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Home»Arts & Entertainment»The day Steffan Cummins stop his dream job – and acquired his spark again
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The day Steffan Cummins stop his dream job – and acquired his spark again

Buzzin DailyBy Buzzin DailyAugust 11, 2025No Comments6 Mins Read
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The day Steffan Cummins stop his dream job – and acquired his spark again
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What occurs whenever you lastly land the function you’ve been chasing for a decade, solely to understand it’s not what you imagined?

At simply 18, Steffan Cummins set his sights on changing into a inventive director at Wolff Olins. Ten years later, he acquired there.

The company’s daring, unconventional work and world repute had impressed him as a youngster; the BBC and Decathlon rebrands would turn into career-defining tasks. On paper, it was the top: status, affect, and a spot on the high of the inventive league.

However in actuality, the upper he climbed, the extra he moved away from doing what he liked. Sound acquainted? As an alternative of doing the precise work, his days have been stuffed with conferences relatively than the completely satisfied act of making. The title he’d fought so onerous to succeed in had come at a price, and he wasn’t comfy with the state of affairs.

“I could not fairly reconcile how the function of Inventive Director concerned so many conferences about creativity, and so little time to really be inventive,” he says. “If you do not have area to assume, time to wander and discover – how are you meant to do your greatest work?”

That love of constructing began early. “My dad was an engineer and my mum a nurse – from him, I inherited precision and a spotlight to element; from her, heat and compassion. In some ways, that is how I see design: constructing issues that join emotionally with individuals, with rigour and with care.”

His first obsession? Cell phones within the peak Nokia period. “I might choose up the free Carphone Warehouse catalogue each month, analyse each handset and sketch my very own designs. No limits. Simply cool shapes and hues. That curiosity developed into web sites and logos… after which, in 2007, when the London 2012 Olympic branding was unveiled, one thing clicked. My curiosity grew to become a dream.”

By the point the Video games arrived, the aim was set. “I stated to my dad throughout that point, ‘At some point, I will be a Inventive Director at Wolff Olins’. Ten years later, I might accomplished it.”

















The trail there seemed good: Cardiff diploma, London internships, junior designer at Shifting Manufacturers, senior, then Wolff Olins. However success on paper did not assure satisfaction.

“Quietly, I began questioning: is that this actually it? I caught myself giving ‘route’ with out pondering it by means of, simply to maintain issues transferring. That did not sit proper. I wasn’t happy with that model of myself.”

Different senior roles did not attraction both. “It was like altering the emblem on the door, not the job itself. And truthfully, I could not consider a greater place than Wolff Olins. So I needed to ask: will this repair something, or delay the reality a bit longer?”

Then got here the tipping level. “One Sunday, I had a basic ‘fuck it – if not now, when?’ second. I made a decision I might stop on Monday. No plan. No subsequent gig. Only a perception that I might determine it out.”

In a single day, he went from main groups to doing each job himself by means of his new studio, Misplaced Property. “It was a shock to the system. I used to be rusty. Slower than I was. And doing the sort of grunt work I hadn’t touched in years. My ego wasn’t thrilled. However this unusual mixture of seasoned perspective and newbie’s vitality was highly effective. There’s one thing fairly particular about naivety and experience co-existing.”

















It is also been a rollercoaster. “Most weeks go one thing like: Monday: ‘What the hell am I doing?’ Tuesday: ‘I am a horrible designer.’ Thursday: ‘That is sick. I am onto one thing.’ I’ve realized that cycle is not one thing to repair – it is simply the price of caring.”

The shift introduced a loneliness he hadn’t anticipated. “I liked constructing group tradition. I feel I am a great chief. I get pleasure from listening, understanding what makes somebody tick, and serving to them really feel unstoppable. I miss it. Now, I spend most of my workday alone — nicely, with Mia, my sausage canine. With out that vitality, you are caught with your individual internal saboteur for too lengthy.”

However the trade-off has been value it. “This previous 12 months, I’ve felt that vitality return. I am excited once more. I really feel concepts forming on a regular basis – on walks, within the bathe, mid-conversation. My thoughts is wandering in the very best method. And now that I’ve discovered that rhythm once more, I am going to do something to guard it.”

For creatives chasing status however feeling disconnected from their work, Steffan says the early indicators are value listening to. “Be open to the quiet indicators that one thing is not fairly proper. That itch, that low-level dissatisfaction – it is value listening to. Overlook the title, the status, the wage. Ask: How do I need to spend my days? What sort of work do I need to make? What sort of life do I need to construct?”









He believes the trade nonetheless has a slim view of what a “success” seems to be like, career-wise. “We place a lot worth on titles and linear progress. But not everybody thrives in the identical setup. There are such a lot of legitimate paths by means of this trade. We must always have fun the totally different shapes inventive careers can take.”

His personal thought of success shifted after dropping his dad to most cancers. “It flipped all the pieces. All of the sudden, the issues I might been chasing felt hole. Now, success is freedom. It is management over my time. It is realizing I am rising – creatively, personally – and serving to others do the identical.”

As for Misplaced Property’s future? “It is unfolding. This primary 12 months has been about going deep, making, assembly individuals, and constructing a physique of labor that displays the sort of studio I need to construct. At some point, I might like to have a group. However I need to do it with intention. I need to be in it. Getting my palms soiled. Making cool shit collectively.”

When you’ve ever puzzled what would occur in case you stepped off the ladder, Steffan’s story is proof that the reply won’t be a fall, however a leap.





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