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Home»Culture»Ricky Bravo, Ben Turner, Marla Kether, Erin Lunsford, Apollo Brown… – OutLoud! Tradition
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Ricky Bravo, Ben Turner, Marla Kether, Erin Lunsford, Apollo Brown… – OutLoud! Tradition

Buzzin DailyBy Buzzin DailyJuly 20, 2025No Comments9 Mins Read
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Ricky Bravo, Ben Turner, Marla Kether, Erin Lunsford, Apollo Brown… – OutLoud! Tradition
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DIY hip-hop visionary Ricky Bravo has launched his new music video for “I’M LEAVING YOU,” out as we speak! The black-and-white visible directed by KreativeFilms sees the rapper on the piano getting weak – explaining that he should select his profession over romance. The observe was finished in collaboration with Billboard producer Jcabz (Lil Macks, Actual Boston Richey, Yung Mal) and is at the moment featured on Apple Music’s ‘The New New York’ editorial playlist.

On the again of his highly effective debut album A Breath of Gentle which dropped  in April this yr, Ben Turner is gearing as much as launch the report’s second single Beginning to See, together with a dwell video, on July 4th.  Followers of Bruce Springsteen, Ben Howard and Gregory Alan Isakov are in for a deal with.

A easy track of hope and new beginnings.

Written with a cautious optimism in early 2022, the track displays the sensation of the submit COVID period. Its imagery of springtime transitioning to summer season gently brings house the track’s message that life, irrespective of how modified and unfamiliar, does certainly go on.

This theme resonates powerfully within the lyrics:  

“Shake off the feathers and bones, of the years that by no means got here” 

In regards to the writing of the track, Ben says, “I’ve a handful of songs which have fallen into my lap, and this one  confirmed up on a good looking March morning at a good friend’s kitchen desk. The ultimate model got here a yr later, and  the one purpose it took so lengthy is as a result of I attempted too onerous to make it one thing it wasn’t. What you hear on  the report is way nearer to the way it got here to me first. Typically you simply need to submit!”

Recorded over the course of simply 4 days, A Breath of Gentle is a mammoth achievement, with Ben recording guitars, vocals, drums, piano, bass and double bass for ten tracks himself. Due to the professional  steering of engineer Brendan Carthy, this frantic window of creativity was rigorously captured, with closing  observe Beginning to See being the proper exhale after this journey.

After over 9 years of unwavering dedication to unearthing, discovering and supporting new music, Someplace Soul has doubtless turn out to be one of the vital voices inside the underground music panorama as we speak. By way of founder Josh Mason-Quinn’s dedication to platforming the best expertise inside the realms of Soul, Jazz and digital music, he has amassed a very spectacular following of over 1 million music followers, and subsequently a well-deserved repute as an vital tastemaker and advocate for artists. This standing is now compounded and elevated skywards with a double vinyl compilation ‘Rituals- Quantity 1’, which options twenty brand-new tracks from luminaries of the scene, together with Allysha Pleasure, Marla Kether, Finn Rees, Chip Wickham, Emantative, Amanda Whiting, Blue Lab Beats, Matt Wilde & extra.

Award-winning singer/songwriter Erin Lunsford oknown for her expressive voice—in comparison with the likes of Chris Stapleton, Eva Cassidy, and Susan Tedeschi— has shared the music video “Watch Out For Deer.”

The homesick Appalachian love track that captures the bittersweet ache of leaving house and the quiet tenderness of Southern goodbyes.

Commercial. Scroll to proceed studying.

“As soon as I noticed there isn’t a desk for me to sit down at, I made a decision I’d need to construct my very own.” That quote from monetary powerhouse Suneera Madhani didn’t simply resonate with Detroit’s Bronze Nazareth. It lit a fireplace. After studying it in an interview, he printed it out and pinned it to the wall of his studio. That line grew to become the seed for “Lemon Glue,” a blistering head-nodder produced by the long-lasting Apollo Brown and the primary single from the upcoming album Funeral For A Dream, out July 25, 2025.
Apollo delivers thunderous, soul-splitting drums beneath a haunting loop that sounds prefer it was lifted straight from the attic of a long-abandoned bando. It’s basic Apollo. Dusty, cinematic, uncooked, refined. The beat alone hits like each door ever closed on a dreamer.
Bronzeman meets it with a few of his sharpest verses to this point, mixing poetry with lived expertise. “Confirmed them how the quilt was sewn, no seat on the desk for me, so I constructed a throne,” he spits, turning a lifetime of silence into one thing everlasting. Brooklyn’s Eddie Kaine enters the third verse with precision. Centered. Measured. Unshakable. He provides simply the correct quantity of edge to the observe’s message of earned success.
“Lemon Glue” is temper music for those who constructed from nothing. No shortcuts, no applause. Simply work. And now, it’s time to benefit from the win. Floating in an inside tube on the lakehouse, Lemon Glue pressure in hand, whereas the remainder of the world takes discover.
The Filth is house.
Lemon Glue is out now

 fanclubwallet, the indie-pop songwriting mission of Hannah Choose, releases a brand new single and video, “Cotton Mouth,” out as we speak by way of Lauren Data.

WATCH: https://www.youtube.com/watch?v=OiE477j9OV8 

“Cotton Mouth” is iridescent, glowing with minimal however driving rhythm guitar and effervescent synths, gentle and frothy like a glass of champagne. Written throughout a time when Choose was sick, “Cotton Mouth” displays on the burden of exterior strain – making an attempt to dwell as much as expectations she wasn’t positive she might meet.

The observe started with a free, off-kilter bassline from Choose and a guitar lead from co-writer Michael Watson, who additionally performs drums and handles manufacturing for the band. The tip result’s a bittersweet juxtaposition of upbeat, virtually saccharine instrumentation and weak lyrics unpacking Choose’s perceived shortcomings. “These had been higher instances,” Choose sings, “However had been they higher in any respect?”

Athens, Greece-based American composer and multi-instrumentalist John Additionally Bennett shares “Ston Elaióna,” the second preview from his forthcoming albumΣτoν Eλαιώνα / Ston Elaióna, out July 25 by way of Shelter Press. The album’s title observe and opener “Ston Elaióna” is however one key to unlocking the report’s multilayered worlds: swells of intertwining bass flute, oscillators, and Yamaha DX7ii channel emotions of playful contentment felt by Bennett whereas in his house, reflecting quiet moments spent among the many historical hills of the noisy metropolis that he now calls house.

Initially rising in the course of the mid 2000s as a part of Columbus, Ohio’s music scene, earlier than relocating to NYC round 2010, Bennett’s numerous actions picked up an rising sense of tempo over the next decade – performing and recording as a solo artist, with the digital band Forma and with CV & JAB, his prolific duo along with his accomplice Christina Vantzou, in addition to enjoying in Jon Gibson’s ensemble amongst many different multifaceted collaborations. Nonetheless, since 2020 the flautist and electroacoustic composer has existed in a semi nomadic state: drifting between Brooklyn, Brussels, intensive excursions, and Greece, the place he lastly got here to relaxation in Athens final yr. 

Drawing upon a rigorously honed attentiveness to the environments and experiences of on a regular basis life, Ston Elaióna is a collection of 9 items (with an extra observe unique to bodily codecs), lots of them composed and performed dwell because the early morning solar touched the Parthenon, in full view from Bennett’s studio window. Bennett’s refinement and restraint, honed over his years adrift, led him to undertake a restricted palette centered on his main instrument, the bass flute, and a Yamaha DX7ii synthesizer tuned to only intonation scales. Alongside a handful of different keyboards, digital oscillators triggered by his flute, and occasional discipline recordings, this easy palette is mirrored by the deeply emotive sense of minimalism that permeates the album’s two sides.

We Comprise Multitudes, the brand new heavy psych-rock instrumental trio consisting of ex-Bitch Magnet members Jon Nice (guitar, keyboards) and Orestes Morfín (drums) with Simon Kobayashi (bass), share their debut album, Minako, by way of Knowledgeable Work Data. The album was recorded by Abe Seiferth (Automotive Seat Headrest, Nation Of Language) and produced by Seiferth and the band.

“What we liked most about making this album was that just about nobody knew about it whereas we had been doing it. Nobody knew about our band, and so we did it in a form of absolute secrecy, and with no expectations from anybody as to what it will in the end be. 

It gave us such a way of freedom. Which might be why the primary track—the title observe—is 16 minutes lengthy. It’s the track’s fault! It demanded to be that lengthy! There was no means we might inform the track ‘no.’” –Jon Nice

Minako, pronounced mih-NAH-ko, is a Japanese title which means ‘stunning youngster.’ The album is not less than partly named for the city-pop vocalist Minako Yoshida – Simon, whose father is Japanese, got here up with it. At instances, Minako goes far deeper into psychedelic, repetitive, and minimalist/maximalist realms than something their prior bands have finished, nodding to bands like Pelican, King Crimson, late-era Black Flag, Explosions within the Sky, and The Fucking Champs. Minako is offered on vinyl as a restricted urgent of 300 copies, with a really restricted version of fifty copies on orange vinyl. It’s a double album whose music is unfold over three sides.

Sydney Sprague will launch her new album, ‘Peak Expertise’, on September 26. With this announcement, comes the discharge of a brand new track known as “Flat Circle” out now. The only is a meditation on the burden of alternative and the haunting pull of risk. Fueled by swirling existential questions, the track wrestles with the concept of alternate realities.

“Flat Circle” is about what if’s, and questioning if I might rewind my life and make completely different selections if it will change something,” explains Sydney on the track’s lyrics. “Would it not be higher or worse than it’s now? What parallel universe variations of me exist and are they happier? Did they do a greater job at dwelling? Does that even matter? Is it attainable to create my very own actuality, or am I trapped in an infinite cycle of trigger and impact past my management? This track is all questions and no solutions!”

Commercial. Scroll to proceed studying.

As a part of Gibson, the long-lasting world instrument model’s artist-first tradition, the Gibson Artist Highlight program elevates new music from rising musicians all over the world and highlights an evolving roster of musicians who’re celebrated throughout Gibson’s world and worldwide channels.

Gibson is thrilled to announce the Brighton energy pop duo ARXX has joined Gibson’s Artist Highlight program.

ARXX—Hanni (guitar and vocals) and Clara (drums and percussion)–burst onto the scene with their debut EP, Daughters of Daughters (2018), adopted by the Mistaken Lady, Honey EP (2019), capturing consideration with their fierce lyrics and relentless instrumentals. The band’s music is characterised by its pulsating rhythms and empowering vocals that problem societal norms and rejoice individuality.

Prior to now two years, they’ve launched two albums and performed over 100 exhibits, together with supporting YUNGBLUD, Fletcher, and MUNA, all whereas spreading their message of queer pleasure and inclusion. They’ve additionally had their first style of writing music for the display screen, with unique songs from the band showing throughout the BBC collection Riot Girls in 2025.

Take heed to music from ARRX HERE.

  • E mail: neill@outloudculture.com
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