’s not pulling any punches. Her new single, “The Reckoning,” is a searing anthem aimed squarely at each manipulator, betrayer, and dangerous actor who thought they’d by no means face penalties. With snarling guitars and Lawson’s voice blazing at full pressure, the observe captures the catharsis of lastly seeing the tables flip.
Lawson was a fixture of the Nineteen Eighties Minneapolis punk scene, sharing levels with native icons like The Replacements and Soul Asylum. However after a devastating betrayal within the music trade, she stepped away, satisfied her time on stage was over.
“That a part of me had been killed,” Lawson mentioned. “I didn’t need something to do with being on stage.”
Now, after many years of silence, she’s reclaimed her energy — and “The Reckoning” marks her fiercest assertion but.
Followers of Patti Smith, Chrissie Hynde, and Sleater-Kinney will discover lots to like within the track’s fiery mix of punk defiance and rock ’n’ roll swagger. Backed by a band she describes as handpicked and extremely really helpful, Lawson delivers her sharpest and most unapologetic work to this point.
“This track is for anybody who’s been burned, betrayed, and silenced,” Lawson mentioned. “It’s that common satisfaction when somebody evil lastly will get taken down. And for me, it’s not nearly them — it’s about reclaiming the a part of myself they tried to destroy.”
Stream “The Reckoning”: https://tlgent.ffm.to/cindylawson-the-reckoning
Singer-songwriter Lillian King unveils her second single, “Echo,” providing a mesmerizing preview of her debut album “In Your Lengthy Shadow,” set to launch October 24 by way of Pronounced Kroog. Whereas a lot of the album navigates reminiscence and grief, “Echo” turns inward, exploring the unusual consolation of repetition and the best way loss reverberates by strange moments.
Written in fragments and accomplished throughout an impromptu studio session, the observe feels windswept and alive with discovery. Robert Salazar’s understated drums, Nick DePrey’s heat organ tones, and King’s low, unhurried vocal type the track’s heartbeat, whereas producer Jack Henry (Friko, Free Vary) captures its rawness in a single, intuitive take. The result’s a observe that drifts like a stay efficiency but carries the quiet assurance of one thing meant to final.
There’s additionally an plain indie weight behind the discharge. Spencer Krug (Wolf Parade, Sundown Rubdown, Moonface) has championed King from the start, making her the primary artist signed to his label, Pronounced Kroog. His affect is delicate however current, lending “In Your Lengthy Shadow” the identical stress between rawness and restraint that has marked a lot of his personal work.
Followers of Sharon Van Etten, Rosali, and Mazzy Star will discover a kindred spirit in “Echo,” a track that doesn’t demand consideration however earns it slowly, lingering lengthy after it ends. Rooted in Midwestern steadiness and honesty, King’s storytelling blends tenderness with an edge that retains sentiment grounded and actual.
With “In Your Lengthy Shadow,” Lillian King isn’t chasing hype — she’s constructing one thing extra enduring. And with “Echo,” she proves that typically the quietest songs are those that echo longest.
Stream “Echo”: https://pronouncedkroog.lnk.to/Echo
ZZ Ward is giving followers much more purpose to have fun her triumphant return to blues-driven roots with “Liberation (Deluxe).” The expanded version builds on the facility of her acclaimed 2024 album “Liberation,” including unreleased songs and uncooked stay studio recordings that supply a deeper, extra intimate portrait of an artist getting into a daring new chapter.
Among the many highlights: the long-awaited unreleased observe “Midway There,” a brand-new recording of “No one Is aware of You When You’re Down and Out,” and a stay lower of “Cadillac Man” recorded on the legendary Solar Studio in Memphis. The set additionally contains 4 stripped-down EastWest Studios periods — “Mom,” “Bare within the Jungle,” “My Child Left Me,” and “Mud My Broom” — capturing Ward’s voice and songwriting of their most unfiltered type.
For Ward, this deluxe version isn’t only a bonus launch — it’s a milestone.
“This expanded model means lots to me as a result of it shares songs we purposely held again from the unique album, not as a result of they didn’t belong, however as a result of they have been so particular we needed to offer them their very own second,” she shared. “Recording at Solar Studio was particularly highly effective for me, it’s a spot with a lot historical past, and you’ll really feel the spirits of the artists who got here earlier than.”
The place the unique “Liberation” explored themes of motherhood, resilience, and self-discovery, this expanded version carries the story ahead, weaving in songs that full the journey and stay performances that showcase Ward’s uncooked vitality. Mixing Chicago blues grit, Delta grooves, rootsy storage rock, and classic soul, Ward continues to cement her place as considered one of immediately’s most important voices pushing the blues into the longer term.
With “Liberation (Deluxe),” ZZ Ward proves as soon as once more that her music isn’t nearly honoring the previous—it’s about carrying the hearth ahead.
Stream: “Midway There”
Stream: “Liberation (Deluxe)”
Rising indie-rock voice Meg Elsier has unveiled her brand-new Audiotree stay session, now accessible to observe on YouTube and stream throughout platforms. Recorded in Chicago earlier this yr throughout her run with Blondshell, the set captures Elisier’s magnetic stage presence, uncooked allure, and the frenetic vitality that has made her considered one of indie rock’s most enjoyable new names.
Backed by bassist Jashaun Smith and drummer Hayden Cotcher, Elsier delivers dynamic renditions of “spittake,” “itznotreal,” “ifshitfuq,” “eastside,” and “child” — songs that showcase the off-kilter melodies, grungy guitars, and ethereal vocals that outline her sound. The session highlights not solely her knack for lush, weighty manufacturing but in addition the communal depth of her stay exhibits.
Followers tuning into the YouTube launch get an added bonus: an unique interview with Elsier, providing an inside have a look at her artistic course of and the world she’s constructing by her music.
Earlier this yr, Elsier launched “spittake (deluxe),” an expanded version of her debut album that has earned early reward from shops together with DIY Journal, Ones To Watch, DORK, and CLASH. With a status for emotionally charged stay performances, she’s already shared levels with Blondshell, Liz Cooper, and Finom.
Subsequent up, Elsier returns to New York this fall for 2 particular performances: supporting Martin Luke Brown at Child’s All Proper on September 25, adopted by the We Save Us abortion entry profit collection at Brooklyn Bowl on October 19.
Together with her Audiotree session now stay, Meg Elsier proves as soon as once more why she’s an artist to observe — turning uncooked vulnerability into communal catharsis, one efficiency at a time.
Stream the Audiotree Reside session: https://lnk.to/AT-megelsier
Liverpool-based queer indie-rock undertaking Trial Tapes, the moniker of songwriter and producer Jack McNally, has launched its debut single “Coughing Suits,” now streaming all over the place. A dreamy, motorik shuffle mixing warped guitars, lush synths, and emotionally candid lyricism, the observe explores queer identification, late blooming, and the quiet absurdities of contemporary life — touchdown someplace between the art-rock majesty of Fragrance Genius and the sharp British wit of Suede.
Lyrically, “Coughing Suits” lays the muse for McNally’s forthcoming debut EP (due 2026), a set formed by his late popping out story and reconciliation of heterosexual/homo-normativity. Although it arrives now in full bloom, the track has lived with him for over a decade, first as a fragile voice memo and an occasional open-mic remorse.
“It’s fairly unusual to consider as a result of it’s so very clearly about being unapologetically queer though I didn’t ‘know’ who or what I used to be on the time of writing it,” McNally mentioned. “The track itself sort of haunted me for the very best a part of a decade and lived on my cellphone as a tragic, gradual voice memo that I’d pay attention again to sometimes after I was feeling courageous sufficient. I performed it at a number of open mic nights too and would remorse it afterwards which was an actual image of my interior battle. The phrases and melody are precisely the identical, however the temper couldn’t be extra completely different to what the track would develop into.”
McNally views queerness not as an aesthetic however as a approach of reframing the world. That philosophy runs by each the track and its manufacturing. Co-produced and combined by Chris Hendrick (Winterquilt Audio), with drums by Invoice Burns, “Coughing Suits” was recorded completely by McNally at residence. Hendrick — whose background is usually in demise metallic and vaporwave — added what McNally calls “artistic manufacturing touches,” embodying the undertaking’s spirit of queering expectations and working on pure vibe.
Trial Tapes started throughout what McNally describes as a “euphoric and quietly transformative” stretch between 2022 and 2024, following his return to Liverpool after greater than a decade in Brighton. The undertaking’s title, drawn from a mixture of early file folders, documentary references, and the tactile allure of cassette recording, speaks to its experimental, preservationist roots.
With its mixture of scuzzy indie-rock, lo-fi synth-pop, and deeply private storytelling, “Coughing Suits” marks a hanging debut from an artist reclaiming his voice after almost ten years of silence. It’s each an arrival and a declaration — uncooked, cathartic, and unapologetically queer.
Stream “Coughing Suits”: https://ditto.fm/coughing-fits
Canadian-born, Bristol-bred, and now London-based indie-folk artist Noah Villeneuve makes a hanging introduction together with his debut single “Kneejerk.” The observe affords a primary glimpse into his forthcoming 2026 debut album, a undertaking rooted in themes of restoration, reflection, and the sophisticated fantastic thing about beginning over.
Villeneuve’s sound blends melancholic indie-folk with touches of alt-rock, lo-fi pop, and emo-Americana textures, making a backdrop for his emotive vocals and starkly sincere lyricism. “Kneejerk” is intimate and heart-wrenching, the sort of track that lingers lengthy after its last notes — drawing comparisons to Leonard Cohen, Mark Kozelek, Elliott Smith, and Matt Berninger.
“Have you ever ever gone by a heartbreak with somebody that you just shared an arguably unhealthy codependent relationship with? Kneejerk is about grieving these errors of the previous with a curiosity within the current and hope in direction of the longer term,” Villeneuve mentioned. “It’s placing a mirror up in opposition to a few of your incorrect footing and acknowledging your flaws. Experiencing deep marvel of the place that particular person is now, what they’re doing, and feeling that ‘kneejerk response’ to name them or attain out on your cellphone anticipating to see that message that by no means truly arrives.”
The only arrives alongside a cinematic music video that introduces the self-aware, tongue-in-cheek world Villeneuve is starting to construct round his music.
With a historical past of performing within the UK’s underground scenes, years of touring, and a hard-earned pause to get clear and sober, Villeneuve now steps ahead together with his first solo undertaking. “Kneejerk” marks not only a debut, however the begin of a bigger journey — one which guarantees deeply susceptible, sharply crafted songs for anybody navigating reminiscence, psychological well being, and the messiness of contemporary love.
Stream “Kneejerk”: https://open.spotify.com/artist/7G3OrA3jA0jntLPpGDMeUr?si=e7khjavBQi6YbnSGL0mgVQ
