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Home»Culture»Hearken to By no means-Earlier than-Heard Works by Erik Satie, Carried out 100 Years After His Dying
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Hearken to By no means-Earlier than-Heard Works by Erik Satie, Carried out 100 Years After His Dying

Buzzin DailyBy Buzzin DailyJune 30, 2025No Comments3 Mins Read
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Hearken to By no means-Earlier than-Heard Works by Erik Satie, Carried out 100 Years After His Dying
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https://www.youtube.com/watch?v=playlist

If requested to call our favourite French com­pos­er of the late 9­teenth or ear­ly twen­ti­eth cen­tu­ry, most of us would attain straight for Erik Satie, with the ability to call to mind solely his most well-known items, the Gymnopédies and per­haps the Gnossi­ennes. We might not know that these works all date from the identical few years of his profession between the late eigh­teen-eight­ies and the ear­ly nineties. Additionally they rep­re­despatched solely a small por­tion certainly of his artis­tic out­put, which incorporates a substantial amount of instru­males­tal and vocal music in addition to com­po­si­tions for dra­mat­ic works, writ­ten between 1886 and his dying in 1925 — the com­ing hun­dredth anniver­sary of which is being cel­e­brat­ed with the report­ing of latest­ly dis­cov­ered items.

Because the Guardian’s Dalya Alberge writes, these “twen­ty-sev­en pre­vi­ous­ly unheard works by Erik Satie, from play­ful cabaret songs to min­i­mal­ist noc­turnes” have been “painstak­ing­ly pieced togeth­er from hun­dreds of small notice­books,” most of them writ­ten “within the bohemi­an bistros of Mont­martre in Paris the place Satie labored as a pianist.”

Their redis­cov­ery owes to the efforts of two com­posers, James Nye and Sato Mat­sui, who “tracked down the misplaced mate­r­i­al in var­i­ous archival col­lec­tions, includ­ing the Bib­lio­thèque Nationale de France.” They’ve now been report­ed by pianist Alexan­dre Tha­raud, and you’ll hear the consequence­ing album, Satie: Dis­cov­er­ies, in the Youtube playlist on the prime of the put up.


Well-known in his native France and else­the place, Tha­raud’s professional­fes­sion­al contain­ment with the work of his esteemed pre­de­ces­sor and coun­strive­man goes again to at the least 2009, when he orga­nized a Satie Day at Paris’ Cité de la Musique. That very same yr, he report­ed Satie’s 1915 com­po­si­tions Avant-dernières Pen­sées, or “Penul­ti­mate Ideas. As soon as dis­missed as minor, even by the com­poser’s enthu­si­asts, the Avant-dernières Pen­sées have since risen in sta­tus to turn into a few of his most frequently per­fashioned lat­er works. With the 27 quick items that con­sti­tute Dis­cov­er­ies, Tha­raud’s chal­lenge was­n’t to give you a recent rein­ter­pre­ta­tion, however the very first inter­pre­ta­tion any of us will ever have heard, leav­ing it to the subsequent cen­tu­ry of pianists to place their very own spins on them.

Relat­ed con­tent:

Watch Ani­mat­ed Scores of Eric Satie’s Most Well-known Items: “Gymno­pe­die No. 1” and “Gnossi­enne No. 1”

How Erik Satie’s ‘Fur­ni­ture Music’ Was Designed to Be Ignored and Paved the Means for Ambi­ent Music

Watch the 1917 Bal­let “Parade”: Cre­at­ed by Erik Satie, Pablo Picas­so & Jean Cocteau, It Professional­voked a Riot and Impressed the Phrase “Sur­re­al­ism”

The Vel­vet Underground’s John Cale Performs Erik Satie’s Vex­a­tions on I’ve Acquired a Secret (1963)

A Son­ic Intro­duc­tion to Avant-Garde Music: Stream 145 Min­utes of twentieth Cen­tu­ry Artwork Music, Includ­ing Mod­ernism, Futur­ism, Dadaism & Past

Based mostly in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His tasks embody the Sub­stack newslet­ter Books on Cities and the ebook The State­much less Metropolis: a Stroll via Twenty first-Cen­tu­ry Los Ange­les. Fol­low him on the social web­work for­mer­ly generally known as Twit­ter at @colinmarshall.



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