On Friday, International Style Collective (GFC) returned to The Glasshouse with one other slate of exhibits, this time spotlighting designers who blur the traces between artwork, youth tradition, and couture. The collections leaned closely into fantasy and id, with runways that felt like immersive tales as a lot as trend showcases. From playful childhood references to Cubist abstraction, the day highlighted how creativeness and individuality proceed to drive GFC’s presence at New York Style Week.
SHOW ONE — Wenny Han
Wenny Han, a younger designer with roots in China and North America, staged a solo International Style Collective present on Friday that fused effective artwork with trend. Her newest assortment drew from Cubist abstraction, with fragmented silhouettes, sheer organza layers, and architectural contrasts. Recognized for translating themes of reminiscence and id into wearable kinds, Han’s work balanced delicacy with daring inventive imaginative and prescient.
SHOW TWO — Alex S. Yu / Ruikodou / NOLO / Eduardo Ramos
Alex S. Yu
Alex S. Yu, who hails from Taipei, Taiwan, and based mostly partly in Vancouver, Canada, builds in depth although playful wardrobes for the younger and the younger at coronary heart. In his youngsters and early teenagers line, yesterday’s present provided appears to be like with a lot of plaids and tulle, tennis sneakers with understated shine, and splashes of holographic / chromatic-esque aptitude. The grownup line carried ahead his youthful DNA however made it extra editorial: geometric sample mixes, ruffles, daring shade moments with a dominant palette of blues and greens. It felt like on a regular basis kidwear assembly fantasy runway.
Ruikodou
From Japan, Ruikodou introduced deeply conceptual items: multi-dimensional clothes that unzip or shift, costumes and semi-costumes that reference ballerina grace, vacation pageantry, animals reminiscent of ladybugs and fish, and even objects like haunted homes and racecars. The gathering felt like strolling via an imaginative theater set, the place garments are modifiers of character, motion, and narrative.
NOLO
NOLO, rooted in Mexico, introduced trend for youths and youths that leans edgy and experimental. The gathering blended avenue type with psychedelic inspirations: daring shapes, asymmetries, textured supplies together with rope-like or grass-like materials, contrasted with smoother synthetics and playful colours. Some items felt like mannequin off-duty statements, others extra surreal. The general impact was considered one of pushing on the boundaries of what youth trend may be.
Eduardo Ramos
Eduardo Ramos is a Mexican-Canadian designer whose runway work typically fuses sharp tailoring with ornamental opulence. On this newest assortment, his items included sequined or jeweled lace face masks, crisp collars, ethereal tops paired with extra grounded bottoms. The fashions moved with a fragile, doll-like poise, giving the present a way of class assembly artistry, construction assembly decoration.
Taken collectively, these exhibits beneath the International Style Collective banner made it clear: trend is more and more about imaginative and prescient, not simply product. Designers are constructing worlds — id, fantasy, youth, texture are all vital parts. And since GFC is putting these voices on main runways, the messages aren’t whispering within the margins — they’re middle stage.
