Toronto alt-pop power Jay Feelbender (aka Jacob Switzer) returned right now along with his anthemic new single “Benny’s Sleepover,” a bittersweet and high-energy ode to the chaos of old flame.
Fueled by infectious guitar riffs and unrelenting vitality, “Benny’s Sleepover” captures the sting of adolescent heartbreak — watching your greatest pal unknowingly win over your crush — balanced with the heat and hindsight of maturity. It’s a common coming-of-age second, distilled into three minutes of cathartic, shout-it-out-loud rock.
That blend of honesty and depth is central to Jay Feelbender, the newest venture from Switzer, a seasoned performer identified for his work in “Goodbye Honolulu” and “Luna Li.” Over the previous decade, he’s shared levels with Hinds, The Seashores, and different worldwide acts, constructing a status for high-voltage stay exhibits throughout North America.
“Benny’s Sleepover” presents a style of Feelbender’s upcoming debut album “Gallery of Need” (out Fall 2025 through Victory Pool Data). Produced by Braden Sauder, the file balances roof-raising singles like “Disco Disco,” “Angel,” and “Benny’s Sleepover” with moments of uncooked introspection, cementing Feelbender as an artist unafraid to put on his coronary heart on his sleeve.
Playful, unfiltered, and deeply human, Jay Feelbender is right here to make you are feeling all of it — and scream it again with him.
Stream “Benny’s Sleepover”: https://open.spotify.com/album/0bM0N75DZ4FlAuXArBggLx
Toronto R&B artist, rapper, and producer pHoenix Pagliacci returns with “Monday Jam,” the primary style of her upcoming EP “R&B Diaries,” out September 25. Easy, intimate, and instantly relatable, the monitor lingers on the problem of staying near a cherished one when life’s calls for always intrude.
Written in a spontaneous session with Felix Fox-Pappas of BADBADNOTGOOD — who additionally performs each instrument on the recording — the one unfolds like a dialog set to music. “Turning a home into a house takes time — time you as soon as had, however appear to not discover,”pHoenix displays, capturing the bittersweet ebb and circulation of affection.
With a nod to Stevie Marvel’s “Tuesday Heartbreak” and echoes of Dionne Warwick and Diana Ross, the tune feels each basic and up to date. Its title continues pHoenix’s playful marketing campaign to “convey again tune titles with time relations,” whereas its lyricism reads like a diary entry set to melody.
“Songs are simply diary entries we’ve made public,” pHoenix mentioned. “With ‘Monday Jam,’ I needed to seize that feeling of remorse and disconnect, when love continues to be current however requires intention to outlive.”
The only units the stage for “R&B Diaries,” a five-track EP that includes manufacturing from Fox-Pappas, Clairmont The Second, Jonny Tobin, and longtime collaborator Truss. A companion visible album arrives October 14.
With roots in acclaimed hip-hop collective The Sorority and continued success as half of duo TRP.P, pHoenix has earned a status for fearless honesty and musical boundary-pushing. On “Monday Jam,” she delivers considered one of her most private and resonant statements but.
Stream “Monday Jam”: https://soundcloud.com/phoenixpagliacci/monday-jam
Acclaimed guitarist and songwriter Laura-Mary Carter, greatest often known as one half of UK alt-rock duo Blood Crimson Sneakers, returned September 17 together with her sharp new single “4 Letter Phrases” and its accompanying video. Shot in a farm store in West Wales, the clip finds Carter ready for somebody who by no means arrives — remodeling the empty aisles into her personal personal stage.
The monitor arrives simply forward of Carter’s long-awaited debut solo album “Bye Bye Jackie,” set to be launched September 26, and a full run of UK and European headline exhibits this winter. With its driving rhythms, stressed vitality, and Carter’s trademark lyrical wit, “4 Letter Phrases” explores love’s contradictions — its absurdity, its volatility, and the best way it retains us coming again regardless of the chaos.
“‘Don’t be late’ units the stage, although in reality I’m not often on time myself,” Carter mentioned. “What follows is a sharp-eyed story of affection’s push and pull, the place the four-letter phrase might be something, you resolve what it’s, with a realizing eye-roll on the chaos of caring for somebody who drives you around the bend. It’s irony wrapped in melody, humour folded into heartbreak, all carried by a beat that refuses to face nonetheless.”
Following the atmospheric “June Gloom” — which featured a stormy guitar contribution from Lee Kiernan (IDLES) — the brand new single cements “Bye Bye Jackie” as a file of emotional immediacy: heartbreak with humour, intimacy with depth, and Carter totally entering into her personal highlight.
Stream “4 Letter Phrases”: https://soundcloud.com/laura-marycarter-music/four-letter-words
Pre-order “Bye Bye Jackie”: https://www.lauramarycarter.com/
London-based indie rock/power-pop duo Fitzsimon and Brogan (FaB) are again with their putting new single “Flowers at Her Door,” out now through Booster Music France. Written by Neil Fitzsimon and delivered to life by Bee Brogan’s vocals, the monitor pairs sharp lyricism with a timeless melodic edge — bridging the basic songwriting spirit of the ’60s and ’70s with a contemporary, trendy really feel.
Co-produced, blended, and mastered by Martin Smith (Electrical Gentle Orchestra, Shakin’ Stevens) at Storage Studios in London, the one channels each decadence and grit, impressed partly by Ridley Scott’s “The Duellists.” Brogan additionally dealt with keyboards, drums, and engineering, giving the monitor its textured, dynamic punch.
Already drawing comparisons to Debbie Harry and Nico, the tune has earned reward from business legends together with Pete Thomas (Elvis Costello’s band) and Woody Woodmansey (David Bowie’s Spiders from Mars) for its originality and sharp songwriting.
“This tune was impressed by the Ridley Scott movie “The Duellists”, which depicts the Napoleonic wars and that exact movie portrayed decadence, glamour and cruelty in equal measure.” Fitzsimon mentioned. “We’re attempting to attain the usual of the songwriting of the Sixties/Seventies for a modern-day viewers.”
“Flowers at Her Door” follows FaB’s newest album “This Depraved Pantomime,” which featured contributions from Woodmansey and Thomas, in addition to manufacturing from Pat Collier (Primal Scream, Maximo Park). Throughout their profession, the pair — as soon as members of Sony-signed Fairly Blue Gun — have launched 4 acclaimed albums, labored with members of The Artwork of Noise and The Moody Blues, scored placements in movie/TV, and even written a musical showcased in London theaters.
With “Flowers at Her Door,” Fitzsimon and Brogan show as soon as once more that nice songwriting by no means goes out of fashion — it simply evolves.
Stream on Spotify: https://open.spotify.com/monitor/02Gs5h67uywXqQkCLXV128
Stream on Apple Music: https://music.apple.com/ca/album/flowers-at-her-door-single/1835524126
Alt-rock collective Clone returns with “Care To Strive,” the title monitor from their upcoming “Care To Strive” EP, set for launch October 3 through Portland’s Little Cloud Data. Following the adrenaline-fueled lead single “Galvanized,” the EP showcases three intense tracks penned over the previous yr by CLONE’s authentic lineup: LG Galleon, Gregg Giufree (Pilot to Gunner), Max Idas, and Dominick Turi. Manufacturing was dealt with by Galleon alongside Bisi on the iconic BC Studio, with mastering by Fred Kevorkian (The White Stripes, Sonic Youth, Juliana Hatfield).
“Nicely ‘Care to Strive’ is a retribution tune,” Galleon mentioned. “A tune that cries out for the disenfranchised and undersung folks on the planet whose voices are by no means heard above the drowning of the correct wing nationalist leaders on this world.”
Clone will hit the highway this autumn with LG Galleon (Lifeless Leaf Echo), Paul Liziragga (Namesake), Alex Cox (The Veldt), and new drummers Avery Brooks and Jeremy Duvall. Identified for touring alongside Christian Loss of life, Twin Tribes, Wand, La Witch, Reside Cranium, and The Veldt, in addition to competition appearances together with SXSW, the band guarantees an incendiary stay expertise that includes their new materials.
“A special lineup makes for a novel stay expertise each time, but at all times with incendiary outcomes,” Galleon mentioned. “We’re excited to share these new songs with audiences on tour.”
Final yr, Clone launched their “CL. 1″ album and 12” vinyl through Little Cloud and 5BC Data, highlighted by the singles “Immutable,” “Dividing Line,” and “Redeemer.” Drawing on uncooked youthful vitality and unbridled creativity, the band continues to craft music that resonates with the remoted and conjures up by way of its redemptive energy.
“Care To Strive” is on the market now on Apple Music, Spotify, and Bandcamp. The total “Care To Strive” EP drops October 3 on 7″ vinyl and digital platforms.
Stream on Spotify: https://open.spotify.com/monitor/16oObK5gpWcR1ps54eeu2X?si=4fd1ef4a3d434254&nd=1&dlsi=2027ae21876849b1
Pre-save the EP: https://groupspeed.lnk.to/CaretoTry
Derry’s radical alt-pop duo Magnificence Sleep — aka producer/songwriters Cheylene Murphy and Ryan McGroarty — return this fall with their expansive new single “Ship It Out To Sea.” The monitor arrives simply forward of the pair’s extremely anticipated sophomore album “The Complete Rattling Cake,” out October 17 through Alcopop! Data.
Written throughout a highway journey from Malin Head to Mizen Head, the tune was sparked by lengthy days staring out on the roaring Atlantic. Carried by lush synths, hazy guitars, and a pulse of dreamy melancholy, “Ship It Out To Sea” captures the unusual magic of spilling your secrets and techniques to the waves — directly cathartic and humbling.
“There’s sure experiences I don’t suppose I’ve ever processed, however the waves, the ocean, the horizon coax them out of me,” Murphy mentioned. “This tune is about that feeling.”
The only is accompanied by a cinematic video filmed with pals at Kinnego Bay in Donegal, near Inishowen the place each Murphy and McGroarty’s households hail from.
“The Complete Rattling Cake” marks a brand new chapter for Magnificence Sleep. Recorded nearly solely in their very own custom-built studio, “The Dream Manufacturing unit,” the album finds the duo stepping totally into their roles as each producers and songwriters. With just a few visitor contributions — together with drums from Ross Bickerstaff — the file displays a maximalist method: playful, emotional, and overflowing with invention.
Since their debut “Be Variety” (2019) — shortlisted for the Northern Irish Music Prize — Magnificence Sleep have earned over one million streams, performed festivals from SXSW to Different Voices, and picked up assist from BBC Radio 1, BBC 6Music, RTÉ 2FM, and tastemakers like Conflict and Sizzling Press. Current singles “BIG + BAD” and “Massive Sky” have solely stoked anticipation additional.
To have fun the album, Magnificence Sleep will hit the highway for a UK headline tour in November, together with a launch present at Belfast Empire on November 20. Tickets are on sale now.
With “The Complete Rattling Cake,” Magnificence Sleep are serving up their largest, boldest imaginative and prescient but — equal components dizzying synth-pop, indie-rock catharsis, and pure emotional launch.
Stream “Ship It Out To Sea”: https://bfan.hyperlink/send-it-out-to-sea
Pre-save “The Complete Rattling Cake”: https://ilovealcopop.co.uk/collections/beauty-sleep
Rising emo torchbearers Bicycle Inn make their long-awaited return with “Longsword (4th Place),” out now on all streaming platforms. The only marks the Boston quintet’s first new music since their acclaimed 2022 EP “Baldr the Lovely is Lifeless, is Lifeless” and alerts the start of an formidable new period.
Fashioned in 2016, Bicycle Inn has constructed a status for weaving heat melancholy with a contemporary spin on conventional emo. The band — Declan Moloney (bass), Noah Aguiar (guitar/vocals), Dylan Ilkowitz (guitar/aux vocals), Gilmar Perez (lead guitar), and Josh Giaquinto (drums) — recorded “Longsword” as a five-piece for the primary time. With Ilkowitz rejoining and Perez and Giaquinto making their studio debut, the result’s the band’s fullest and most dynamic sound to this point.
Thematically, the tune dives into the exhaustion of monotony. “‘Longsword’ is concerning the wrestle of mundanity; doing simply sufficient, scraping by and ‘making the minimize,’” The band defined. “It embodies the second of realization by which it’s not sustainable to maintain doing what you’re doing, as a result of it’s actively disintegrating you. You’ve gotten turn into this ‘Saint of the Rut;’ an ideal illustration of stagnancy.”
Visitor vocals from Ryan O’Rourke (Innerlove.) additionally heighten the monitor’s emotional weight, including new dimension to the band’s already textured sound.
Recorded throughout two periods in 2023 and 2024 with Gary Cioni (Soundacres Studio), the one bridges the heavier sonics explored on “Baldr” with forward-looking momentum that hints at what’s to come back.
Identified for uncooked and resonant performances, Bicycle Inn have shared levels with Mike Kinsella (Owen), Crime in Stereo, The World Is a Lovely Place & I Am No Longer Afraid to Die, The Obsessives, Ben Quad, Taking Meds, and extra — cementing themselves as a reputation to observe inside the emo and indie underground.
Stream “Longsword (4th Place)”: https://open.spotify.com/monitor/6R0G3pOZjcWd0Z5XmzN485
Alt-pop rising star Pip Lewis returns with “Naomi (Stripped),” a lush, orchestral reimagining of one of many standout tracks from her debut album “Rising Pains” (out now through Enci Data). The only marks the primary installment in a brand new sequence of stripped-down variations of album tracks, with extra reinterpretations set to reach within the coming months.
“The reimagined model of Naomi flaunts a really cinematic tackle the unique tune,” Pip mentioned. “The narrative was very dramatic within the authentic—a narrative of a jilted lover, a cautionary story—however the orchestral model takes the drama to new heights. After listening to the unique for thus lengthy in the course of the manufacturing course of, this new model advanced into one thing solely distinctive and thrilling. It was so refreshing and rewarding to work on this monitor.”
Launched earlier this yr, “Rising Pains” launched Pip as a fearless songwriter whose mix of shimmering synths, putting honesty, and simple melodic hooks earned early acclaim. Framing the venture as a “sonic autobiography,” Pip traced themes of affection, loss, and self-discovery with refreshing vulnerability. Songs like “When It Comes To You” showcased her potential to remodel uncooked feelings into immersive pop soundscapes, whereas “Naomi” emerged as one of many file’s strongest and dramatic moments — making it the proper place to begin for her Stripped sequence.
With extra reimagined variations of “Rising Pains” tracks on the horizon, Pip continues to develop the world of her debut, providing followers contemporary views on the songs that launched her. Every “Stripped” launch pulls again the layers to highlight the intimacy and flexibility on the coronary heart of her artistry.
Whether or not in its synth-laden authentic kind or these cinematic reinterpretations, Pip Lewis proves she’s a necessary new voice shaping the way forward for alt-pop.
Stream “Naomi (Stripped)”: https://onerpm.hyperlink/naomistripped
