2026 Venice Biennale Nationwide Pavilions: See Each Nation’s Artist

Whereas Genti Korini’s work and sculptures could generally resemble the trendy type of figurations seen in business galleries throughout the globe, his work is rooted in heady concepts about Japanese Europe’s previous, current, and future. He’ll return to these concepts along with his Albanian Pavilion, titled “A Place within the Solar,” which is able to function items that draw on each Albanian historical past and Polish experimental theater traditions. Małgorzata Ludwisiak will curate.

You’ll need to watch your step at Matías Duville’s Argentine Pavilion, for the reason that whole flooring might be coated by a drawing made utilizing charcoal and salt. Such a gesture might not be precisely sudden for these accustomed to Duville, who typically works with burnt wooden to create pictures of scorched landscapes. His newest outing might be titled “Monitor Yin Yang” and might be curated by Josefina Barcia.

This 12 months’s Armenian Pavilion could supply the uncommon case the place considered one of its curators is healthier recognized than its artist consultant. That curator is Tony Shafrazi, who’s greatest referred to as a seller of the Eighties New York scene; he’ll co-organize the pavilion with Tina Shakarian. Collectively, they’re spotlighting artist Zadik Zadikian, who acted as an assistant to Richard Serra early in his profession and has since produced an array of summary sculptures, together with a monument to Armenian troopers killed within the 2020 warfare in Nagorno-Karabakh. On the Unbiased twentieth Century truthful this previous fall, Shafrazi, who had not participated in an artwork truthful since 2012, confirmed Pop-inflected work by Zadikian and a sculpture of gold bricks revisiting considered one of his items from the ’70s.

Already, no pavilion on the 2026 Biennale has confirmed extra controversial than Australia’s, which is being achieved by artist Khaled Sabsabi, who’s working in tandem with curator Michael Dagostino. Not lengthy after its preliminary announcement, in February 2025, Sabsabi’s pavilion was canceled by its organizer, Inventive Australia, which raised issues over prior works by the Lebanese-born artist, together with one which featured pictures of a Hezbollah chief. Inventive Australia stated that “a protracted and divisive debate” would pose a “danger” to the pavilion; Sabsabi and Dagostino stated they had been being censored. However the cancelation ended up itself scary a divisive debate that noticed Inventive Australia board members resign and open letters issued, and finally, 5 months later, Sabsabi was reinstated as Australia’s consultant. He and Dagostino stated the reinstatement supplied them with “a way of decision.”

Persevering with an emphasis on dance seen at Anna Jermolaewa’s 2024 pavilion, Austria’s 2026 pavilion might be given over to the choreographer Florentina Holzinger. Holzinger has shortly risen as probably the most in-demand choreographers worldwide for items which are typically sexually charged and generally powerful to look at. Sancta, her opera that includes nuns who roller-skated within the nude and a lesbian priest, was bitterly critiqued in her house nation upon its premiere in 2022, with non secular figures condemning her. When it traveled in 2024 to Germany, it raised controversy anew after viewers members complained of extreme nausea whereas watching a scene involving a piercing. Her challenge for the Biennale, titled Seaworld Venice, has the potential to be no extra nice.

Taking part for a second time within the Venice Biennale greater than a decade after its debut, The Bahamas has chosen each a dwelling artist and a lifeless one as its representatives. The pavilion will serve partly as a tribute to John Beadle, who died in 2024, abandoning an oeuvre that explores how traumatic histories of enslavement and colonialism linger on. His work might be proven alongside that of Lavar Munroe, whose work and installations discover how people are formed by native traditions. Artwork historian Krista Thompson will curate.

Belgium has chosen Miet Warlop, who is thought for her performances that mix the visible arts with theater, as its consultant for the 2026 Biennale. Supported by MORPHO in Antwerp and Kanal–Centre Pompidou in Brussels, her pavilion will take the title “IT NEVER SSST” and is to be curated by Caroline Dumalin. Warlop’s performances have been staged at S.M.A.Ok. in Ghent, the KW Institute for Up to date Artwork in Berlin, and the Palais de Tokyo in Paris, in addition to on the 2012 Baltic Triennale in Vilnius, Lithuania, and the 2024 Venice Worldwide Theatre Pageant.

In Portuguese, the phrase “Comigo ninguém pode” can act as a saying that interprets to “No one can beat me” or because the colloquial identify for a plant referred to as dumbcane. It lends its identify to this 12 months’s Brazilian Pavilion, which might be achieved by artists Rosana Paulino and Adriana Varejão, each of whom are well-known internationally—the previous for installations that attest to histories of enslavement that proceed to afflict the Afro-Brazilian neighborhood, the latter for lush work and installations that allude to violence extra obliquely. They’re set to work with Diane Lima, who lately organized the Panorama of Brazilian Artwork in São Paulo. Can the pavilion reside as much as its identify and win the Biennale’s prime honors? Time will inform.

In Canada, Abbas Akhavan has steadily racked up accolades, showing within the Toronto Biennial of Artwork, successful the Sobey Artwork Award for Canadian artists, and staging exhibits at well-regarded establishments. He’s set to obtain a brand new degree of fame within the nation he now calls house with this pavilion, which is able to proceed his fascination with how nationwide histories change into embedded in materials objects. Born in Tehran and now based mostly between Montreal and Berlin, Akhavan has progressively gained worldwide recognition as nicely. In 2026, Minneapolis’s Walker Artwork Middle will survey his work.

Norton Maza has saved his Chilean Pavilion, titled “Inter-Actuality,” cloaked in thriller. He has teased a large-scale work that may contain water and sound, describing the challenge as being akin to a “canal of life; you journey by way of totally different ranges of water and their intensities”—a becoming gesture for Venice. Marisa Caichiolo will arrange the set up.

Sculptor Marina Xenofontos will signify Cyprus at this Biennale, and she or he’s given her pavilion the plush identify of “It rests to the bones”—a poetic evocation of her curiosity in traditions of the previous that aren’t so lifeless in any case. Kyle Dancewicz, who previously confirmed Xenofontos’s work at SculptureCenter, the New York artwork house the place he’s deputy director, will arrange her pavilion.

Whereas in 2024 the Czech Republic and Slovakia mounted separate displays, they are going to, in 2026, stage a mixed pavilion entitled “The Silence of Mr. Mole.” Jakub Jansa and Selmeci Kocka Jusko (a duo composed of Alex Selmeci and Tomáš Kocka Jusko) will work collectively on the pavilion, whose titular protagonist “has was a mascot of cultural diplomacy, a licensed commodity, and a nostalgic fable, an emblem of stolen fantasy,” in response to the pavilion’s description. “Despatched to signify the Czech Republic and Slovak Republic as a diplomatically acceptable, politically impartial determine, the mole additionally embodies reproach, silence, and a confused identification.” Peter Sit, a curator who serves as artwork director of e-flux, will arrange their presentation.

Denmark has its youngest Venice Biennale consultant ever in Maja Malou Lyse, whose images, installations, sculptures, and extra think about how media consumptions shapes one’s needs. Her Danish Pavilion, although not detailed within the exhibition’s preliminary announcement, appears prone to observe on from previous works: “I’m prepared to offer the biennale some intercourse attraction,” the artist, who was born in 1993, stated in an announcement. A curator has not but been revealed for her pavilion.

Making its debut on the Venice Biennale, El Salvador might be represented by J. Oscar Molina, a Salvadoran American artist who was born within the nation. His pavilion, titled “Cartographies of the Displaced,” will function at the very least 15 works from his “Kids of the World,” which explores the idea of migration by way of rising splashes of colour. In Venice, every work might be exhibited alongside a QR code that hyperlinks out to a message from a member of a displaced neighborhood. Alejandra Cabezas, a Salvadoran poet and artwork historian, will curate his pavilion.

Inside Estonia, Merike Estna is well-known for her makes an attempt to broaden portray past the tried and true oil-on-canvas format. Whereas she has usually created abstractions that dangle on partitions, she has utilized craft strategies in sure works, prolonged motifs proven on her canvases by repeating them all through galleries, and added sculptural parts. Her pavilion will take the title “The Home of Leaking Sky” and be organized by Natalia Sielewicz, the chief curator of the Museum of Trendy Artwork in Warsaw. In line with a launch by the pavilion’s commissioner, the Estonian Centre for Up to date Artwork, Estna will rework the Patronato Salesiano Leone XIII into her studio for the whole thing of the Biennale’s run, throughout which era she create a monumental portray on-site by “progressively saturat[ing it] with color and type.”

Jenna Sutela, an artist recognized for boundary-pushing sculptures that make the most of organic matter, AI, and digital applied sciences, has been picked to do Finland’s pavilion for the 2026 Biennale. Whereas her pavilion hasn’t been detailed but, it’s probably that it is going to be one of many few in Venice that’s technically host to dwelling beings: micro organism and mildew have recurred in her work, which questions what it means to be human at this time. Stefanie Hessler, the director of New York’s Swiss Institute, will curate Sutela’s pavilion.

Yto Barrada, considered one of France’s most well-known dwelling artists, will signify her house nation in 2026. Barrada, who’s of Moroccan descent, makes sculptures, installations, and conceptual artworks pertaining to quite a lot of pursuits, from the ways in which concepts traverse the world to the means by which political actions are historicized. Her artwork is often spare in its aesthetic: a latest sculpture made for MoMA PS1’s open-air atrium options stacked cubes in shades of purple and blue, a reference, she has stated, to how Brutalism was reinterpreted in Morocco. Barrada’s work has appeared in the principle exhibitions of two Venice Biennales, although that is the primary time she is doing a nationwide pavilion. Myriam Ben Salah, director and chief curator of Chicago’s Renaissance Society, will organizer her pavilion.

In April 2025, the commissioner of the German Pavilion, ifa – Institut für Auslandsbeziehungen, introduced that its pavilion could be curated by Kathleen Reinhardt, director of the Georg Kolbe Museum in Berlin, the place she has organized acclaimed exhibits for Lin Could Saeed and Noa Eshkol. A month later, Reinhardt chosen Henrike Naumann and Sung Tieu as its consultant artists for the 2026 Biennale, who will develop site-specific works for the pavilion. Each artists are recognized for creating large-scale installations that take a look at varied political methods.

“With their conceptual and sculptural work, Sung Tieu and Henrike Naumann pose questions on historic accountability,” Reinhardt stated in an announcement. “They look at the position of particular person and collective company from the attitude of a younger technology that situates the main themes of the German Pavilion in a very totally different coordinate system.”

Lubaina Himid, the 2017 winner of the Turner Prize, will signify the Nice Britain this time round, making her the second Black lady ever to obtain the respect. A key determine of the British Black Arts Motion of the Eighties, she is thought for work and installations about Black liberation, typically with a particular concentrate on girls. Along with her artwork apply, she has additionally organized a string of key artwork exhibits within the UK centered round Black artists, particularly Black girls artists. No curator has been introduced for her pavilion but.

As has change into widespread on the Venice Biennale, Andreas Angelidakis’s Greek Pavilion might be a meditation on nationhood itself. Titled “Escape Rooms,” his pavilion will function an set up rooted in Plato’s Cave and allude to the Nazis’ rise to energy, focusing particularly on 1934, a pivotal 12 months within the social gathering’s ascent. (That 12 months, as Angelidakis identified in an outline for his exhibitions, was additionally when Greece and Austria opened their devoted Biennale pavilions.) However greater than merely gazing backward, Angelidakis can even chart how a fascination with illusions continues into the current. “Exchange Cave with Display screen,” he stated in an announcement, “and it’s each MAGA Variant staging Fascism in 2025.”

Hong Kong doesn’t have an official pavilion on the Biennale as a result of it isn’t acknowledged as a state in Italy, however it has staged a nationwide presentation as a collateral occasion since 2001. Throughout the making of its 2026 outing, Hong Kong modified issues up, dropping M+ as its longtime organizer and bringing on two artists as a substitute of 1. These artists are Angel Hui and Kingsley Ng, whose presentation, organized by the Hong Kong Museum of Artwork and the Hong Kong Arts Improvement Council, will concentrate on “the poetic rhythms of every day life,” in response to its description. A curator has not but been named.

Budapest-based artist Endre Koronczi will signify Hungary with a challenge titled Pneuma Cosmic, which is able to proceed his long-term research into “the motion of air” by way of “fictional analysis revealing the types of the cosmic breath that fills your entire world and manifests as air motion,” in response to a launch. Koronczi was chosen by way of an open-call course of administered by the pavilion’s commissioner, Julia Fabényi, the director of the Ludwig Museum in Budapest; Luca Cserhalmi will function the pavilion’s curator.

Many artists work in a number of mediums, however even by these requirements, Ásta Fanney Sigurðardóttir’s oeuvre is fairly various. Along with writing poems and making music, she has additionally produced what are generally described as experimental operas. Guiding a lot of her work is a fascination with phrases, which she typically tries to speak in ways in which exceed conventional types of writing and talking. Organized by unbiased curator Margrét Áskelsdóttir and artist Unnar Örn, Iceland’s 2026 pavilion see the exhibition transfer to a brand new location, the Docks Cantieri Cucchini, which is able to inform the expertise of the exhibition. For the pavilion, in response to a launch, Sigurðardóttir will think about “the place religion is positioned, and on the friction between creativeness and actuality—moments the place the 2 overlap, blur, and create new prospects for perception.”

Dublin-based artist Isabel Nolan will signify Eire, with Georgia Jackson, director of the Douglas Hyde Gallery of Up to date Artwork at Trinity Faculty, serving as curator. Nolan works in quite a lot of mediums, from portray and sculpture to textiles and pictures, and her apply typically explores themes of cosmology, mythology, historical past, and mortality. She beforehand participated within the Glasgow Worldwide and EVA Worldwide biennials and confirmed on the 2025 Liverpool Biennial. “Artwork has an odd and particular capability to make and check highly effective sorts of neighborhood with shared data and sweetness, nonetheless momentary. The Venice Biennale is a stage like no different,” Nolan stated in an announcement.

Italy has one of many greatest Venice Biennale pavilions, and the nation has traditionally stuffed its partitions with extravagant, grand, and showy installations. Italy’s 2026 consultant, Chiara Camoni, appears prone to buck that pattern as a result of she works in a extra understated method. Her sculptures are sometimes composed of terracotta, ceramic, and material parts which are mixed to create varieties much like ones seen in nature. Generally, Camoni additionally sculpts mysterious pictures of girls that appear one step faraway from the times of antiquity. Her Venice pavilion, titled “Con te con tutto” (With you, with all the things), might be curated by Cecilia Canziani.

Regardless that Ei Arakawa-Nash gave up his Japanese nationality a number of years in the past, he has gained a large viewers within the nation the place he was born, with a sprawling survey for him staged by the Museum of Up to date Artwork Tokyo in 2024. Identified for imaginative works by which he stretches the chances of portray, turning actions usually achieved behind closed doorways in a studio into public-facing performances, the Los Angeles–based mostly artist will now tackle a private matter: his journey because the queer father of two child twins. His pavilion will take as its jumping-off level the 1962 Japanese movie Being Two Isn’t Straightforward, in regards to the trials and tribulations of a household unit as noticed by a little bit child. Lisa Horikawa and Mizuki Takahashi will curate.

The Arts Council Korea chosen Binna Choi because the curator for its upcoming pavilion, from a listing of 18 candidates. Choi is a fixture on the biennale circuit, having curated the 2016 Gwagnju Biennale, served as co–creative director of the 2022 Singapore Biennale, and co-curating the Hawaii Triennial 2025. Choi has chosen Seoul-based artist Goen Choi and New York–based mostly artist Hyeree Ro because the nation’s representatives for a pavilion entitled “Liberation House,” a nod to the three-year interval following Japan’s defeat in World Warfare II and Korea’s subsequent liberation from colonial rule.

In an announcement, Choi recalled this second lately when the nation “skilled an abrupt declaration of martial legislation by our sitting president, adopted by over 4 months of nationwide impeachment rallies regardless of a deeply divided polity.” The “Liberation House,” for which the artists will create a “dwelling monument,” will supply a web site to contemplate that postwar second’s “evolution, continuity, and transnational potential amidst at this time’s geopolitics.”

For the primary time, Kosovo might be represented by a painter: Brilant Milazimi, whose figurative canvases typically function individuals with elongated our bodies. In line with the pavilion’s jury, the brand new works produced by Milazimi will ask: “what occurs to an individual, a physique, a nation, when it’s endlessly in movement? What habits are fashioned in stillness? What tensions accumulate throughout pause?” José Esparza Chong Cuy, director and chief curator of New York’s Storefront for Artwork and Structure, will curate the pavilion.

Whereas most pavilions have a tendency to spotlight artists nonetheless working, Lativa’s 2026 consultant might be a collective that disbanded greater than twenty years in the past. Untamed Style Assemblies, which was energetic between 1990 and 1999, would be the topic of the Latvian Pavilion, which approaches the collective as an “unfinished challenge, one which speaks to pressing conversations round creative experimentation, gender self-performance, anti-consumerist manufacturing, and collective creativeness,” per a launch. Based by artist Bruno Birmanis, the collective’s output bridged the hole between artwork, vogue, and different fields, and sought to divine connections between disparate international locations within the Baltic area, Central Europe, Western Europe, and elsewhere. Inga Lāce and Adomas Narkevičius, the pavilion’s curators, described the group not as “an try to mirror the West, however one thing stranger, and radically its personal.” The duo MAREUNROL’S can even contribute to the pavilion.

Nabil Nahas, a painter recognized for abstractions impressed by pure phenomena and structure, will signify Lebanon on the Biennale. His pavilion might be curated by Nada Ghandour and is being organized by the Lebanese Visible Artwork Affiliation, which praised Nahas for making artwork that “resonates with up to date issues whereas evoking each the non secular and the fabric, the intimate and the cosmic.”

Commissioned by the Lithuanian Nationwide Museum of Artwork and curated by unbiased curator Louise O’Kelly, Lithuania’s pavilion might be achieved by Eglė Budvytytė. The artist isn’t any stranger to Venice, having proven in the principle exhibition of the 2022 Biennale, organized by Cecilia Alemani. Based mostly in Amsterdam and the Lithuanian capital of Vilnius, Budvytytė is thought for performances and video artwork. For this Biennale, she is going to present Warmblooded and Wingless, an ongoing work begun in 2024 that encompasses a multichannel movie in addition to sound and spatial elements. “Having labored with Egle for a number of years, I’m significantly interested in her genuine method to embodiment, social relations and our symbiotic relationship with the setting,” O’Kelly informed LRT. “Having grown up in Lithuania, she opens up a novel worldview in her works, exhibiting the significance of misplaced perception and different methods of information and methods of coexistence.”

Born in Brussels, Aline Bouvy is now based mostly between Luxembourg and Belgium. The multidisciplinary artist typically seems to be on the relationship between our bodies and the areas that they inhabit. Her work has taken the type of sculptures, work, images, and extra. The pavilion is curated by Stilbé Schroeder, curator and head of division for exhibitions and programme at On line casino Luxembourg – Discussion board d’artwork contemporain, which serves as its commissioner.

Fok Hoi Seng, O Chi Wai, and Lei Fung Ieng will work collectively for this pavilion, titled “Jacone’s Polyphony” in reference to the Portuguese identify for Chinese language painter Wu Li, who frolicked in Macao. Their pavilion will take up the notion of cultural fusion and might be curated by Feng Yan and Ng Sio.

For this pavilion, Velimir Zernovski will remake Michelangelo’s Pietà at one-third of its precise dimension, adorning its surfaces with the golden emergency blankets ceaselessly used to safeguard refugees. The title of his work might be Pieta within the Covers of Urgency.

Three artists—Adrian Abela, Charlie Cauchi, and Raphael Vella—will signify Malta underneath a challenge titled “No Have to Sparkle.” In line with a press launch the pavilion’s theme is “an invite to give up to uncertainty and to embrace ‘doubting nicely’ as a philosophy of our unstable instances.” Abela is a Los Angeles–based mostly artist who studied structure and civil engineering in Malta and Milan earlier than receiving an MFA in sculpture on the College of California, Los Angeles. Cauchi is an interdisciplinary artist and filmmaker based mostly in Malta. Vella is a professor of artwork training and socially engaged artwork on the College of Malta. The pavilion might be organized by Margerita Pulè, an unbiased curator and the founder-director of Malta’s Unfinished Artwork House.

RojoNegro Collective, a Mexico Metropolis–based mostly duo composed of María Sosa and Noé Martínez, will signify Mexico with a pavilion entitled “Actos invisibles para sostener el universo.” Per its description, the pavilion will cope with subjects akin to “ancestral reminiscence, epistemic justice, decolonization, and relational ecology, drawing on indigenous, Afro-descendant, and peasant cosmogonies not as exterior references, however as dwelling matrices of thought that form their types of creation, connection, and creativeness.” Jessica Berlanga Taylor will curate.

Morocco had plans to make its premiere on the Venice Biennale in 2024, although the pavilion ended up being disbanded amid what one of many nation’s representatives referred to as a “nightmare” scenario behind the scenes. Now, Morocco is making an attempt as soon as extra, this time with Amina Agueznay, an artist recognized for elegant weavings made with the help of native artisans. Meriem Berrada, creative director of Marrakesh’s MACAAL museum, will curate her pavilion.

The 2024 Biennale was a notable one for New Zealand in two methods. Forward of the present, the nation stated it couldn’t host its pavilion that 12 months after a report revealed that there have been “insufficient” assets to take action. Then, on the exhibition itself, the Māori artists’ group Mataaho Collective took the highest honors. With all that within the background, New Zealand has now formally plotted its return to the Biennale, and has even promised pavilions by way of the 2030 version. In 2026, Fiona Pardington (Kāi Tahu, Kāti Mamoe, Ngāti Kahungunu, Clan Cameron of Erracht) will do the New Zealand Pavilion, which has not but been detailed.

For the primary time ever, efficiency artwork will fill the Dutch Pavilion, courtesy of artist Dries Verhoeven, who will work on the presentation in collaboration with curator Rieke Vos. On Verhoeven’s thoughts are some fairly bleak subjects. “Geopolitical tensions are grave, and that’s placing it mildly,” he stated in an announcement. “It has been a few years since our future felt this unsure. I need to try to make this unease tangible, throughout the ‘secure house’ of the Biennale.”

The Nordic Nations Pavilion, a collaboration between Finland, Norway, and Sweden, has chosen three artists for its 2026 Biennale presentation, which might be curated by Anna Mustonen, chief curator of the Museum of Up to date Artwork Kiasma in Helsinki. They’re Klara Kristalova, Benjamin Orlow, and Tori Wrånes. Whereas a theme or title has not but been revealed for the pavilion, Mustonen stated in an announcement, “The exhibition invitations guests to journey by way of a dynamic interaction of creativeness and actuality that bridges Nordic cultural heritage with broader international contexts.” Along with the Kiasma, the pavilion is commissioned in collaboration with Moderna Museet in Sweden and the OCA – Workplace for Up to date Artwork Norway.

Two years after exhibiting in the principle exhibition of the Venice Biennale, Antonio José Guzmán and Iva Jankovic are returning to the lagoon metropolis, this time because the nationwide representatives for Guzmán’s house nation. (Jankovic was born within the former Yugoslavia.) Collectively, they are going to use textiles, sound, and extra to discover communities that had been displaced—and largely scrubbed from the annals of historical past—through the development of the Panama Canal. The artists’ challenge focuses on “crossings of the Black Atlantic and the up to date resonances of migration, dispossession, and cultural resistance,” in response to the committee that selected their proposal. Mónica Kúpfer and Ana Elizabeth González will curate the pavilion.

Sara Flores, a Shipibo artist whose abstractions have captured international consideration and made her one of many few Indigenous artists with blue-chip gallery illustration, will signify Peru. Her pavilion will function extra of her works on material, which she produces utilizing dyes and have patterns recognized kené. These patterns map Shipibo data and immortalize it. Titled “De otros mundos” (From Different Worlds), her pavilion might be curated by Issela Ccoyllo and Matteo Norzi.

Jon Cuyson, an artist and filmmaker recognized for work that explores Filipino historical past by way of waterways and the labor concerned in sustaining them as market byways, will signify the Philippines this time round. His pavilion might be curated by Mara Gladstone, who will work with Cuyson as he collaborates with mussel farmers, specialists in aquaculture, and others based mostly within the Philippines.

Alexandre Estrela, who lately confirmed a mind-bending set up on the Museum of Trendy Artwork that featured video of printing plates with a trippy accompanying soundtrack, will stage Portugal’s 2026 pavilion. Particulars of Estrela’s pavilion haven’t but been introduced, although Ana Baliza and Ricardo Nicolau will function its organizers. Baliza beforehand designed Estrela’s MoMA set up.

Poland’s 2024 pavilion, a video set up in regards to the warfare in Ukraine, was a searing assertion about all that might and couldn’t be communicated. The nation’s 2026 pavilion, by Bogna Burska and Daniel Kotowski, will take up an identical theme with a a lot totally different focus: the songs of humpback whales. The artists will work with Chór w Ruchu (Choir in Movement), composed of each listening to and Deaf members, for a video set up that interprets these songs into English and signal language. Ewa Chomicka and Jolanta Woszczenko will curate the pavilion, titled “Liquid Tongues.”

In a former timber and coal warehouse, Mark Francis will stage San Marino’s pavilion, which he’s titled “Sea of Sound.” The Northern Irish artist is greatest recognized for his summary work about phenomenological ideas and pure matter, although in an announcement about his pavilion, he teased a latest curiosity in movie and video. His Venice pavilion, curated by Luca Tommasi, will function a projection referred to as Listening Subject and a collection of latest work.

Dana Awartani, a Saudi artist who’s of Palestinian descent, was a star of the 2024 Venice Biennale, the place she confirmed an set up that includes darned silk textiles that she meant as a homage to violence and therapeutic in Gaza. Now, Awartani is again at Venice, this time as Saudi Arabia’s consultant. She has not but detailed her pavilion, which might be organized by Artwork Jameel head Antonia Carver and curator Hafsa Alkhudairi.

After sitting out the 2024 on account of funding issues, Scotland will return to Venice with a pavilion by Burgarin + Fortress, a duo composed of artists Davide Bugarin and Angel Cohn Fortress. “Drawing on queer histories, Scottish archives and Filipino cultural heritage, Bugarin + Fortress’s challenge will look at how sound and costume form social management,” an announcement for the pavilion reads. The pavilion, staged as a collateral occasion, might be organized by the curatorial staff of the Mount Stuart Belief, which incorporates curator Morven Gregor.

When Predrag Đaković was named as Serbia’s consultant in 2025, his choice was handled by many members of the native artwork neighborhood as each a shock and an offense. (Tomaš Koudela was named curator of his pavilion on the time.) The Prague-based artist has made work in regards to the former Yugoslavia, the Holocaust, and different subjects, however none of his artwork was well-known in Serbia, the place artists have claimed that somebody extra well-known than Đaković really deserved the respect. Greater than 600 individuals subsequently referred to as for the artist’s ejection, calling the method for his appointment “unprofessional and non-transparent” in a petition that’s nonetheless circulating.

Amanda Heng will signify Singapore on the 2026 Venice Biennale. At 73, she is the oldest artist and solely the second lady to take over the city-state’s pavilion. After a profession as an revenue tax officer, Heng devoted herself to artwork making in 1986. She cofounded the Artist’s Village, an artwork colony, and Ladies within the Arts, an artist-run girls collective, in 1988 and 1999, respectively. She is greatest recognized for durational performances, like Strolling The Stool (1999), a piece that doubled as a efficiency and a protest in opposition to Singapore’s ban on artwork in that medium. The pavilion might be curated by Selene Yap, a curator on the Singapore Artwork Museum, which collaborates with the county’s Nationwide Arts Council, the pavilion’s commissioner.

Oriol Vilanova will signify Spain with a challenge referred to as “Los Restos” that pulls from the artist’s assortment of postcards amassed over the previous 20 years from flea markets and second-hand retailers and now numbering within the tens of hundreds. Carles Guerra, an artist, critic, and curator, arrange Vilanova’s pavilion. Per a launch, “The Spanish Pavilion will current this assortment as an evolving ‘anti-museum’, the place modest but sustained gestures of gathering change into a strong response to our current issues about preservation, accumulation, and the economies related to cultural worth.”

This time round, Switzerland could have not by one however six representatives: Gianmaria Andreetta, Luca Beeler, Nina Wakeford, Miriam Laura Leonardi, Lithic Alliance, and Yul Tomatala, all of whom will work collectively on a challenge referred to as “The Unfinished Constructing of Dwelling Collectively.” Per its description, that challenge will concentrate on a 1978 episode of the Swiss tv program Telearena that featured queer individuals bitterly debating their sexual orientation with conservative viewers members. The pavilion “seeks to look at the situations and prospects of tolerance and belonging in addition to types of social division,” per its description. Andreetta and Beeler, who’re curators, and Wakeford, an artist, initiated the challenge collectively, after which introduced within the remaining three members. It’s the primary time Switzerland’s pavilion was chosen by way of an open name.

Formally a collateral occasion, Taiwan’s nationwide presentation might be given over to Li Yi-Fan, an rising artist who has gained acclaim in his house nation over the previous a number of years. He gained the eighth Tung Chung Prize, given by the Taipei-based Hong Basis, in 2024, which comes with 1 million NTD (round $31,000) and the chance to create a brand new work and assist for a residency on the Rijksakademie van Beeldende Kunsten in Amsterdam. His 30-minute movie What Is Your Favourite Primitive (2023), made for that 12 months’s Taipei Biennial, takes the type of a parody of tech keynote speech by which the protagonist grapples with the moral problems with the sphere, significantly relating to image-based software program. Raphael Fonseca, curator of recent and up to date Latin American artwork on the Denver Artwork Museum, will arrange the pavilion.

Following its debut on the 2024 Biennale, Timor-Leste is returning to Venice with an intergenerational trio of artists: Veronica Pereira Maia, Etson Caminha, and Juventino Madeira. Curator Loredana Pazzini-Paracciani is on faucet to prepare their pavilion.

Seven years after showing in the principle exhibition of the Venice Biennale, Zhanna Kadyrova will now signify her house nation with a challenge referred to as “Safety Ensures.” Featured within the pavilion might be a sculpture referred to as Deer, which she initially put in in 2019 in Yuvileynyy Park in Pokrovsk and crafted from a dismantled Soviet army aircraft. When Pokrovsk was evacuated in 2024, Kadyrova needed to deinstall the work. Leonid Marushchak, a cocurator of the pavilion alongside Kseniya Malykh, referred to as the work “an emblem of the fashionable tribulations of symbols of the previous in opposition to the backdrop of up to date challenges.” Alongside the work itself, Kadyrova will present IDP, a movie made with Natalka Dyachenko, who served as cinematographer, that paperwork the work’s removing.

Now in her 80s, Margaret Whyte is capping a protracted profession in Uruguay by representing her house nation with an set up referred to as Antifragile. That title alludes to a 2012 e book by Nassim Nicholas Taleb, a mathematical statistician who studied methods that solely change into stronger amid makes an attempt to weaken them. Whyte will construct on that idea by exhibiting textiles, utilizing the act of weaving as a metaphor for collaboration. Patricia Bentancur will curate the pavilion.

Effectively earlier than Alma Allen was introduced as the USA’s Venice Biennale consultant, the pavilion was mired in controversy. Vainness Honest reported through the choice course of that the applying now not included language about range that was there underneath the final Presidential administration, as a substitute calling for a present that’s “non-political” and “consultant of the diplomacy of American political, social, and cultural life.” Following a authorities shutdown, Allen was in the end named last-minute because the American decide. (His acceptance of the supply seems to have been controversial: the New York Instances reported that two of his galleries dropped him, fearing blowback as a result of Allen could change into related to the Trump administration.)

Born within the US and based mostly in Mexico, Allen is thought for summary sculptures which have been in comparison with Constantin Brancusi’s modernist artwork. Whereas he did seem within the 2014 Whitney Biennial, he has not exhibited at many different recurring artwork exhibitions, making him not like many different previous picks for the USA’s pavilion. He additionally has a shorter CV than a lot of the different artists who’ve obtained the fee prior to now. Jeffrey Uslip, a curator greatest recognized for resigning from his put up on the Up to date Artwork Museum St. Louis amid controversy over a Kelley Walker present, will arrange Allen’s pavilion.

Having final proven on the Biennale in 2019, Wales is plotting its return to Venice in 2026 with a pavilion by artists Manon Awst and Dylan Huw. Oriel Myrddin gallery in Carmarthen will arrange the present.

Nilbar Güreş has gained a following in Turkey for painted textiles which are generally made with native artisans and infrequently broach points associated to gender and sexuality within the nation. Having lately held a present at Arter, probably the most extremely esteemed up to date artwork museums in Istanbul, Güreş will now signify the nation in Venice in a pavilion organized by Başak Doğa Temür.

A quintet of artists—Gideon Gomo, Eva Raath, Franklyn Dzingai, Felix Shumba, and Pardon Mapondera—will signify Zimbabwe, whose pavilion will take the title “Second Nature | Manyonga.” The exhibition, curated by Fadzai Veronica Muchemwa, will discover how we survive throughout unsure instances.