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- Manhattan prosecutor Matthew Bogdanos on the combat towards the worldwide commerce in stolen antiquities.
- A brand new present in Norway explores the “harsher realities” behind Edvard Munch’s well-known 1922 Freia frieze, which depicts cheerful scenes of employees having fun with nature.
- The British Council is closing workplaces in 9 international locations, together with Tanzania and Mozambique, as a cost-cutting measure.
The Headlines
LIFE’S A LOOT. Manhattan prosecutor Matthew Bogdanos, who witnessed mass looting in Baghdad in 2003, has been profiled within the FT about taking up the combat towards the worldwide commerce in stolen antiquities. He reveals how New York Metropolis’s Antiquities Trafficking Unit has recovered 1000’s of objects value lots of of thousands and thousands of {dollars}. The piece appears to be like at how provenance investigations have remodeled the artwork market, forcing museums and public sale homes to rethink how they purchase historic works, reigniting debates over restitution, possession, and whether or not aggressive repatriation efforts go too far.
BITTER CHOCOLATE. Edvard Munch’s well-known Freia frieze, painted in 1922 for a Norwegian chocolate manufacturing facility, is being seen in a extra essential mild, the Guardian reported. A brand new exhibition on the Munch Museum examines the hole between the cheerful scenes of employees having fun with nature and the harsher realities surrounding manufacturing facility labour, gender inequality, and the colonial historical past of cacao manufacturing. The present questions whether or not Munch’s public commissions celebrated employees or just created an interesting picture for trade.
The Digest
A serious retrospective on the Crocker Artwork Museum is bringing renewed consideration to Gladys Nilsson, the Chicago artist who helped outline the countercultural Bushy Who motion of the Sixties. [Vogue]
The British Council is closing workplaces in 9 international locations, together with Tanzania and Mozambique, because the UK cultural group cuts its international footprint to deal with monetary pressures. [The Independent]
London’s V&A has unveiled its 2027 exhibition programme, together with reveals spanning South Asian up to date artwork, textiles, punk music, and trend, because the museum continues to broaden its programming throughout design, standard tradition, and international histories. [The Art Newspaper]
The Guardian has delivered a sharply essential assessment of Whitechapel Gallery’s “Yard Biennial: East,” arguing that its try and discover east London identification, migration, and neighborhood is “muddled.” [Guardian]
The Kicker
HOLY SPACE JUNK. Overlook saints’ bones and historic relics… the brand new objects of devotion could be bits of fallen spacecraft if an exhibition titled “New Faith” on the Ngununggula artwork gallery in Australia is something to go by. The Australian wrote about the way it explores how artists are reshaping religion for a secular age; artists Claire Healy and Sean Cordeiro have turned SpaceX particles right into a modern-day shrine, whereas different artists have reimagined non secular imagery by way of the lens of sexuality, expertise, and popular culture.
