Autumn is a time of renewal, and it is pure for designers to start out wanting additional afield for brand new fonts. Fortunately, this month has delivered a bumper harvest of typographic innovation to develop your choices.
The standout theme this September has been the wedding of historic reverence with up to date performance. A few of our favorite foundries have taken iconic designs and expanded their attain; whether or not via multiscript improvement, variable font expertise, or fastidiously thought-about optical sizing. Others, in the meantime, have chosen to forge solely new paths, crafting typefaces that prioritise persona and heat over medical neutrality.
So whether or not you are searching for a workhorse grotesque for in depth branding programs, an expressive show face for impactful headlines, or one thing with distinctly European character, learn on and uncover eight new releases that might assist deliver your artistic tasks to life.
Marking a century of Futura, designed by Paul Renner and launched in 1927, Futura 100 represents an bold reimagining of the enduring geometric sans-serif for contemporary world communications. TypeTogether’s in depth two-year collaboration with Bauer Varieties has resulted in a multiscript typeface that helps 23 writing programs, overlaying over 90% of the world’s inhabitants.
Futura 100 maintains Renner’s constructed shapes and heat spirit while addressing up to date digital publishing necessities via optimised readability and adaptability throughout units. This primary section contains Arabic, Armenian, Cyrillic, Georgian, Greek, Hebrew, Khmer, Lao, Latin, Myanmar, PanAfrican Latin, and Thai scripts. With main Indic scripts, Simplified Chinese language and Hangul to come back, Futura 100 guarantees to develop into one of many few really world typefaces.
2. GT Period by Grilli Sort
GT Period intentionally shuns the algorithmic neutrality of latest grotesques, as a substitute drawing inspiration from the nice and cozy, idiosyncratic character of pre-modernist designs corresponding to Breite Fette Grotesk, Venus, and early Akzidenz Grotesk. Thierry Blancpain’s design for Grilli Sort additionally embraces friction, championing recognition over uniformity and flavour over conformity.
The household includes Show and Textual content types with matching obliques, linked via an optical measurement axis. Not like typical optical sizing that makes refined technical changes, GT Period affords genuinely totally different ranges of expressiveness; the Show echoing daring historic personalities while the Textual content performs comfortably in studying purposes and digital interfaces.
This method creates a design system that gives each maximal show affect and utilitarian performance, celebrating the feel and character that fashionable design usually sanitises away.
Foundry Aeterna is a neo-grotesk typeface with a workhorse aesthetic. Responding to what David Quay, one of many principals of the Foundry Varieties, describes because the “persistent reliance on ubiquitous, overused Neo-Grotesk typefaces,” this font is not simply one other revival, however a considerate synthesis of modernist rules for the digital age.
The design prioritises readability via harmonious letterforms, a big x-height and compact spacing. Distinctive particulars embody subtly prolonged terminals on A, C, G, and S, in addition to horizontal shaping on A, F, J, T, and Y; quiet expressions of the font’s up to date character that keep away from the sterile uniformity of many geometric sans-serifs.
Alongside the typeface, Foundry Aeterna contains over 290 icons and symbols, designed to help a broad vary of purposes, from transport and person interfaces to info programs and wayfinding. The Image set is constructed on the typeface’s capital top, aligned to the baseline, and centrally spaced for seamless integration.
4. Urbolyt by Mostardesign Sort Foundry
Urbolyt is a variable font that represents a conflict between geometric rigour and natural types. Every letter is described as uncooked structure the place razor-sharp angles meet unpredictable curves. Characters like N, A and M rise like concrete skyscrapers, while X, C and E breathe with pure motion.
This fixed rigidity between solidity and delicacy creates a singular identification that might be a sensible choice for impactful headlines, model logos and occasion posters. The variable model ranges from 75% to 150% width, enabling designers to sculpt phrase density and rework headlines into visible manifestos. General, this font could be an acceptable alternative for any design mission that requires a robust and memorable visible identification.
5. EE Piscina by errorerror.studio
From the València-based errorerror.studio comes EE Piscina, a modular typeface that, within the phrases of designers Paloma + Luismi, “brings hints of pool water and aftersun, tastes like ice-cold lemonade and smells like freshly lower grass”. Out there in three types (S, M, and L), this launch represents the duo’s concentrate on “creating one other kind of varieties”.
Slightly than pursuing neutrality, Paloma + Luismi prioritise storytelling and soul of their typographic work. EE Piscina, in flip, embodies their philosophy of making typefaces that carry emotional resonance past mere performance; described as “a fan-blown breeze for overheated designers”. In additional sensible phrases, the font’s modular building affords flexibility while sustaining distinctive character, positioning EE Piscina as an antidote to algorithmic design considering.
Haas Unica was created in 1980 as a response to licensing restrictions round Helvetica. It is regarded by many as the top of modernist kind design, but it surely steadily disappeared in parallel with the decline of phototypesetting. Now, LL Unica77 represents its authorised digital revival.
Remastered by authentic Group ’77 member Christian Mengelt from their very own drawings, and developed in collaboration with specialist designers, LL Unica77 features a totally condensed household, wealthy OpenType options, stylistic units, full Cyrillic and Greek help, and a completely variable counterpart with three axes for weight, width and slant manipulation.
Born from a classroom train utilizing an 8×8 pixel grid, Djaggety celebrates the great thing about productive constraints and the artistic potential discovered inside inflexible programs. What started as a instructing device—the place college students should construct working alphabets utilizing solely easy modules—developed right into a three-style show household that embraces slightly than refines its inherent coarseness.
The typeface’s appeal lies in its acceptance of systematic limitations. Each letterform emerges from the identical pixel module, creating sudden quirks and formal options that might be inconceivable via conventional design approaches. As a substitute of smoothing away these irregularities, Typeland has expanded the idea, permitting the grid’s affect to generate character slightly than constrain it.
Djaggety’s improvement course of reveals fascinating insights into up to date kind design apply. Kerning turns into a maze of compromises when working inside such strict parameters, forcing selections between sustaining character-defining particulars (like distinctive tails) and reaching rhythmic consistency. The consequence demonstrates how digital constraints can generate a particular persona, providing designers a modular system that is each expressive and intentionally unruly.
Designed by Jakob Runge and Antonia Cornelius, Gregory Grotesk strikes a stability between distinctive persona and purposeful reliability, making a charismatic typeface that works nicely in each branding and UI design. It is an amazing demonstration of how up to date grotesques can keep character while delivering the sleek texture anticipated from system fonts.
Gregory’s persona emerges via charming quirks embedded inside stable structural foundations. High-heavy letterforms mix with rounded inside corners at angular junctions, creating a hand-crafted patina that humanises digital environments. These trapped-ink results reference wooden kind printing traditions while serving up to date aesthetic sensibilities.
The typeface’s technical specs help bold typography, that includes 24 particular person types that span compressed to regular widths throughout typical weight ranges, unified inside a single variable font. With Greek and Cyrillic scripts authorised by native designers and help for over 270 languages, Gregory Grotesk demonstrates how personality-driven design can keep world performance.
