As one other Independence Day comes and goes, and our nation is more and more compromised, we lean ever additional into our collective dedication to artwork and the artistic braveness it delivers all through the season. This July, the bounty of exhibitions in Upstate New York features a solo present of summary work by Philip Gebhardt and spiritually infused works by the late Gerard Wagner, each in Hudson. Among the many dynamic group reveals on view, Ligenza Moore Gallery presents mixed-media works by 15 artists and Carrie Haddad Gallery options six artists who extol the season in The Summer season Present. The myths and muses of historical past inhabit the luxurious work of Dana Sherwood at Geary in Millerton, whereas Ethan Cohen Gallery in Beacon celebrates the work of Chinese language girls artists who discover themes of feminine company of their work. With the power of midsummer as our springboard, allow us to have fun inventive vibrancy with decided dignity!
Philip Gebhardt: Past Type
Time and House Restricted, 434 Columbia Avenue, Hudson, New York
By way of July 27
Many modern artists regard summary expressionism as an open-ended motion with probably the most outrageous potentialities for realization right now, and Philip Gebhardt is a diehard amongst them. His solo present Past Type is simply that — past kind, time, even past abstraction itself, although sustaining a verve for all of it the identical. With passionate titles resembling “Maintain Me” (2022) and “A Grasp and A Gaze” (2024), Gebhardt pulls us into his cubist-style figurative scenes and wildly expressive landscapes. “Tangled” (2024) is harking back to our bodies mixed in gleefully in mattress, whereas “The Mending II” (2024) displays the superbly chaotic and richly hued realms of the artist’s fluid fancies.
Vacation spot Earth
Ligenza Moore Gallery, 78 Trout Brook Highway, Chilly Spring, New York
By way of July 27

In a flurry of dynamic group exhibitions, Vacation spot Earth is a buoyant illustration of regional expertise. That includes 15 artists exploring “what it means to exist on this current second,” as acknowledged by the gallery. Works resembling Katherine Bradford’s “Couple Swimmers” (2025) characteristic two faceless figures wading into water collectively in opposition to a darkish sky, suggesting an evening swim. “Jimena with Iguana” (2014) by Garry Nichols is a lavish portray of a lady sitting peacefully with the stoic inexperienced creature in her lap, a peaceful second of present within the now. A 1992 quasi-surrealist collage by Judy Pfaff has an anatomical edge, whereas Greg Slick’s “The Lives of Others #4” (2019) seems to have been carved, although it’s truly an summary acrylic portray. Sculptures by Tony Moore and Cal Lane discover notions of reminiscence and place, and “The Thousand-Eyed Current (from Ralph Waldo Emerson)” (2025) by Meg Hitchcock is a delightfully muscular construction that seems to fold outward in a managed riot of three-dimensional shade.
Deal with:Earth – WaterStory
Convey/Er/Or, 299 Fundamental Avenue, Poughkeepsie, New York
By way of July 27

This month, venues throughout the Hudson Valley are internet hosting eight completely different exhibitions in collaboration with Inspiration Artwork Group Worldwide, with every present representing a artistic embodiment of a pure ecosystem. Deal with:Earth – Water Story at Convey/Er/Or presents a poignant set up by Bibiana Huang Matheis and Mimi Czajka Graminski, who collectively deal with the fragility of our oceans. The artists fitted the entrance window of the gallery with single-use plastic containers, successfully filling the area with an idiosyncratic, visually pleasing contraption constructed from trash. Contained in the gallery, a dangling cloth sculpture calls to thoughts a vibrant jellyfish whereas translucent cloth strips dangle from the ceiling, giving the impression of a teeming seascape. Wrapping across the partitions are black and white photos of human arteries, ocean waves, and glacial formations — stark visions of pure fluids as currents of energy and risk.
The Summer season Present
Carrie Haddad Gallery, 622 Warren Avenue, Hudson, New York
By way of July 27

With a celebratory spirit because the baseline for this six-person exhibition, The Summer season Present is an enthralling complement to the festive month of July. A number of beautiful, glistening work by Samantha French seize sanguine swimmers in brilliantly blue water, together with “Summer season Solstice” and “Bon Vivants” (each 2024). “Time Traveler Warmth Wave” (2025) by Clark Derbes is a playful geometric-patterned sculpture product of polychrome sugar-maple, and Margaret G. Nonetheless’s “Inexperienced Gasoline Station” (2025) is a dreamy imaginative and prescient of what could possibly be a pit cease on a summer time street journey, whereas Andrea Moreau’s “Poland (Glider)” (2023) depicts a frosty panorama of white mountains, the utter antithesis of this steamy season.
By way of Shade to Type
Lightforms Artwork Heart, 743 Columbia Avenue, Hudson, New York
By way of July 31

The late Gerard Wagner was a German-born English painter deeply influenced by Rudolf Steiner, an Austrian thinker and social reformer who was a mentor to Hilma af Klint, amongst different notable artists of her technology. Curated by Sampsa Pirtola and introduced in collaboration with Rudolf Steiner Library and the artist’s basis, By way of Shade to Type gathers over 30 sensual work by Wagner that vibrate with a metaphysical brilliance. In “Vorhan (Curtain)” (1966), we encounter a small determine holding an arched rainbow in the course of a purple-and-blue panorama as a reddish-orange, double-faced determine seems to be down whereas beaming rays penetrate the attractive and unusual scene, altogether a mirrored image of his exploration of non secular forces by way of artwork. The therapeutic and melting rainbow motif continues in different works, whereas “Der Tote (The Useless)” (1978) and its lone face in an summary floating realm are a swish reminder of destiny.
What She Builds, She Should Destroy
Distortion Society, 155 Fundamental Avenue, Beacon, New York
By way of August 10

Within the opening traces of the Iliad, Homer invokes the female with the phrases “Rage—Goddess, sing the craze,” and thus begins his thundering epic. Infused with a way of Homerian rage, What She Builds, She Should Destroy at Distortion Society highlights a sequence of sturdy crimson-hued work by gallery director Michelle Silver. This solo present of her latest work wrangles ideas of motherhood, female energy, and pleasure as mirrored in these muscular works that appear to battle with themselves. With “The Unraveling” (2025) as a main instance, a swirl of fiery crimson gestures harmonizes in a metaphorical ecstatic dance, every painterly rhythm morphing into the subsequent. In “Holding Sample” (2025), we see the painter herself — pregnant, leaning ahead, and returning our gaze — immersed in quasi-Impressionist environs, whereas “The Dancer” (2024) throws us additional right into a fantastically chaotic disarray of pure summary frenzy.
Dana Sherwood: Backyard of the Sphinx
Geary, 34 Fundamental Avenue, Millerton, New York
By way of August 10

Impressed by myths and muses of historical past and using the Sphinx as her symbolic focus, Dana Sherwood’s exploration of traditional iconography is pure rapture. With latest work and glazed porcelain works, her solo present pays homage to eminent figures, together with Persephone and Alice in Wonderland, amongst different literary heroines. “Moons of Medusa” (2025) is a luscious re-imagining of the wrathful gorgon in glowing porcelain. With “Contained in the Stomach of the Fawn (odalisque)” (2025), we encounter a up to date model of Ingres’s well-known sitter, this time surrounded by candy treats and lovingly nestled beside a fawn who steps fastidiously amongst snails in a pastoral surroundings. “Contained in the Stomach of the Horse (lagoon with pomegranates)” (2025) continues the theme of femme magnificence in a rarified world, the place one lady straddles a horse and one other rests inside its physique whereas your complete poetic panorama is lush with fruits, muffins, pomegranates, and wonderful white birch bushes.
Half the Sky
Ethan Cohen Gallery on the KuBe Artwork Heart, 20 Kent Avenue, Beacon, New York
By way of August 30

Throughout his reign over China, Mao Zedong declared that “girls maintain up half the sky,” a press release that successfully impressed a girls’s revolution. Half the Sky celebrates the facility of 11 visionary Chinese language girls artists and is devoted to Joan Lebold Cohen, a critic, scholar, and pioneer within the subject of latest Chinese language artwork. This dynamic present features a sequence of daring visions of Hindu and Tibetan Buddhist goddesses constructed from cloth by Guo Zhen, in addition to Lin Tianmiao’s “Certain/Unbound (bicycle)” (1996) embodying her apply of wrapping on a regular basis objects in thread. In the meantime, Cui Fei’s “Tracing the Origin” (2006) is a fragile orchestration of twigs to resemble calligraphy and Shen Ling’s pop-inflected “Sunflower Lady” (2005) depicts two assured girls having fun with beer, cigarettes, and sitting with out underwear as a person behind them casually reads a ebook, all of them set in opposition to a dramatic yellow wall.
Within the Secret Distance
Gravestone Gallery, 28 Hurley Avenue, Kingston, New York
By way of August 31

Documenting her life as a mom and a farmer, Olivia Bee makes use of pictures to seize moments of human bliss and the poetic transience of the pure world. Her solo present Within the Secret Distance facilities latest pictures that radiate with otherworldly sensitivity and ease. The artist at the moment stewards 60 acres of farmland along with her husband and daughter within the Umpqua Valley of Western Oregon, a spot that options prominently in her work. In “Northern Lights” (2024), a unadorned lady turns her head towards a blazing pink and purple night time sky, whereas in “Fescue in Could” (2023), a lady stands in an expansive subject as she faces the brilliance of a rising solar. “White Rainbow” (2023) captures the essence of Bee’s affinity for the land, portraying a chalky glowing arc over a pastoral panorama.
All of the Mild and Shadow
Manitoga / The Russel Wright Design Heart, 584 NY-9D, Garrison, New York
By way of September 7

With a deal with native and sustainable supplies because the core of their apply, All of the Mild and Shadow at Manitoga / The Russel Wright Design Heart presents the work of eight artists who discover the interaction between performance and artwork. Curated by Alyson Baker, this refined present of rarified objects is seamlessly built-in into the home environs of the historic Manitoga dwelling. “Broom examine 1-4” (2025) by Erin Rouse contains 4 brooms suspended from good-looking black hooks, their steadfast presence defying their in any other case meant use. Zach Hadlock’s “20 raku fired vessels” (2023–2024), product of stoneware, is a coordinated imaginative and prescient of bulbous magnificence, whereas Jonathan Kline’s “Massive Wrapped Grid” (2024) consists of painted black ash that hums with an aura of geometric perfection. The swish vitality of this present is wholly embodied by Alexandra Kohl’s “Little Horse” (2025), a tiny creature tucked into the comfortable scene and a delight to behold.